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Kevin Rockett | |
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Occupation | Film historian, author, scholar |
Language | English |
Nationality | Irish |
Education | PhD University of Ulster, 1989 M.A. (jure officii) Trinity College, 2004 |
Alma mater | University of Ulster |
Period | 1980–present |
Genre | Film history |
Subject | Irish film |
Notable works | – Cinema and Ireland - The Irish Filmography - Neil Jordan: Exploring Boundaries - Irish Film Censorship |
Notable awards | Irish Film Institute Award |
Kevin Rockett is an Irish film historian, writer and scholar specializing in the history of Irish cinema. [1] He is currently an associate professor in Film Studies and head of the School of Drama, Film and Music, at Trinity College, Dublin. He has authored, co-authored, or edited numerous books, including Cinema and Ireland (1987), The Irish Filmography (1996), Neil Jordan: Exploring Boundaries (2003) and Irish Film Censorship (2004).[ citation needed ]
Rockett became a member of the Irish Film Institute in 1979, and he served as the IFI's chairman from 1984 through 1991. He received his doctorate from the University of Ulster in 1989.[ citation needed ]
Rockett taught film studies at University College Dublin before joining the faculty at Trinity College in 2000. He was made a Fellow of the College in 2004, receiving his Master in Arts (jure officii).[ citation needed ]
In 1995, Rockett wrote the screenplay for the film Irish Cinema: Ourselves Alone?, directed by Donald Taylor Black.[ citation needed ]
In 1996, the Irish Times wrote that Rockett's Cinema and Ireland (1987) "remains the Bible of Irish film studies."[ citation needed ]
Filmmaker Bob Quinn wrote of Irish Filmography: Fiction Films 1896 – 1996 (1996), "[the book is] an extraordinary opus. Rockett is an excellent and painstaking scholar. Never before has anybody attempted to document in one volume every film ever made in or about Ireland. The amount of detail he has unearthed is no less than stupendous. The nearest literary analogy I can think of is Dineen's Irish Dictionary.[ citation needed ] Jeff Brownrigg of Australia's National Film and Sound Archive wrote that the book is "an indispensable tool for the researcher," and that it "provides a valuable source of information about a large group of international narrative feature films gathered together under the head of their general association with Ireland." He commented on the book's nearly two thousand entries and made note of its comprehensive nature, concluding that it "is an essential reference for libraries and will be sought by film buffs." [3]
Lir Mac Cárthaigh of Film Ireland wrote that Neil Jordan: Exploring Boundaries (2003) "provides a convenient starting-point for anyone intending to write about Jordan's work, the history of Irish film, or cinematic representations." [2]
John Kelleher, former Director of the Irish Film Classification Office, referred to Rockett's book Irish Film Censorship (2004) as the key text on the subject.[ citation needed ] It was described as "magisterial," (Hugh Linehan, Irish Times) "monumental," (RTÉ Radio 1) "meticulous," (Luke Gibbons, Irish Times), and "fascinating" (Kim Bielenberg, Irish Independent).
In 2001, Rockett received the Irish Film Institute Award for Contribution to Irish Film. [4]
Neil Patrick Jordan is an Irish film director, screenwriter, novelist and short-story writer. He first achieved recognition for his short story collection, Night in Tunisia, which won the Guardian Fiction Prize in 1979. After a stint working at RTÉ, he made his directorial debut with the 1982 film Angel.
The Irish Film Classification Office (IFCO) is the organisation responsible for films, television programmes, and some video game classification and censorship within Ireland. Where restrictions are placed by the IFCO, they are legally binding.
The Irish film industry has grown somewhat from the late 20th century, due partly to the promotion of the sector by Fís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by the Irish Film Board and PricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years previously, to well over 6,000 people in that sector by the time of the report. The sector was reportedly valued at over €557.3 million and represented 0.3% of GDP. Most films are produced in English as Ireland is largely Anglophone, though some productions are made in Irish either wholly or partially.
Film Ireland is a cultural cinema magazine published from 1987–2013 by Filmbase Centre for Film and Video in Dublin, Ireland. It is Ireland's longest-running film publication. Film Ireland magazine ceased publication in 2013, but maintains an online presence.
Ourselves Alone is a 1936 British drama film depicting a love story set against the backdrop of the Irish War of Independence. The title is a translation of the Irish slogan Sinn Féin Amháin. It is directed by Brian Desmond Hurst and stars John Lodge, John Loder and Antoinette Cellier.
The Irish Filmography: Fiction Films 1896-1996 is a 757-page reference catalog of movies and short films produced from 1896 to 1996 in Ireland, or about Ireland and the Irish. It was published in 1996 by Red Mountain Press, a company in Dublin, Ireland. The chief editor was Kevin Rockett.
Michael Collins is a 1996 biographical historical drama film about Michael Collins, a leading figure in the early-20th-century Irish struggle for independence against Britain. It is written and directed by Neil Jordan and stars Liam Neeson in the title role, along with Aidan Quinn, Stephen Rea, Alan Rickman, and Julia Roberts. The film was distributed by Warner Bros.
A Pair of Hellions is a 1924 American silent Western film directed by Walter Willis. It was produced by Max O. Miller and written by Peter Clark MacFarlane.
Film censorship in the Republic of Ireland began on a national basis with the introduction of the Censorship of Films Act in 1923. This act established the office of the Censor of Films, an office since replaced and renamed in 2008 as the Irish Film Classification Office.
John MacDonagh was an Irish film director, playwright, republican, and a participant in the 1916 Easter Rising.
The Irish Vigilance Association was a society established in Ireland in 1911 under the auspices of the Dominicans. Its objective was to prevent the spread of "bad and unsavoury literature" by enrolling members in a "Good Literature Crusade". The "crusade" was directed against "immoral" literature and the perceived excesses of the English press, and was later extended to the cinema.
Johanna Harwood, a.k.a. J. M. Harwood, is a retired Irish screenwriter. She was born and raised in County Wicklow, Ireland. She co-wrote two James Bond films, and went uncredited for adaptation work on a third.
Her Sister's Secret is a 1946 American drama film directed by Edgar G. Ulmer and starring Nancy Coleman, Margaret Lindsay, Phillip Reed, and Regis Toomey. It centers around a woman who falls in love with a soldier. Believing she has been abandoned, she gives her baby to her married sister. The picture was produced and distributed by Producers Releasing Corporation. The screenplay was by Anne Green from the novel Dark Angel by Gina Kaus.
The Shaughraun is a 1912 American silent film produced by the Kalem Company and distributed by the General Film Company. It was directed by Sidney Olcott with himself, Gene Gauntier, Alice Hollister and Jack J. Clark in the leading roles.
Miarka or Miarka: The Daughter of the Bear is a 1920 French silent drama film directed by Louis Mercanton and starring Ivor Novello. The film is also known by the alternative title of Gypsy Passion. It was shot on location in the Camargue region. It was based on a novel by Jean Richepin which had previously been made into the libretto for an opera, Miarka, was later turned into a sound film of the same name.
Toby Christopher Barnard, is emeritus fellow in history at Hertford College, University of Oxford.
Linen from Ireland is a 1939 German drama film directed by Heinz Helbig and starring Otto Treßler, Irene von Meyendorff, and Friedl Haerlin. It was part of an ongoing campaign of anti-Semitism in German cinema of the era, and was also intended to discredit the governance of the old Austro-Hungarian Empire. By the time of the film's release in October 1939, Britain and Germany were at war, so it was also useful in creating anti-British sentiment.
Mary Manning Howe Adams was an Irish novelist, playwright and film critic. She lived and worked both in Dublin, Ireland and in Cambridge, Massachusetts. There she married and had a family. She was one of the founders in 1950 of The Poets' Theatre in Cambridge.
Oidhche Sheanchais is a 1935 Irish film directed by Robert J. Flaherty, who was also the cinematographer for the film. It was produced during the sound recording session for his more famous docufiction film Man of Aran in London, and is notable as the first Irish language sync sound film in the Irish Free State period.
Daughter of the Regiment is a 1929 British-German silent film directed by Hans Behrendt and starring Betty Balfour, Alexander D'Arcy, and Kurt Gerron. The plot is loosely based on the 1840 opera composed by Gaetano Donizetti. Subsequent adaptations of the story were made in 1933 and 1953.