The erhu is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a southern fiddle, and is sometimes known in the Western world as the Chinese violin or a Chinese two-stringed fiddle.
The proto-Mongols emerged from an area that had been inhabited by humans and predecessor hominin species as far back as 45,000 years ago during the Upper Paleolithic. The people there went through the Bronze and Iron Ages, forming tribal alliances, peopling, and coming into conflict with early polities in the Central Plain.
The culture of Mongolia has been shaped by the country's nomadic tradition and its position at the crossroads of various empires and civilizations. Mongolian culture is influenced by the cultures of the Mongolic, Turkic, and East Asian peoples, as well as by the country's geography and its history of political and economic interactions with other nations.
The kokyū (胡弓) is a traditional Japanese string instrument, the only one played with a bow. A variant of the instrument also exists in Okinawa, called kūchō (胡弓) in Okinawan.
The gaohu is a Chinese bowed string instrument developed from the erhu in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the huqin family of instruments, together with the zhonghu, erhu, banhu, jinghu, and sihu; its name means "high-pitched huqin". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the gaohu include Bu Bu Gao and Ping Hu Qiu Yue.
The sanxian is a three-stringed traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the early 20th century a four-stringed version, the jiaxian sanxian (加弦三弦), was developed. The northern sanxian is generally larger, at about 122 cm (48 in) in length, while southern versions of the instrument are usually about 95 cm (37 in) in length.
Huqin is a family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music. The instruments consist of a round, hexagonal, or octagonal sound box at the bottom with a neck attached that protrudes upwards. They also usually have two strings, and their soundboxes are typically covered with either snakeskin or thin wood. Huqin instruments usually have two tuning pegs, one peg for each string. The pegs are attached horizontally through holes drilled in the instrument's neck. Most huqin have the bow hair pass in between the strings. Exceptions to having two strings and pegs include variations of huqin with three, four, and sometimes even more than five. These include the zhuihu, a three stringed huqin, the sihu, a huqin of Mongolian origin, and the sanhu, a lesser-known three-stringed variation.
The banhu is a Chinese traditional bowed string instrument in the huqin family of instruments. It is used primarily in northern China. Ban means a piece of wood and hu is short for huqin.
The sihu is a Chinese bowed string instrument with four strings. It is a member of the huqin family of instruments.
The dahu is a large bowed string instrument from China. It has a large soundbox covered on one end with python skin. Like most other members of the huqin family of instruments, it has two strings and is held vertically. The instrument is generally pitched one octave below the erhu, and is considerably larger than the erhu. Its name derives from the Chinese word for "large" (dà), and the word hú. Its bridge is often placed somewhat above the center of the snakeskin to avoid stretching the skin.
The đàn nhị, also called đàn cò, is a Vietnamese bowed string instrument with two strings. The word nhị means "two" in Sino-Vietnamese, and đàn means "instrument". Its sound box is generally covered on one end with snakeskin.
The erxian is a Chinese bowed string instrument in the huqin family of instruments. It has two strings and is used primarily in Cantonese music, most often in "hard string" chamber ensembles. In the 1920s, following the development of the gaohu, the erxian experienced a decline and since the late 20th century has been little used outside the tradition of Cantonese opera.
The dihu is a large bowed string instrument from China. It has a large soundbox covered on one end with snakeskin. Like most other members of the huqin family of instruments, it has two strings and is held vertically. The instrument's name derives from "dī," meaning "low," and "hú".
The jiaohu is a Chinese bowed string instrument in the huqin family of musical instruments. Although very similar to the Jinghu and Ehru in physical structure, the Jiaohu is a traditional Chinese instrument. It is a small two-stringed fiddle-like instrument that requires a bow in order to produce its sound. Its sound box is made from the horn of a cow. The open front end of the sound box is covered with snake skin. As with many of the diverse instruments in China, many Huqin stringed instruments were used in feudal times to accentuate traditions, festivals, rituals, and court life. Chinese operas, especially in Beijing, required the use of elegant music and instruments, thus many woodwinds, drums, and stringed instruments including the Jiaohu were used in ensembles to give operas more emotional meaning. It has two strings and its sound box is made from the horn of a cow. The open front end of the sound box is covered with snake skin. The instrument is used primarily by the Gelao people of the southern Chinese province of Guangxi. The instrument's name is derived from the Chinese words jiǎo and hú .
Donghu was a tribal confederation of "Hu" (胡) nomadic people that was first recorded from the 7th century BCE and was taken over by the Xiongnu in 150 BCE. They lived in northern Hebei, southeastern Inner Mongolia and the western part of Liaoning, Jilin and Heilongjiang along the Yan Mountains and Greater Khingan Range.
The tiqin is a name applied to several two-stringed Chinese bowed string musical instruments in the huqin family of instruments.
The yehu is a bowed string instrument in the huqin family of Chinese musical instruments. Ye means coconut and hu is short for huqin. It is used particularly in the southern coastal provinces of China and in Taiwan. The instrument's soundbox is made from a coconut shell, which is cut on the playing end and covered with a piece of coconut wood instead of the snakeskin commonly used on other huqin instruments such as the erhu or gaohu. As with most huqin the bow hair passes in between the two strings. Many players prefer to use silk strings rather than the more modern steel strings generally used for the erhu, giving the instrument a distinctly hollow, throaty timbre. The instrument comes in various sizes. In Chaozhou music it is a leading instrument, and is tuned quite high. In Cantonese music it can be quite large and is often tuned to a relatively low pitch, lower than the erhu. It is used as an accompaniment instrument in the local musics and operas of various areas, including Guangdong, Fujian, and Taiwan. It is an important instrument in the music of the Chaozhou and Hakka peoples. In Taiwan, a variety of yehu used in Taiwan opera is called kezaixian.
The jing erhu is a Chinese two-stringed bowed musical instrument in the huqin family of instruments, similar to the erhu. It is so named because it is used in jing xi, or Beijing opera. It is lower in pitch than the jinghu, which is the leading melodic instrument in the Beijing opera orchestra, and is considered a supporting instrument to the jinghu. Its deep tone is one octave lower than the Jinghu and Kokyu, a Japanese instrument that used a similar tone to the jing erhu
The xiqin was a bowed string musical instrument. It is perhaps the original member of the huqin family of Chinese and Mongolian bowed string instruments; thus, the erhu and morin khuur and all similar fiddle instruments may be said to be derived from the xiqin. The xiqin had two silk strings and was held vertically.
The Kumo Xi, also known as the Tatabi, were ancient steppe people located in current Northeast China from 207 CE to 907 CE. After the death of their ancestor Tadun in 207, they were no longer called Wuhuan but joined the Khitan Xianbei in submitting to the Yuwen Xianbei. Their history is widely linked to the more famous Khitan.
