Richard Lester Meyers, better known by his stage name Richard Hell, is an American singer, songwriter, bass guitarist and writer.
Kill Rock Stars is an independent record label founded in 1991 by Slim Moon and Tinuviel Sampson, and based in both Olympia, Washington, and Portland, Oregon. The label has released a variety of work in different genres, but was originally known for its commitment to underground punk rock bands and the Olympia area music scene.
Country rock is a music genre that fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars. Country rock began with artists like Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, the New Riders of the Purple Sage, Linda Ronstadt, Little Feat, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including The Band, the Grateful Dead, Creedence Clearwater Revival, The Rolling Stones, and George Harrison's solo work, as well as playing a part in the development of Southern rock.
Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Huggy Bear were an English riot grrrl band, formed in 1991 and based in Brighton.
Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. It was recorded in 1991, at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop. The album shipped 50,000 copies on its original release. It is credited with helping to keep Sub Pop in business.
K Records is an independent record label in Olympia, Washington founded in 1982. Artists on the label included early releases by Beck, Modest Mouse and Built to Spill. The record label has been called "key to the development of independent music" since the 1980s.
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s she was the lead singer of feminist punk band Bikini Kill, and then fronted Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as the Julie Ruin.
Hollywood Records is an American record label of the Disney Music Group. The label focuses in pop, rock, alternative, hip hop, and country genres, as well as specializes in recordings for a more mature audience.
7 Year Bitch was an American punk rock band from Seattle, Washington. The band was active between 1990 and 1997 and released three albums over that time. The band formed at the same time as the emergence of the riot grrrl sub-genre, which is a subgenre of punk music from the early to mid-1990s that emphasized the role of women in rock music. The Riot Grrrl movement began as a feminist response to the violence and misogyny that became more prominent in punk music in the mid-to-late 1980s, and 7 Year Bitch, an all-female punk band, emerged as part of that sub-genre.
John Fryer is an English record producer. Best known for his production work, he has also performed as a musician, as one of the two constant members of This Mortal Coil, providing keyboards, strings and synthesizer sequencing for the band, and its offshoot, The Hope Blister.
Record Collector is a British monthly music magazine. It was founded in 1980 and distributes worldwide.
Rachel Chaiya Blumberg is an American musician, artist, and filmmaker, best known for her tenure as the drummer for the indie rock band The Decemberists.
Richie Unterberger is an American author and journalist whose focus is popular music and travel writing.
Manners & Physique is the fourth solo album by Adam Ant. It was released in 1990 by MCA Records. The single "Room at the Top" peaked at number 13 in the UK and number 17 in the United States. "Rough Stuff" (US) and "Can't Set Rules About Love" (UK) were released afterwards.
The Looks or the Lifestyle? is the fourth studio album by English alternative rock band Pop Will Eat Itself, released on 7 September 1992 by RCA Records.
The C.D. Version of the First Two Records is a compilation by punk rock band Bikini Kill, collecting their 1992 eponymous EP and their half of the 1993 EP Yeah Yeah Yeah Yeah, an album they shared with the band Huggy Bear. It was released in 1994 on Kill Rock Stars and was the first Bikini Kill release on CD. The album was re-released by Bikini Kill Records on June 23, 2015 as simply The First Two Records and featured additional tracks from the expanded re-release of Yeah Yeah Yeah Yeah.
The discography of Bikini Kill, an American punk rock band, consists of three studio albums, one split studio album, two compilation albums, one extended play (EP) and four singles.
Elizabeth Davis-Simpson is an American musician and songwriter best known as the bassist of the punk rock band 7 Year Bitch. She later worked on projects such as These Streets with Valerie Agnew, and has participated in a band named Clone.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
[1] 