Kim Douglas Wiggins | |
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Born | Roswell, New Mexico | April 8, 1959
Nationality | American |
Known for | Painting, sculpture |
Kim Douglas Wiggins (born April 8, 1959) is an American painter and sculptor best known for his expressionist landscapes and historical imagery of the American West. His work was recently seen in November 2007 [1] in a solo exhibition at Altermann Galleries in New York City, as well as numerous exhibitions at the Autry National Center [2] in Los Angeles. Additionally, a collection of Wiggins's work depicting the history of California has been exhibited at the Staples Center in Los Angeles since opening in 1999. [3]
Kim Wiggins was raised on a ranch in southern New Mexico [4] and began his art career sculpting miniatures of the wildlife around him. [5] In 1985 Wiggins was admitted as the youngest member of a national American impressionists society. [6] His father, Walt Wiggins, was a noted writer and photojournalist who traveled the world on assignment for major magazines like Sports Illustrated, Argosy and Look. [7] Wiggins draws upon Postimpressionism, Expressionism, American Regionalism, [8] muralist folk art traditions, and it is this union that makes his paintings truly unique and unexpected. [9] This collection of Wiggins's work is used as the backdrop for many of the backstage interviews at the Grammys which are held yearly at the Staples Center. [10] [11]
Wiggins's work is included in the books:
Wiggins has exhibited with:
Wiggins exhibits yearly at the Masters of the American West [25] show held at the Autry National Center in Los Angeles, CA. His work is included in the permanent collections of the Museum of New Mexico, the Anschutz collection, Denver, CO; the Staples Center, Los Angeles, CA; the Booth Western Art Museum, Cartersville, GA; and the Autry National Center, [26] Los Angeles, CA. His work was recently included in Painters and the American West, an exhibition that traveled from the Denver Art Museum to the Corcoran Gallery of Art, The Joslyn Art Museum, and the Art Institute of Chicago. He is also listed in the Artist's Bluebook [27] of 34,000 North American Artists.
Wiggins is represented by Manitou Galleries, [28] Santa Fe, New Mexico. Giclee reproductions of his unique work are available through Greenwich Workshop [29] dealers.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
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Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
The Autry Museum of the American West is a museum in Los Angeles, California, dedicated to exploring an inclusive history of the American West. Founded in 1988, the museum presents a wide range of exhibitions and public programs, including lectures, film, theater, festivals, family events, and music, and performs scholarship, research, and educational outreach. It attracts about 150,000 visitors annually.
The California Art Club (CAC) is one of the oldest and most active arts organizations in California. Founded in December 1909, it celebrated its centennial in 2009 and into the spring of 2010. The California Art Club originally evolved out of The Painters Club of Los Angeles, a short-lived group that lasted from 1906–09. The new organization was more inclusive, as it accepted women, sculptors and out-of-state artists.
Kenneth Price was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956. He continued his studies at Chouinard Art Institute in 1957 and received an MFA degree from New York State College of Ceramics at Alfred University in 1959. Kenneth Price studied ceramics with Peter Voulkos at Otis and was awarded a Tamarind Fellowship.
Linda Levi is an American artist who lives and works in Los Angeles, California.
Louis Delton Fancher was an American artist and illustrator, notable for his drawings that appeared in books, in magazines, and on propaganda posters during World War I.
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Kim Stringfellow is an American artist, educator, and photographer based out of Joshua Tree, California. She is an associate professor at the San Diego State School of Art, Design, and Art History. Stringfellow has made transmedia documentaries of landscape and the economic effects of environmental issues on humans and habitat. Stringfellow's photographic and multimedia projects engage human/landscape interactions and explore the interrelation of the global and the local.
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Jacobo de la Serna is a ceramic artist, Spanish Colonial scholar and painter. His work is exhibited in permanent collections around the United States.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
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Hart Haller (Hal) Empie (1909–2002) was an American artist, cartoonist, illustrator, teacher and pharmacist. He was best known for his portrayals of places and people of the American Southwest
Harvey Otis Young was an American painter and prospector. He was a prominent figure in the Denver art scene and a founding member of the Artists' Club of Denver, which eventually became the Denver Art Museum in 1923.
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