Kim Katrin | |
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Born | Port of Spain, Trinidad and Tobago | March 9, 1984
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Citizenship | Canadian |
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kimkatrin |
Kim Katrin (born March 9, 1984) is a Canadian American writer, multidisciplinary artist, activist, consultant, and educator. She was formerly credited as Kim Crosby and Kim Katrin Milan. She speaks on panels and keynotes conferences nationally, [1] [2] [3] [4] and facilitates radical community dialogues. [5] Her art, activism and writing has been recognized nationally. [6] [7] [8] [9]
Katrin completed her artist residency under d'bi Young at the AnitAfrika Theatre [10] and was a student of the Buddies in Bad Times Young Creator's Unit. [11] She is a certified yoga trainer and teacher. [12]
Katrin's writing and voice have been featured on NPR, [13] CBC Radio, [14] Out (magazine), [15] the Toronto Star, [16] The National Post, [17] The Huffington Post, [18] Autostraddle [19] [20] Feminist Wire, [21] Elixher, [6] [22] and Daily Xtra. [23] She has created over 70 workshop series on social change, anti-oppression, intersectionality, race, gender, leadership, youth and young women's empowerment. [24]
As a multidisciplinary artist, she regularly curates exhibitions, [25] [26] [27] cabarets events, performs and works on productions [28] across Canada. She produced and co-curated the Buddies in Bad Times Cabaret Insatiable Sisters with Gein Wong. [29] [30] [31]
She also engages in community based healing initiatives including teaching Queer and Brown Girls Yoga, and hosting yearly healing retreats for femme identified Folks of Colour and Indigenous Folks. Brave New Girls, retreats and healing skill shares. [32] Other community work includes consulting, curricula development, community empowerment, facilitation and workshops. [33] [34]
Katrin sat on the boards of Artreach, [44] [45] Shadeism [46] and the Toronto Arts Council Community Arts Council.
Buddies in Bad Times Theatre is a Canadian professional theatre company. Based in Toronto, Ontario, and founded in 1978 by Matt Walsh, Jerry Ciccoritti, and Sky Gilbert, Buddies in Bad Times is dedicated to "the promotion of queer theatrical expression".
d’bi.young anitafrika is a Jamaican-Canadian feminist dub poet, activist, and singer for the band D’bi and the 333. Their work includes theatrical performances, four published collections of poetry, twelve plays, and seven albums.
Evalyn Parry is a Canadian performance-maker, theatrical innovator and singer-songwriter. She grew up in Toronto, Ontario in the Kensington Market neighborhood. Her music combines elements of spoken word and folk.
Leah Lakshmi Piepzna-Samarasinha is a U.S. /Canadian poet, writer, educator and social activist. Their writing and performance art focuses on documenting the stories of queer and trans people of color, abuse survivors, mixed-race people and diasporic South Asians and Sri Lankans. A central concern of their work is the interconnection of systems of colonialism, abuse and violence. They are also a writer and organizer within the disability justice movement.
Nightwood Theatre is Canada's oldest professional women's theatre and is based in Toronto. It was founded in 1979 by Cynthia Grant, Kim Renders, Mary Vingoe, and Maureen White and was originally a collective. Though it was not the founders' original intention, Nightwood Theatre has become known for producing feminist works. Some of Nightwood's most famous productions include This is For You, Anna (1983) and Good Night Desdemona (1988). Nightwood hosts several annual events including FemCab, the Hysteria Festival, and Groundswell Festival which features readings from participants of Nightwood's Write from the Hip playwright development program.
Pink and White Productions is an American pornographic production company, based in San Francisco, California, that focuses on explicit video web and DVD releases showcasing female and queer sexuality. The company's main director and producer is Shine Louise Houston. Houston began her vision for "Pink and White Productions" after graduating from San Francisco Art Institute with a Bachelors in Fine Art Film; her works have become the new gold standard of queer adult cinema, particularly the Crash Pad Series (CrashPadSeries.com), which has won many awards as well as being featured in Curve magazine. Along with her feature in Curve, Houston has also won Curve's Lesbian Sex Culture Curator Award, the Feminist Porn Awards “Visionary, " PorYes Europe's 1st Feminist Porn Awards Honored Filmmaker and International Ms. Leather Keynote Speaker.
Keith Cole is a queer Canadian performance artist and political activist. Originally from Thunder Bay, Ontario, he is currently based in Toronto, Ontario. An alumnus of York University's Fine Arts program, Cole has worked in film and video, dance and theatre performance, both as himself and in character as drag queen Pepper Highway.
The Feminist Porn Awards (FPAs) is an annual adult film awards ceremony that began in 2006, and was initially organized by the Good for Her adult store in Toronto, Ontario, Canada. Until 2014, the ceremony was officially known as the Good for Her Feminist Porn Awards.
Hysteria: A Festival of Women was a recurring arts festival in Toronto. It was founded in 2003 by Moynan King of the Buddies in Bad Times theatre company in collaboration with Nightwood Theatre.
Autostraddle is a formerly independently owned online magazine and social network for lesbian, bisexual, and queer women, as well as non-binary people and trans people of all genders. The website is a "politically progressive queer feminist media source" that features content covering LGBT and feminist news, politics, opinion, culture, arts and entertainment as well as lifestyle content such as DIY crafting, sex, relationships, fashion, food and technology.
Pretty Porky & Pissed Off(PPPO) was a Canadian fat activist and performance art collective based in Toronto, Ontario from 1996 to 2005. They used their bodies as modes of resistance against discriminatory language, cultural, social practices, and policies. Their feminist, queer, and LGBT politics were part of the DIY ethics of punk rock and the Riot Grrrl movement, and feminist activism. PPPO was a Canadian trailblazer in the international fat liberation movement.
Allyson Mitchell is a Toronto-based maximalist artist, working predominantly in sculpture, installation and film. Her practice melds feminism and pop culture to trouble contemporary representations of women, sexuality and the body largely through the use of reclaimed textile and abandoned craft. Throughout her career, Mitchell has critiqued socio-historical phobias of femininity, feminine bodies and colonial histories, as well as ventured into topics of consumption under capitalism, queer feelings, queer love, fat being, fatphobia, genital fears and cultural practices. Her work is rooted in a Deep Lez methodology, which merges lesbian feminism with contemporary queer politics.
Cristina Carrera, otherwise known as Cristy C. Road is a Cuban-American illustrator, graphic novelist, and punk rock musician whose posters, music, and autobiographical works explore themes of feminism, queer culture, and social justice. She primarily works as an illustrator and graphic novelist, but also published a long-running zine about punk music and her life as a queer Latina. She performed on the Sister Spit roadshow in 2007, 2009, and 2013 and was the lead vocalist and guitarist for the queercore/pop-punk band, The Homewreckers. She currently sings vocals and plays guitar in Choked Up. She has published three books and one collection of postcards, as well as numerous concert posters, protest flyers, book covers, and logos. Road has worked as a professor at the Center for Documentary Studies at Duke University.
Jill Posener is a British photographer and playwright, known for her exploration of lesbian identity and erotica.
Nathalie Claude is a self-described "actress, director, dancer, choreographer, writer, and a sometimes MC, Drag King, clown, artistic coach and musician" from Montreal. She works in French and in English and sometimes creates bilingual performances.
Shine Louise Houston is a filmmaker and the founding director and producer of Pink and White Productions, an independent production company creating queer pornography in San Francisco. Houston makes feature-length pornographic films in addition to producing, directing, and shooting hundreds of installments for her queer porn membership site CrashPadSeries.com. Houston distributes her own work and that of other indie adult filmmakers through PinkLabel.tv, catering to different sexual communities.
Marie Lyn Bernard, known professionally as Riese Bernard, is an American writer and digital media executive. She is best known as the CEO and co-founder of the lesbian and queer women's interest website Autostraddle. Bernard received a 2017 GLAAD Media Award nomination for her article, “105 Trans Women On American TV: A History and Analysis”.
Mia Mingus is an American writer, educator, and community organizer who focuses on issues of disability justice. She is known for coining the term "access intimacy". She advocates for disability studies and activism to centralize the experiences of marginalized people within disability organizing. She is a prison abolitionist, and she advocates for transformative justice in her work against child sexual abuse.
Dainty Smith is a Toronto-based actor, playwright, and burlesque performer. She is the founder of Les Femmes Fatales: Women of Colour Burlesque Troupe, Canada's first burlesque troupe for Black women and women of colour, femmes and gender non-conforming persons. Her interdisciplinary work engages themes of glamour, afrofuturism, queer thriving, body positivity, and Blackness.
Dead Blondes and Bad Mothers: Monstrosity, Patriarchy and the Fear of Female Power is a 2019 book by Jude Ellison Doyle. It explores the presentation of female bodies in literature, film and other media, particularly horror fiction and true crime, and proposes that these are reflective of patriarchal views: that a woman's body is a defect from a male body; that women should be controlled, and that their puberty or sexual autonomy are to be feared; and that men's criminality can be attributed to poor maternal influence. Case studies include The Exorcist's portrayal of female puberty, the murderer Ed Gein who inspired Psycho and the Frankenstein author Mary Shelley's real-life experiences relating to childbirth. The conclusion discusses witchcraft.