King Hedley II | |
---|---|
Written by | August Wilson |
Date premiered | December 11, 1999 |
Place premiered | Pittsburgh Public Theater Pittsburgh, Pennsylvania |
Original language | English |
Series | The Pittsburgh Cycle |
Subject | A man's salvation and a quest for redemption for a family and a people |
Genre | Drama |
Setting | The Hill District, Pittsburgh, Pennsylvania, 1985 |
King Hedley II is a play by American playwright August Wilson, the ninth in his ten-part series, The Pittsburgh Cycle . The play ran on Broadway in 2001 and was revived Off-Broadway in 2007.
King Hedley II premiered at the Pittsburgh Public Theater in Pittsburgh, Pennsylvania, on December 11, 1999, and played a number of other regional theaters, including Seattle, Boston, Los Angeles, Chicago, and Washington before its Broadway engagement. [1]
The play opened on Broadway at the Virginia Theatre on May 1, 2001 and closed on July 1, 2001, after 72 performances and 24 previews. The Virginia Theatre is now called The August Wilson Theatre, and according to the New York Times, "the historical significance of the renaming: The Wilson is the first Broadway theater to be named for an African-American. [2] " Directed by Marion McClinton, the cast featured Brian Stokes Mitchell (King), Leslie Uggams (Ruby), Charles Brown (Elmore), Viola Davis (Tonya), Stephen McKinley Henderson (Stool Pigeon), and Monté Russell (Mister).
The play ran off-Broadway at the Peter Norton Space, also known as the Symphony Space, in New York City. During the Signature Theatre Company production from March 11, 2007, through April 22, 2007, was a season that featured Wilson's work. [3]
King Hedley II is the ninth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century. Set in Pittsburgh, Pennsylvania in 1985, it tells the story of an ex-con in Pittsburgh trying to rebuild his life. The play has been described as one of Wilson's darkest, telling the tale of a man trying to save $10,000 by selling stolen refrigerators so that he can buy a video store, as well as revisiting stories of other characters initially presented in Seven Guitars . The play is set in The Hill District of Pittsburgh, Pennsylvania.[ citation needed ]
Hedley’s wish, now that he has returned to Pittsburgh from prison, is to support himself by selling refrigerators and to start a family. Set during the Reagan Administration, the play comments critically on the supply-side economics theories of the day, examining whether their stated aim of providing trickle-down benefits to all Americans truly improved the lot of urban African Americans. [ citation needed ]
King Hedley II draws "on characters established in Seven Guitars, King Hedley II shows the shadows of the past reaching into the present." [4] Some of the characters presented earlier include King Hedley II, "the spiritual son of King Hedley from Seven Guitars and Stool Pigeon, a "sixty-five year old harmonica player...now a newspaper-collecting history carrier". [5] The character of Ruby was a "vivacious young newcomer to Pittsburgh" in Seven Guitars but in King Hedley II is "...overcome with worry and regret...". Mister is Red Carter's son. [6]
August Wilson was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle, which chronicle the experiences and heritage of the African-American community in the 20th century. Plays in the series include Fences (1987) and The Piano Lesson (1990), both of which won Wilson the Pulitzer Prize for Drama, as well as Ma Rainey's Black Bottom (1984) and Joe Turner's Come and Gone (1988). In 2006, Wilson was inducted into the American Theater Hall of Fame.
John Cullum is an American actor and singer. He has appeared in many stage musicals and dramas, including Shenandoah (1975) and On the Twentieth Century (1978), winning the Tony Award for Best Leading Actor in a Musical for each. In 1966 he gained his first Tony nomination as the lead in On a Clear Day You Can See Forever, in which he introduced the title song, and more recently received Tony nominations for Urinetown The Musical (2002) and as Best Featured Actor in the revival of 110 in the Shade (2007).
Fences is a 1985 play by the American playwright August Wilson. Set in the 1950s, it is the sixth in Wilson's ten-part "Pittsburgh Cycle". Like all of the "Pittsburgh" plays, Fences explores the evolving African-American experience and examines race relations, among other themes. The play won the 1987 Pulitzer Prize for Drama and the 1987 Tony Award for Best Play. Fences was first developed at the Eugene O'Neill Theater Center's 1983 National Playwrights Conference and premiered at the Yale Repertory Theatre in 1985.
Leslie Marian Uggams is an American actress and singer. After beginning her career as a child in the early 1950s, she garnered acclaim for her role in the Broadway musical Hallelujah, Baby!, winning a Theatre World Award in 1967 and the Tony Award for Best Actress in a Musical in 1968. Uggams gained wider recognition for portraying Kizzy Reynolds in the television miniseries Roots (1977), earning Golden Globe and Emmy Award nominations for her performance.
Cherry Jones is an American actress. She started her career in theater as a founding member of the American Repertory Theater in 1980 before transitioning into film and television. Celebrated for her dynamic roles on stage and screen, she has received various accolades, including three Primetime Emmy Awards and two Tony Awards, as well as nominations for an Olivier Award and a Screen Actors Guild Award.
Jitney is a play by American playwright August Wilson. The eighth in his "Pittsburgh Cycle", this play is set in a worn-down gypsy cab station in Pittsburgh, Pennsylvania, in early autumn 1977. The play premiered on Broadway in 2017.
Michael Wilson is an American stage and screen director working extensively on Broadway, Off-Broadway, and at the nation's leading resident theaters.
Sada Carolyn Thompson was an American stage, film, and television actress. Though best known to television audiences as Kate Lawrence in Family (1976–1980), for which she won the Emmy Award for Outstanding Lead Actress in a Drama Series in 1978, Thompson originally won acclaim as a theater actress on Broadway winning a Tony Award for Best Actress in a Play for Twigs in 1972.
Stephen McKinley Henderson is an American actor. Henderson trained at Juilliard School for acting and later became a resident member of the Repertory Theatre of St. Louis from 1976 to 1981. He came to prominence as a character actor often performing the plays of August Wilson. He has received nominations for two Tony Awards, a Drama Desk Award, and two Screen Actors Guild Awards. Vulture named Henderson as one of "The 32 Greatest Character Actors Working Today".
Seven Guitars is a 1995 play by American playwright August Wilson. It focuses on seven African-American characters in the year 1948. The play begins and ends after the funeral of one of the main characters, showing events leading to the funeral in flashbacks. Seven Guitars represents the 1940s entry in Wilson's Pittsburgh Cycle, a decade-by-decade anthology of African-American life in Pittsburgh, Pennsylvania during the twentieth century; Wilson would revisit the stories of some of these characters in King Hedley II, set in the 1980s.
Lloyd George Richards was a Canadian-American theatre director, and actor. While head of the National Playwrights Conference, he helped cultivate many of the most famous theater writers of the 20th century. He was also the dean of the Yale School of Drama from 1979 to 1991, and was the first Black director on Broadway.
Janice Elaine Maxwell was an American stage and television actress. She was a five-time Tony Award nominee and two-time Drama Desk Award winner. In a career spanning over thirty years, Maxwell was one of the most celebrated and critically acclaimed stage actresses of her time.
Michele Pawk is an American actress and singer. She is also an associate theater professor.
MCC Theater is an off-Broadway theater company located in New York City. The theater was founded in 1986 by artistic directors Robert LuPone, Bernard Telsey and William Cantler. Blake West joined the company in 2006 as executive director. MCC opened its current location in Manhattan's Hell's Kitchen neighborhood, as The Robert W. Wilson MCC Theater Space, on January 9, 2019.
Christopher Akerlind is an American lighting designer for theatre, opera, and dance. He won the Tony Award for Best Lighting Design for Indecent. He also won the Tony Award for Best Lighting Design and the Drama Desk Award for Outstanding Lighting Design for Light in the Piazza and an Obie Award for sustained excellence for his work Off-Broadway.
David Gallo is an American production/scenic designer, media/projection designer, and creative director for Broadway, international productions, television, and arena shows.
Charles Brown was an American actor and a member of New York City, New York theater troupe the Negro Ensemble Company. He was best known for his performances in Off-Broadway and Broadway plays by Samm-Art Williams and August Wilson.
Signature Theatre Company is an American theatre based in Manhattan, New York. It was founded in 1991 by James Houghton and is now led by Artistic Director Emily Shooltz. Signature is known for their season-long focus on one artist's work. It has been located in the Pershing Square Signature Center since 2012.
Marion Isaac McClinton was an American theatre director, playwright, and actor. He was nominated for the Tony Award for King Hedley II. He won the 2000 Vivian Robinson Audelco Black Theatre Awards, Director/Dramatic Production and the 1999–2000 Obie Awards, Direction, for Jitney, and was nominated for the Drama Desk Award.
Toni-Leslie James is an American costume designer for stage, television and film. James was awarded The Irene Sharaff Young Masters Award and the 2009 Obie Award for Sustained Excellence in Costume Design. She received a BA in costume design from The Ohio State University. James was an associate professor and head of design in the theatre department of Virginia Commonwealth University for 12 years, and is currently an assistant professor of design and Yale Repertory Theatre resident costume designer for the Yale School of Drama.