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Kirsten Moana Thompson | |
---|---|
Born | |
Nationality | New Zealander |
Alma mater | University of Auckland (BA, MA) NYU (PhD) |
Scientific career | |
Fields | Film Studies and Visual Culture |
Institutions | Wayne State University Victoria University of Wellington Seattle University (Current) |
Website | www.seattleu.edu |
Kirsten Moana Thompson (born 1964) is an interdisciplinary scholar of American and New Zealand/Pacific cinema and visual culture. Thompson's work in American film has focused on classical American cel animation [1] and the introduction of three strip Technicolor, on contemporary crime films and blockbuster [2] and special effects cinema. [3] [4] Her work on Pacific cinema situates film production by American and Pacific filmmakers in broader cultural and visual contexts. [5] She has also published on American horror film [6] and German cinema. [7]
Thompson's training in history, literature and media has shaped her interdisciplinary research and teaching. Thompson received her MA in English Literature with First Class Honors from Auckland University, New Zealand and her PhD from New York University's Tisch School of the Arts in 1998 in Cinema Studies. She worked as Film Director and Associate Professor of Film Studies at Wayne State University in Detroit for several years. [8] She then moved to New Zealand to take up the Directorship of the Film Program and was Professor of Film Studies at the School of English, Theatre, Film and Media Studies at University of Victoria in Wellington, New Zealand. She is currently Professor of Film Studies and Director of the Film Program at Seattle University.
Thompson's first sole authored book, Apocalyptic Dread: American Film at the Turn of the Millennium, examined a series of films made in the late nineties and first decade of the new century through Søren Kierkegaard's concept of dread, situating millennial cinema in philosophical, theological and cinematic traditions of anxieties about the future. [9] [10] Through her readings of certain films like Cape Fear (Martin Scorsese, 1991) and Candyman (Bernard Rose, 1992), Thompson offered new philosophical explanations for the long-standing cultural popularity of horror and apocalyptic cinema. Thompson's next book, Crime Films: Investigating the Scene, examined case studies of the crime, criminal and crime solver situating the detective film [11] [12] and crime stories [13] within historical developments in criminology, the police force and forensic investigation. Reflecting her increasing interest in wider social and historical aspects of visual culture, her work considers the emergence of visual technologies of identification and corporeal mapping, linking them to policing, social control, and the emergence of modern identity.
Thompson's scholarly research continues her work on American cinema and visual culture with a particular focus on classical and contemporary American animation [14] and Color studies. [15] [16] She is currently working on a book Color, Classical American Animation and Visual Culture which explores the historical, philosophical, and technological dimensions of colour in the cel animation of Walt Disney, the Fleischer Bros., MGM and other leading American animation studios. [17] [18] [19]
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures.
Anime is hand-drawn and computer-generated animation originating from Japan. Outside of Japan and in English, anime refers specifically to animation produced in Japan. However, in Japan and in Japanese, anime describes all animated works, regardless of style or origin. Animation produced outside of Japan with similar style to Japanese animation is commonly referred to as anime-influenced animation.
Traditional animation (or classical animation, cel animation, hand-drawn animation, also known as 2D animation: is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation in cinema until computer animation.
An art film is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", containing "unconventional or highly symbolic content".
Cel shading or toon shading is a type of non-photorealistic rendering designed to make 3-D computer graphics appear to be flat by using less shading color instead of a shade gradient or tints and shades. A cel shader is often used to mimic the style of a comic book or cartoon and/or give the render a characteristic paper-like texture. There are similar techniques that can make an image look like a sketch, an oil painting or an ink painting. The name comes from cels, clear sheets of acetate which were painted on for use in traditional 2D animation.
Harry Everett Smith was an American polymath, who was credited variously as an artist, experimental filmmaker, bohemian, mystic, record collector, hoarder, student of anthropology and a Neo-Gnostic bishop.
William Moritz, film historian, specialized in visual music and experimental animation. His principal published works concerned abstract filmmaker and painter Oskar Fischinger. He also wrote extensively on other visual music artists who worked with motion pictures, including James and John Whitney and Jordan Belson; Moritz also published on German cinema, Visual Music, color organs, experimental animation, avant-garde film and the California School of Color Music.
The Sinking of the Lusitania (1918) is an American silent animated short film by cartoonist Winsor McCay. It is a work of propaganda re-creating the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation. The National Film Registry selected it for preservation in 2017.
Dolores Claiborne is a 1995 American psychological thriller drama film directed by Taylor Hackford and starring Kathy Bates, Jennifer Jason Leigh, Christopher Plummer, and David Strathairn. The screenplay by Tony Gilroy is based on the 1992 novel of the same name by Stephen King. The plot focuses on the strained relationship between a mother and her daughter, largely told through flashbacks, after her daughter arrives to her remote hometown on a Maine island where her mother has been accused of murdering the elderly woman for whom she had long been a care-provider and companion.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Mohammad Malas is a prominent Syrian filmmaker. Malas directed several documentary and feature films that garnered international recognition. He is among the first auteur filmmakers in Syrian cinema.
A film – also called a movie, motion picture, moving picture, picture or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Lisa Nakamura is an American professor of media and cinema studies, Asian American studies, and gender and women’s studies. She teaches at the University of Michigan, Ann Arbor, where she is also the Coordinator of Digital Studies and the Gwendolyn Calvert Baker Collegiate Professor in the Department of American Cultures.
Aggie Grey was born in Western Samoa in 1897 and died in 1988. She was a well-known hotelier and founder of Grey Investment Group and Aggie Grey's Hotel.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Moana is a 2016 American computer-animated musical adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The 56th Disney animated feature film, it was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and a story by Musker, Clements, Williams, Hall, Pamela Ribon, and the writing team of Aaron and Jordan Kandell.
Donald Lee Hall is an American film director, voice actor and writer at Walt Disney Animation Studios. He is known for co-directing Winnie the Pooh (2011), Big Hero 6 (2014), Moana (2016), and Raya and the Last Dragon (2021). Big Hero 6 won the Academy Award for Best Animated Feature in 2015. Hall made his solo directorial debut in 2022 with Strange World.
Inner Workings is a 3D hand-drawn and computer-animated adventure short film produced by Walt Disney Animation Studios. It is written and directed by Leo Matsuda and produced by Sean Lurie. It premiered in theaters on November 23, 2016 along with Walt Disney Pictures' Moana.
Sharon Calahan is an American cinematographer who was director of photography on the Pixar films A Bug's Life (1998), Toy Story 2 (1999), and Finding Nemo (2003), and was lighting director for Ratatouille (2007), Cars 2 (2011), and The Good Dinosaur (2015). She took part in the early rise of computer animated feature filmmaking and the acceptance of that medium as cinematography. Calahan is the first member of the American Society of Cinematographers who was invited to join on the basis of a career entirely in animated film. She was nominated, with Bill Reeves, Eben Ostby, and Rick Sayre, for a 2000 BAFTA Award for Best Achievement in Special Visual Effects for A Bug's Life.
Moana Waialiki of Motunui is the title character of Walt Disney Animation Studios' 56th animated feature film Moana (2016). Created by directors Ron Clements and John Musker, Moana is originally voiced by Hawaiian actress and singer Auliʻi Cravalho. As a toddler, she is voiced by Louise Bush. Moana is set to appear in the Disney+ sequel series Moana: The Series, which will premiere in 2024.
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