Kirstie Blair | |
---|---|
Employer | University of Stirling |
Known for | research into Victorian literature and the working class writing, poetry and literature, and industrial heritage |
Notable work | Working Verse in Victorian Scotland: Poetry, Press, Community (2019) winner of two Saltire Society Literary Awards |
Awards | Fellow of the Royal Society of Edinburgh 2021 |
Kirstie Blair, FRSE is Dean of Arts and Humanities at Stirling University and became a Fellow of the Royal Society of Edinburgh in 2021. She specialises in Victorian literature and the working class writing, poetry and literature, and working with museums and industrial heritage sites to engage the community around them. [1] Her book Working Verse in Victorian Scotland: Poetry, Press, Community' won the Saltire Society Book of the Year and Research Book of the Year awards in 2019. [2]
Blair graduated MA from the University of Cambridge in 1997, won a two-year Kennedy Fellowship to Harvard University the following year, and completed her MPhil at St Anne's College, Oxford, in 2000. She completed her doctorate (DPhil) there two years later and in 2004 a Diploma in teaching and learning in Higher Education. [3] She tutored at St Peter's College, Oxford, [4] then her academic career moved to the University of Glasgow (2006–13) as a lecturer, then senior lecturer. In 2013 she became Chair at the University of Stirling. In 2016 she joined the University of Strathclyde as chair in English, serving as the Head of the School of Humanities from 2017 to 2020. [3]
As well as researching Victorian literature, especially working-class writing and poetry, Blair has also studied links between literature and religion and literature and medicine. Her work is extending into children's literature of the period and current day popular material, known as fanfiction. [3]
In 2006, Blair wrote Victorian Poetry and the Culture of the Heart [5] which looked at medical as well as symbolic depictions of the heart. A review indicated that this 'element of Victorian poetry has been neglected; this book begins to redress this disregard in a fresh and exciting way, suggesting that there is more to the heart than just its beat.' [6] She later wrote Form and Faith in Victorian Poetry and Religion in 2012, [7] , in which she was described as challenging the consensus of academia and said to be 'close to the bone' in claiming that some texts have been 'shortchanged by a bias in post-deconstructive scholarship'. [8]
She was the recipient of grants from the Leverhulme Trust and Carnegie Trust, and in 2016 created an anthology of newspaper verse from Scotland: The Poets of the People's Journal: Newspaper Poetry in Victorian Scotland. [9] [3] Her work has included a two-year, Carnegie-funded collaboration with colleagues at Glasgow University producing The People's Voice: Political Poetry, Song and the Franchise, 1832-1918 in 2018. [3] In sharing her findings, Blair commented 'it is important to remember that the very existence of a ‘Poet’s Corner’ and the critical forum of the ‘Notices to Correspondents’, in almost every local paper across Scotland, in itself had a significant relationship to the franchise debate'. [10] She worked with Dr Lauren Weiss on 'Literary Bonds', funded by the Research Society for Victorian Periodicals, exploring Victorian mutual improvement societies' publications, [3] and they jointly presented their findings at an Oxford seminar on Science, Medicine and Culture in the Nineteenth Century'. [11]
In 2019, her Working Verse in Victorian Scotland: Poetry, Press, Community [12] was described as a 'paradigm-shift' and as changing attitudes to working class literature. [13] The Saltire Award jury named it the Scottish Book of the Year 2019, [2] and also awarded it the Research Book of the Year with the judges stating that 'the fact that it is an important, significant piece of research did not discolour its enjoyability, with laugh out loud moments and fascinating facts.' [2] Her engagement with local communities such as in Hamilton where she critiqued the nineteenth century local press's attitude to working-class writing, and debated if this formed part of the universal suffrage reformers' arguments (in showing that workers had suitable intellectual capacity). [14]
Blair's research includes writers of what is widely considered 'bad poetry', [15] such as Dundee's McGonagall. [16] In 2019, Blair co-convened the British Association for Victorian Studies conference in the city, which brought 272 delegates from 14 countries, and claimed an inward investment of over £330,000. The location was chosen, she said, because of the 'combination of new and exciting developments such as the V&A, and Dundee's important Victorian heritage, like the Verdant Works and McManus building.' The event was given positive feedback from early career researchers and raised interest in Blair's research on working class poetry. [17] Earlier (2017) Blair had joined the steering committee of the Scottish Centre for Victorian and Neo-Victorian Studies (SCVS) [18] and in 2018 she presented the keynote speech at the founding of the Scottish Network for Nineteenth-Century European Cultures (SNNEC) titled: ‘Whose Cry is Liberty and Fatherland? Scottish Poets and European Nationalism’. [19]
She is now working with Dr Mike Sanders and Dr Oliver Bett [20] on an AHRC industrial heritage and literature project, called Piston, Pen & Press. [21] Her major funded projects, including this (funded to almost £660,000) are listed by the UK research council. [22] Working-class writers, including factory women, and relations to the radical press are often illustrated by concrete examples. [23]
Blair's contribution to understanding the genre and her insight and analysis is in various references in The Cambridge Companion to Victorian Women's Poetry [24] and also in The Oxford Handbook of the Oxford Movement. [25]
Hre research is also referred to in a 2020 interdisciplinary study of the 'Fin-de-Siecle Scottish Revival.' [26]
As a Fellow of the Royal Society of Edinburgh (2021), Blair is presenting with others on the 'new and engaging ways to encounter our past' in the RSE's Curious 2021 series of public outreach events, with a session entitled 'Nostalgia and applied games'. [27]
Blair's current and past research publications are listed on ORCID [28] and researchgate [29]
Blair's research has been cited on
William McGonagall was a Scottish poet and public performer. He gained notoriety as an extremely bad poet who exhibited no recognition of, or concern for, his peers' opinions of his work.
"The Tay Bridge Disaster" is a poem written in 1880 by the Scottish poet William McGonagall, who has been acclaimed as the worst poet in history. The poem recounts the events of the evening of 28 December 1879, when, during a severe gale, the Tay Rail Bridge at Dundee collapsed as a train was passing over it with the loss of all on board. The number of deaths was actually 75, not 90 as stated in the poem. The foundations of the bridge were not removed and are alongside the newer bridge.
Rev George Gilfillan was a Scottish author and poet. One of the spasmodic poets, Gilfillan was also an editor and commentator, with memoirs, critical dissertations in many editions of earlier British poetry.
Edwin George Morgan was a Scottish poet and translator associated with the Scottish Renaissance. He is widely recognised as one of the foremost Scottish poets of the 20th century. In 1999, Morgan was made the first Glasgow Poet Laureate. In 2004, he was named as the first Makar or National Poet for Scotland.
The Scottish Renaissance was a mainly literary movement of the early to mid-20th century that can be seen as the Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics. The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating folk influences, and a strong concern for the fate of Scotland's declining languages.
Violet Jacob was a Scottish writer known especially for her historical novel Flemington and for her poetry, mainly in Scots. She was described by a fellow Scottish poet Hugh MacDiarmid as "the most considerable of contemporary vernacular poets".
Liz Lochhead Hon FRSE is a Scottish poet, playwright, translator and broadcaster. Between 2011 and 2016 she was the Makar, or National Poet of Scotland, and served as Poet Laureate for Glasgow between 2005 and 2011.
Kathleen Jamie FRSL is a Scottish poet and essayist. In 2021 she became Scotland's fourth Makar.
Janet Hamilton was a nineteenth-century Scottish poet.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Dilys Rose is a Scottish fiction writer and poet. Born in 1954 in Glasgow, Rose studied at Edinburgh University, where she taught creative writing from 2002 until 2017. She was Director of the MSc in Creative Writing by Online Learning from 2012 to 2017. She is currently a Royal Literary Fellow at the University of Glasgow. Her third novel Unspeakable was published by Freight Books in 2017.
Christopher Whyte is a Scottish poet, novelist, translator and critic. He is a novelist in English, a poet in Scottish Gaelic, the translator into English of Marina Tsvetaeva, Pier Paolo Pasolini and Rainer Maria Rilke, and a critic of Scottish and international literature. His work in Gaelic appears under the name Crìsdean MacIlleBhàin.
Nigel James Leask is a Scottish academic publishing on Romantic, Scottish, and Anglo-Indian literature, with special interest on British Empire, Orientalism, and travel writing. He has been Regius Professor of English language and literature at the University of Glasgow, since 2004.
Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.
Adelaide Anne Procter was an English poet and philanthropist.
Polly Clark is a Canadian-born British writer and poet. She is the author of Larchfield (2017), which fictionalised a youthful period in the life of poet W. H. Auden, and Tiger (2019) about a last dynasty of wild Siberian tigers. She has published four critically acclaimed volumes of poetry. She lives in Helensburgh, Scotland.
Poetry published in newspapers, known as newspaper poetry or sometimes magazine verse, was a common feature of 19th- and early 20th-century Anglo-American literary culture.
Isobel Murray is a Scottish literary scholar, Emeritus Professor at the University of Aberdeen. She edited the work of Oscar Wilde and Naomi Mitchison. She also edited a series of interviews which she and her husband Bob Tait carried out with Scottish writers, and wrote a biography of the writer Jessie Kesson.
{{cite book}}
: CS1 maint: others (link){{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link){{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link){{cite book}}
: CS1 maint: others (link)