Nancy Sandra Sinatra is an American singer and actress. She is the elder daughter of Frank Sinatra and Nancy Sinatra, and is best known for her 1966 signature hit "These Boots Are Made for Walkin'".
Dame Shirley Veronica Bassey is a Welsh singer. Best known for her career longevity, powerful voice and recording the theme songs to three James Bond films, Bassey is widely regarded as one of the most popular vocalists in Britain.
Salesman is a 1969 direct cinema documentary film, directed by brothers Albert and David Maysles and Charlotte Zwerin, about door-to-door Bible salesmen.
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated four times in 1999, 2002, 2008, and 2012. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
Pauline Kael was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries.
The James Bond film series from Eon Productions has featured numerous musical compositions since its inception 1962, many of which are now considered classic pieces of British film music. The best known of these pieces is the "James Bond Theme" by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by several notable British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series; Madonna's "Die Another Day" became a dance hit around the world, while A View to a Kill becomes the first and only James Bond song to have reached number one on the US Billboard Hot 100. Three Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele, "Writing's on the Wall" by Sam Smith and "No Time to Die" by Billie Eilish, with Writing's on the Wall also became the first Bond theme to reach number one on the UK Singles Chart.
Renata Adler is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker, and in 1968–69, she served as chief film critic for The New York Times. She is also a writer of fiction.
Kiss Kiss Bang Bang is a 2005 American crime/comedy starring Robert Downey, Jr. and Val Kilmer.
Help! is a 1965 British musical comedy-adventure film directed by Richard Lester, starring The Beatles and featuring Leo McKern, Eleanor Bron, Victor Spinetti, John Bluthal, Roy Kinnear and Patrick Cargill. The second film starring the Beatles following Lester's A Hard Day's Night, Help! sees the group struggle to protect Ringo Starr from a sinister eastern cult and a pair of mad scientists, all of whom are obsessed with obtaining a sacrificial ring sent to him by a fan. The soundtrack was released as the band's fifth studio album under the same name.
Dreamchild is a 1985 British drama film written by Dennis Potter, directed by Gavin Millar, and produced by Rick McCallum and Kenith Trodd. The film, starring Coral Browne, Ian Holm, Peter Gallagher, Nicola Cowper and Amelia Shankley, is a fictionalised account of Alice Liddell, the child who inspired Lewis Carroll's 1865 novel Alice's Adventures in Wonderland.
Chitty Chitty Bang Bang is a 1968 musical-fantasy film directed by Ken Hughes with a screenplay co-written by Roald Dahl and Hughes, loosely based on Ian Fleming's novel Chitty-Chitty-Bang-Bang: The Magical Car (1964). The film stars Dick Van Dyke, Sally Ann Howes, Adrian Hall, Heather Ripley, Lionel Jeffries, Benny Hill, James Robertson Justice, Robert Helpmann, Barbara Windsor and Gert Fröbe.
Thunderball is a 1965 spy film and the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original screenplay by Jack Whittingham devised from a story conceived by Kevin McClory, Whittingham, and Fleming. It was the third and final Bond film to be directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins.
From Russia with Love is a 1963 spy film and the second in the James Bond series produced by Eon Productions, as well as Sean Connery's second role as MI6 agent 007 James Bond. The picture was directed by Terence Young, produced by Albert R. Broccoli and Harry Saltzman, and written by Richard Maibaum and Johanna Harwood, based on Ian Fleming's 1957 novel From Russia, with Love. In the film, Bond is sent to assist in the defection of Soviet consulate clerk Tatiana Romanova in Turkey, where SPECTRE plans to avenge Bond's killing of Dr. No. The film followed Dr. No (1962) and was followed by Goldfinger (1964).
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
I Lost It at the Movies is a 1965 book that serves as a compendium of movie reviews written by Pauline Kael, later a film critic from The New Yorker, from 1954 to 1965. The book was published prior to Kael's long stint at The New Yorker; as a result, the pieces in the book are culled from radio broadcasts that she did while she was at KPFA, as well as numerous periodicals, including Moviegoer, the Massachusetts Review, Sight and Sound, Film Culture, Film Quarterly and Partisan Review. It contains her negative review of the then-widely acclaimed West Side Story, glowing reviews of other movies such as The Golden Coach and Seven Samurai, and longer polemical essays such as her largely negative critical responses to Siegfried Kracauer's Theory of Film and Andrew Sarris's Film Culture essay "Notes on the Auteur Theory, 1962". The book was a bestseller upon its first release, and is now published by Marion Boyars Publishers.
Deeper Into Movies is a collection of 1969 to 1972 movie reviews by American film critic Pauline Kael, published by Little, Brown and Company in 1973. It was the fourth collection of her columns; these were originally published in The New Yorker. It won the U.S. National Book Award in category Arts and Letters.
Movie Love: Complete Reviews 1988–1991 (1991) is the 11th and last collection of film reviews by the critic Pauline Kael and covers the period from October 1988 to March 1991, when she chose to retire from her regular film reviewing duties at The New Yorker. In the "Author's Note" that begins the anthology, Kael writes that this period had "not been a time of great moviemaking fervor", but "what has been sustaining is that there is so much to love in movies besides great moviemaking."
When the Lights Go Down: Film Writings 1975–1980 (1980), is the sixth collection of movie reviews by the critic Pauline Kael.
Going Steady: Film Writings 1968–1969 is the third collection of film reviews by the critic Pauline Kael, comprising the years 1968–1969, when she first began her film-reviewing duties at The New Yorker and which covers, " a crucial period of social and aesthetic change at the end of the sixties."
Eurospy film, or Spaghetti spy film, is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films were released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword and sandal genre.
