Nancy Sandra Sinatra is an American singer-songwriter, actress, film producer and author. She is the elder daughter of Frank Sinatra and Nancy Sinatra and is known for her 1965 signature hit "These Boots Are Made for Walkin'".
Dame Shirley Veronica Bassey is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain.
Sunrise: A Song of Two Humans is a 1927 American synchronized sound romantic drama directed by German director F. W. Murnau and starring George O'Brien, Janet Gaynor, and Margaret Livingston. The film's plot follows a married farmer (O'Brien) who falls for a woman vacationing from the city (Livingston), who tries to convince him to murder his wife (Gaynor) in order to be with her. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Movietone sound-on-film process. The story was adapted by Carl Mayer from the short story "The Excursion to Tilsit", from the 1917 collection with the same title by Hermann Sudermann.
Salesman is a 1969 direct cinema documentary film, directed by brothers Albert and David Maysles and Charlotte Zwerin, about door-to-door Bible salesmen.
The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's novel of the same name directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909–2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The first cut of the film was previewed in Los Angeles on January 26, 1925. The film was released on September 6, 1925, premiering at the Astor Theatre in New York.
Pauline Kael was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael often defied the consensus of her contemporaries.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film stars Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon.
Renata Adler is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker for over thirty years and the chief film critic for The New York Times from 1968 to 1969. She has also published several fiction and non-fiction books, and has been awarded the O. Henry Prize, a Guggenheim Fellowship, and the PEN/Hemingway Award.
Kiss Kiss Bang Bang is a 2005 American crime/comedy film starring Robert Downey, Jr. and Val Kilmer.
Dreamchild is a 1985 British drama film written by Dennis Potter, directed by Gavin Millar, and produced by Rick McCallum and Kenith Trodd. The film, starring Coral Browne, Ian Holm, Peter Gallagher, Nicola Cowper and Amelia Shankley, is a fictionalised account of Alice Liddell, the child who inspired Lewis Carroll's 1865 novel Alice's Adventures in Wonderland.
Chitty Chitty Bang Bang is a 1968 children's musical fantasy film directed by Ken Hughes and produced by Albert R. Broccoli. It stars Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Gert FröChitty-Chitty-Bang-Bang: The Magical Car by Ian Fleming, with a screenplay co-written by Hughes and Roald Dahl.
Thunderball is a 1965 spy film and the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original screenplay by Jack Whittingham devised from a story conceived by Kevin McClory, Whittingham, and Fleming. It was the third and final Bond film to be directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
I Lost It at the Movies is a 1965 compendium of movie reviews written by Pauline Kael, later a film critic from The New Yorker, from 1954 to 1965. The book was published prior to Kael's long stint at The New Yorker; as a result, the pieces in the book are culled from radio broadcasts that she did while she was at KPFA, as well as numerous periodicals, including Moviegoer, the Massachusetts Review, Sight and Sound, Film Culture, Film Quarterly and Partisan Review. It contains her negative review of the then-widely acclaimed West Side Story, glowing reviews of other movies such as The Golden Coach and Seven Samurai, and longer polemical essays such as her largely negative critical responses to Siegfried Kracauer's Theory of Film and Andrew Sarris's Film Culture essay "Notes on the Auteur Theory, 1962". The book was a bestseller upon its first release and is now published by Marion Boyars Publishers.
Deeper Into Movies is a collection of 1969 to 1972 movie reviews by American film critic Pauline Kael, published by Little, Brown and Company in 1973. It was the fourth collection of her columns; these were originally published in The New Yorker. It won the U.S. National Book Award in category Arts and Letters.
Movie Love: Complete Reviews 1988–1991 (1991) is the 11th and last collection of film reviews by the critic Pauline Kael and covers the period from October 1988 to March 1991, when she chose to retire from her regular film reviewing duties at The New Yorker. In the "Author's Note" that begins the anthology, Kael writes that this period had "not been a time of great moviemaking fervor", but "what has been sustaining is that there is so much to love in movies besides great moviemaking."
Going Steady: Film Writings 1968–1969 is the third collection of film reviews by the critic Pauline Kael, comprising the years 1968–1969, when she first began her film-reviewing duties at The New Yorker and which covers, " a crucial period of social and aesthetic change at the end of the sixties."
Jane Arden was a British film director, actress, singer/songwriter and poet, who gained note in the 1950s. Born in Pontypool, Monmouthshire, she studied at the Royal Academy of Dramatic Art. She started acting in the late 1940s and writing for stage and television in the 1950s. In the 1960s, she joined movements for feminism and anti-psychiatry. She wrote a screenplay for the film Separation (1967). In the late 1960s and 1970s, she wrote for experimental theatre, adapting one work as a self-directed film, The Other Side of the Underneath (1972). In 1978 she published a poetry book. Arden committed suicide in 1982. In 2009, her feature films Separation (1967), The Other Side of the Underneath (1972) and Anti-Clock (1979) were restored by the British Film Institute and released on DVD and Blu-ray. Her literary works are out of print.
Eurospy film, or Spaghetti spy film, is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films was released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword-and-sandal genre.
