Catharine Louise "Kitty" van der Mijll Dekker (1908-2004) was a Dutch textile artist. [1] She studied at the Bauhaus and her designs are still being produced.
Mijll Dekker was born on 22 February 1908 in Yogyakarta Dutch East Indies. [2] In 1916 the family returned to the Netherlands. [3] Around 1922 Mijll Dekker studied drawing at the Royal Academy of Art, The Hague and from 1926 through 1927 she studied at Hornsey College of Art in London. [4] From 1927 through 1929 she studied interior design with Cor Alons . [5] From 1929-1932 she studied at Walter Gropius' Bauhaus in Dessau, Germany. [4] Gropius allowed both men and women into his art school, but relegated women to a workshop where they studied crafts, mainly weaving. [6] Her teachers at the Bauhaus included Anni Albers, Otti Berger, Wassily Kandinsky, Paul Klee, Lilly Reich, Oskar Schlemmer, and Gunta Stölzl. [4]
From 1932 through 1966 Mijll Dekker owned a commercial hand weaving mill Handweverij en Ontwerpatelier K.v.d. Mijll Dekker. During the same time frame she worked for the linen weaving mill E.J.F. van Dissel & Zn. From 1934 through 1970 she taught at the Kunstnijverheidsschool Quellinus in Amsterdam. Her students included Marjanne Doeksen, Dook van der Heijden, Willy Pennings, Margot Rolf, Désirée Scholten, and Herman Scholten. Mijll Dekker was a member of the artists society, Arti et Amicitiae. [4]
In 1933 Mijll Dekker won a Silver medal at the Milan Triennial. [5] In 1935 she won a Gold medal at the Brussels International Exposition as well as the Prix d'honneur (Paris). In 1936 she exhibited at the 1936 World's Fair winning a Gold medal. The same year she received a Quellinus Prize. [4]
Mijll Dekker married Hermann Fischer in 1950. [4] Mijll Dekker died on 6 December 2004 in Nijkerk. [2] Her work is in the Stedelijk Museum Amsterdam. [7] Her 1935 design for a dish cloth is still being produced for the TextielMuseum in Tilburg. [8] [9]
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Anni Albers was a German-born American textile artist and printmaker credited with blurring the lines between traditional craft and art.
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Gunta Stölzl was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop. As the Bauhaus' only female master she created enormous change within the weaving department as it transitioned from individual pictorial works to modern industrial designs. Her textile work is thought to typify the distinctive style of Bauhaus textiles. She joined the Bauhaus as a student in 1920, became a junior master in 1927 and a full master the next year. She was dismissed for political reasons in 1931, two years before the Bauhaus closed under pressure from the Nazis.
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Otti Berger was a textile artist and weaver. She was a student and later teacher at the Bauhaus.
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