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Klaus Ottmann (born 1954 in Nuremberg, West Germany)[ citation needed ] is a writer[ citation needed ], art curator [1] and publisher. He is currently deputy director for Academic Affairs and Special Projects at The Phillips Collection in Washington, D.C.
Ottmann received a M.A. in philosophy from the Freie Universität Berlin, Germany, and a Ph.D. in philosophy from the Division of Media and Communications at the European Graduate School in Saas-Fee, Switzerland.[ citation needed ]
At The Phillips Collection, he has organized the exhibitions Karel Appel: A Gesture of Color; Hiroshi Sugimoto: Conceptual Forms and Mathematical Models; Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet; and Per Kirkeby: Paintings and Sculpture; and oversaw the installation of the Phillips's new permanent installation, a Wax Room created by Wolfgang Laib. Ottmann has curated more than 50 international exhibitions, including Jennifer Bartlett: History of the Universe. Works 1970–2011; Still Points of the Turning World: SITE Santa Fe’s Sixth International Biennial; Life, Love, and Death: The Work of James Lee Byars; Wolfgang Laib: A Retrospective; and Strange Attractors: The Spectacle of Chaos. His publications include Yves Klein by Himself: His Life and Thought, The Genius Decision: The Extraordinary and the Postmodern Condition, and The Essential Mark Rothko. In 2006, he translated and edited Yves Klein's complete writings, Overcoming the Problematics of Art: The Writings of Yves Klein, and in 2010 he translated F.W.J. Schelling's Philosophy and Religion (1804).
Ottmann is the publisher and editor of Spring Publications, which publishes books on archetypal psychology, symbolic imagination, art and the philosophy of art, phenomenology, the philosophy of psychology, religion, mysticism, and gnosis.[ citation needed ]
In 2016, Ottmann was awarded the Medal of Chevalier of the Order of Arts and Letters. Created in 1957, the Order of Arts and Letters (Ordre des Arts et des Lettres) honors notable artists and writers, as well as others who have significantly contributed to furthering the arts in France and around the world.
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives.
Mark Rothko, Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970), was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970. Although Rothko did not personally subscribe to any one school, he is associated with the American abstract expressionism movement of modern art.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the epicenter of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell and Theodoros Stamos among others.
Sean Scully is an Irish-born American-based artist working as a painter, printmaker, sculptor and photographer. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee. Moving from London to New York in 1975, Scully helped lead the transition from Minimalism to Emotional abstraction in painting, abandoning the reduced vocabulary of Minimalism in favor of a return to metaphor and spirituality in art.
Yves Klein was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art. He is known for the development and use of International Klein Blue.
Robert Motherwell was an American abstract expressionist painter, printmaker, and editor of The Dada Painters and Poets: an Anthology. He was one of the youngest of the New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko.
Michael Kelley was an American artist widely considered one of the most influential artists of our time. His work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and creative writing. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
The Phillips Collection is an art museum founded by Duncan Phillips and Marjorie Acker Phillips in 1921 as the Phillips Memorial Gallery located in the Dupont Circle neighborhood of Washington, D.C. Phillips was the grandson of James H. Laughlin, a banker and co-founder of the Jones and Laughlin Steel Company.
Nouveau réalisme is an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real." This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people: Yves Klein, Arman, Martial Raysse, Pierre Restany, Daniel Spoerri, Jean Tinguely and the Ultra-Lettrists, Francois Dufrêne, Raymond Hains, Jacques de la Villeglé; in 1961 these were joined by César, Mimmo Rotella, then Niki de Saint Phalle and Gérard Deschamps. The artist Christo showed with the group. It was dissolved in 1970.
The anima and animus are a syzygy of dualistic, Jungian archetypes among the array of other animistic parts within the Self in Jungian psychology, described in analytical psychology and archetypal psychology, under the umbrella of transpersonal psychology. The Jungian parts of the Self are a priori part of the infinite set of archetypes within the collective unconscious. Modern Jungian clinical theory under the analytical/archetypal-psych framework considers a syzygy-without-its-partner to be like yin without yang: countertransference reveals that logos and/or eros are in need of repair through a psychopomp, mediating the identified patient's Self; this theoretical model is similar to positive psychology's understanding of a well-tuned personality through something like a Goldilocks principle.
Archetypal psychology was initiated as a distinct movement in the early 1970s by James Hillman, a psychologist who trained in analytical psychology and became the first Director of the Jung Institute in Zürich. Hillman reports that archetypal psychology emerged partly from the Jungian tradition whilst drawing also from other traditions and authorities such as Henry Corbin, Giambattista Vico, and Plotinus.
The Schirn Kunsthalle is a Kunsthalle in Frankfurt, Germany, located in the old city between the Römer and the Frankfurt Cathedral. The Schirn exhibits both modern and contemporary art. It is the main venue for temporary art exhibitions in Frankfurt. Exhibitions included retrospectives of Wassily Kandinsky, Marc Chagall, Alberto Giacometti, Bill Viola, and Yves Klein. The Kunsthalle opened in 1986 and is financially supported by the city and the state. Historically, the German term "Schirn" denotes an open-air stall for the sale of goods, and such stalls were located here until the 19th century. The area was destroyed in 1944 during the Second World War and was not redeveloped until the building of the Kunsthalle. As an exhibition venue, the Schirn enjoys national and international renown, which it has attained through independent productions, publications, and exhibition collaborations with museums such as the Centre Pompidou, the Tate Gallery, the Solomon R. Guggenheim Museum, the Hermitage Museum, or the Museum of Modern Art.
Thomas McEvilley was an American art critic, poet, novelist, and scholar. He was a Distinguished Lecturer in Art History at Rice University and founder and former chair of the Department of Art Criticism and Writing at the School of Visual Arts in New York City.
Wolfgang Laib is a German artist, predominantly known as a sculptor. He lives and works in a small village in southern Germany, maintaining studios in New York and South India.
Werner Spies is a German art historian, journalist and exhibition organizer. From 1997 to 2000, he was a director of the Centre Georges Pompidou in Paris. Klaus Albrecht Schröder, director of the Albertina in Vienna, has called Spies "one of the most influential art historians of the 20th century."
Metamodernism refers to a number of related discourses about cultural developments that move beyond postmodernism by means of postmodernism. Many metamodern theorists characterize it in terms of both/and mediations between aspects of modernism and postmodernism; for others, the term suggests an integration of those sensibilities with premodern cultural codes as well. Metamodernism is one of a number of attempts to describe post-postmodernism.
Zero was an artist group founded in the late 1950s in Düsseldorf by Heinz Mack and Otto Piene. Piene described it as "a zone of silence and of pure possibilities for a new beginning". In 1961 Günther Uecker joined the initial founders. ZERO became an international movement, with artists from Germany, the Netherlands, Belgium, France, Switzerland, and Italy.
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
Thomas Kellein is a German art historian; gallery director; author; and curator. He was the Director at Kunsthalle Basel between 1988 and 1995, and the Director of the Kunsthalle Bielefeld between 1996 and 2010. He was the Director of the Chinati Foundation between 2011 and 2012.
Jacob Baal-Teshuva is an Israeli-American author, journalist, art critic, appraiser, collector, and curator.
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