Krieau | |||||||||||
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General information | |||||||||||
Location | Leopoldstadt, Vienna Austria | ||||||||||
Coordinates | 48°12′53″N16°24′49″E / 48.2147°N 16.4137°E | ||||||||||
Line(s) | ![]() | ||||||||||
History | |||||||||||
Opened | 2008 | ||||||||||
Services | |||||||||||
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Krieau is a station on U2 of the Vienna underground railway (U-Bahn) network. [1] It is located in the Leopoldstadt district of the city, and is the station that serves both Messe Wien as well as the new campus of the Vienna University of Economics and Business. It opened in 2008. Krieau Station was originally to be named Trabrennstraße, but the planned name was changed in 2006, two years before the station opened.
In October 2013 the French graffiti artist Honet was commissioned by Wiener Linien and KÖR Kunst im öffentlichen Raum (Public Art Vienna) to create an artwork on 14 concrete pillars of the station's elevated metro track. His work titled Totem Modern shows the faces of cartoon superheroes and sci-fi characters of the 1970s, reflecting the "erstwhile function of columns as historically and religiously charged objects from a present-day point of view" turning them into "cult objects". [2]
Honet was followed in April 2014 by the Brazilian graffiti artist Speto who created an artwork titled 3 Brothers dedicated to the Villas-Bôas brothers on another 14 concrete pillars of the metro track. Honoring the brothers' legacy as champions for the indigenous population of the Amazon basin, Speto adorned the subway pillars with characters from Brazilian mythology like Boitatá, Iara or Boto and tribal pattern designs employing graphic styles of the Brazilian Literatura de Cordel. [3] [4]
Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
Orlando (1914–2002) and his brothers Cláudio (1916–1998) and Leonardo Villas-Bôas (1918–1961) were Brazilian brothers who worked in indigenous activism. In 1961 they succeeded in getting the entire upper Xingu legally protected, making it the first massive indigenous area in all South America, and the prototype for dozens of similar reserves all over the continent.
The Vienna U-Bahn, where U-Bahn is an abbreviation of the German word Untergrundbahn, is a rapid transit system serving Vienna, Austria. The five-line network consists of 83.1 kilometers (51.6 mi) of route, serving 109 stations. It is the backbone of what the International Association of Public Transport (UITP) deemed one of the best-performing public transport systems worldwide in 2009. 459.8 million passengers rode the U-Bahn in 2019. The network is undergoing expansion and rolling stock renewal. Since 1969, 200 million euros have been invested annually in the extension of the Vienna U-Bahn.
OSGEMEOS are identical twin street artists Otavio Pandolfo and Gustavo Pandolfo. They started painting graffiti in 1987 and their work appears on streets and in galleries across the world.
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For the artistic term, see trompe-l'oeil
Katharina Cibulka is an Austrian feminist artist, filmmaker and photographer whose work addresses gender-based inequity and power structures through public art projects such as her series of installations "SOLANGE". For her SOLANGE installations, Cibulka covers scaffolding at construction sites with monumental cross-stitch messages in bright pink tulle on white mesh fabric, following the pattern "As long as ... I will be a feminist." At least 27 SOLANGE installations have appeared in at least 21 cities, in countries including Austria, Slovenia, Morocco, Germany, and the United States. In 2021, Cibulka received the Tyrolean Prize for Contemporary Art from the State of Tyrol.
Ingrid Hornef is a German sculptor, installation artist, curator and painter. She is a representative of Concrete art and became best known for using a dice as a random number generator in her series of works Alea iacta est.