Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Madeline Charlotte Moorman was an American cellist, performance artist, and advocate for avant-garde music. Referred to as the "Jeanne d'Arc of new music", she was the founder of the Annual Avant Garde Festival of New York and a frequent collaborator with Korean American artist Nam June Paik.
Cory Arcangel is an American post-conceptual artist who makes work in many different media, including drawing, music, video, performance art, and video game modifications, for which he is best known.
Joan Jonas is an American visual artist and a pioneer of video and performance art, "a central figure in the performance art movement of the late 1960s". Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada.
Shigeko Kubota was a Japanese video artist, sculptor and avant-garde performance artist, who mostly lived in New York City. She was one of the first artists to adopt the portable video camera Sony Portapak in 1970, likening it to a "new paintbrush." Kubota is known for constructing sculptural installations with a strong DIY aesthetic, which include sculptures with embedded monitors playing her original videos. She was a key member and influence on Fluxus, the international group of avant-garde artists centered on George Maciunas, having been involved with the group since witnessing John Cage perform in Tokyo in 1962 and subsequently moving to New York in 1964. She was closely associated with George Brecht, Jackson Mac Low, John Cage, Joe Jones, Nam June Paik, and Ay-O, among other members of Fluxus. Kubota was deemed "Vice Chairman" of the Fluxus Organization by Maciunas.
Tony Oursler is an American multimedia and installation artist married to Jacqueline Humphries. He completed a Bachelor of Fine Arts at the California Institute for the Arts, Valencia, California, in 1979. His art covers a range of mediums, working with video, sculpture, installation, performance, and painting. He lives and works in New York City.
Lynda Benglis is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India.
Theo Watson is a British artist and programmer. His art work includes interactive video, large-scale public projections, computer vision projects, and interactive sound recordings which have featured in museums and galleries across the world including Museum of Modern Art, New York Hall of Science, Tate Modern amongst others. Watson is a partner at Design I/O, a Cambridge-based interactive design firm known for cutting edge, immersive installations. He is also co-founder of the programming toolkit openFrameworks, co-creator of the EyeWriter and a virtual fellow at Free Art and Technology Lab.
Dara Birnbaum is an American video and installation artist. Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the American household. Her oeuvre primarily addresses ideological and aesthetic features of mass media through the intersection of video art and television. She uses video to reconstruct television imagery using as materials such archetypal formats as quizzes, soap operas, and sports programmes. Her techniques involve the repetition of images and interruption of flow with text and music. She is also well known for forming part of the feminist art movement that emerged within video art in the mid-1970s. Birnbaum lives and works in New York.
Amanda McDonald Crowley is a New York-based Australian curator and arts administrator who has created exhibitions and events focused on new media art, contemporary art, and transdisciplinary work. She has served as the executive director of Eyebeam Art + Technology Center in New York City and as the artistic director at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
Electronic Arts Intermix (EAI) is a nonprofit arts organization that is a resource for video and media art. An advocate of media art and artists since 1971, EAI's core program is the distribution and preservation of a collection of over 3,500 new and historical video works by artists. EAI has supported the creation, exhibition, distribution and preservation of video art, and more recently, digital art projects.
Benton C Bainbridge is an American artist known for new media art including single channel video, interactive artworks, immersive installations and live visual performances with custom digital, analog and optical systems of his own design.
Leslie Thornton is an American avant-garde filmmaker and artist.
Adrianne Wortzel is an American contemporary artist who uses robotics and interaction between humans and machines in her installations and performances. She has also created many online works.
Phyllis Baldino is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York.
Marina G. Zurkow is an American visual artist based in New York City who works with media technology, animation and video. Some of the less traditional mediums are known to be dinners, life science and bio materials. Her subject matter includes individual narratives, environmental concerns, and reflections on the relationship between species, or between humans, animals, plants and the weather. Her artworks have been seen in solo exhibitions at DiverseWorks in Houston Texas and at FACT in Liverpool. Zurkow is the recipient of a Creative Capital grant and has had fellowships from the Guggenheim and the Rockefeller Foundation.
Alix Pearlstein is an American visual artist, who is particularly well known for her work in video art and performance art. Currently, Pearlstein is on the faculty of the M.F.A Program at School of Visual Arts in New York City, New York and serves on the Board of Governors of The Skowhegan School of Painting and Sculpture.
Brenna Murphy is an American artist based in Portland, Oregon.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Frank Gillette is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pioneer in video research [...] with an almost scientific attention for taxonomies and descriptions of ecological systems and environments". His seminal work Wipe Cycle –co-produced with Ira Schneider in 1968– is considered one of the first video installations in art history. Gillette and Schneider exhibited this early "sculptural video installation" in TV as a Creative Medium, the first show in the United States devoted to Video Art. In October 1969, Frank Gillette and Michael Shamberg founded the Raindance Corporation, a "media think-tank [...] that embraced video as an alternative form of cultural communication.
