Editor | Poul Henningsen |
---|---|
Categories | Architecture magazine |
Frequency | Quarterly |
Founded | 1926 |
First issue | July 1926 |
Final issue | 1928 |
Country | Denmark |
Based in | Copenhagen |
Language | Multilingual |
Kritisk Revy (Danish : Critical Review) was a quarterly architecture magazine. It was briefly published between 1926 and 1928 in Copenhagen, Denmark. The magazine played a significant role in developing avant-garde culture in Scandinavia in the period between World War I and World War II. [1] It is also the early source for the Danish modern. [2] [3]
Kritisk Revy was established in 1926. [1] The first issue appeared in July 1926. [4] The founders were architects and left-wing intellectuals. [1] The headquarters was in Copenhagen. The editor of the magazine was Poul Henningsen. [5] [6] Although three issues were published in the first year, the frequency of Kritisk Revy was quarterly for the following years. [4]
Kritisk Revy contained articles that led to various polemics. [4] These articles were not only written in Danish but also in other languages. [2] The focus of magazine was avant-garde architecture and design. [1] [7] However, the topics were not limited to these subjects in that the magazine covered various topics related to Danish life, including nature preservation, literature and religion. [3] The magazine also embraced a wide range of modern topics, including advertising, shop window design, jazz music, variety theatre and film. [1]
The contributors adopted the notion of art for society's sake. [1] The magazine laid the basis of early Scandinavian modernism. [1] Poul Henningsen developed a new approach towards modernism in the magazine which focused on functionalism, criticism and clarity. [8] It frequently carried articles about the architecture and planning of Copenhagen and other Nordic cities. [5] Significant contributors of Kritisk Revy included Otto Gelsted, Edvard Heiberg and Hans Kirk who would be a member of the Danish Communist Party. [4]
The magazine did not share the political approach of Klingen , a former Danish magazine, but affected from its approach towards European art. [2] This effect was observed in the large format of Kritisk Revy (35.2 x 21.6 cm). [2] In addition, the magazine also included frequent illustrations and graphic formats like Klingen. [2]
The circulation of Kritisk Revy ranged between 1800 and 2000 copies. [4] The magazine ceased publication after the publication of the eleventh issue appeared in Christmas 1928 with an announcement that Kritisk Revy accomplished the goals. [4]
Arne Emil Jacobsen, Hon. FAIA was a Danish architect and furniture designer. He is remembered for his contribution to architectural functionalism and for the worldwide success he enjoyed with simple well-designed chairs.
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism.
Poul Henningsen was a Danish author, critic, architect, and designer. In Denmark, where he often is referred to simply as PH, he was one of the leading figures of the cultural life of Denmark between the World Wars.
Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Nordic Classicism was a style of architecture that briefly blossomed in the Nordic countries between 1910 and 1930.
Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions, and the requirements of the human body.
Cultural radicalism was a movement in first Danish, but later also Nordic culture in general. It was particularly strong in the Interwar Period, but its philosophy has its origin in the 1870s and a great deal of modern social commentary still refer to it.
Politisk Revy was a Danish bi-weekly political magazine with new left tendency which existed between 1963 and 1987. The magazine was named after the 1920s critical magazine, Critical Revue.
Hvedekorn is a Danish language literary magazine published in Copenhagen, Denmark, since 1920. It is one of the Danish publications which improved the cultural journalism in the country.
Klingen was an art magazine based in Copenhagen, Denmark. The magazine existed between 1917 and 1920.
Heretica was a conservative cultural and literary magazine published in Copenhagen, Denmark, from 1948 to 1953.
Vindrosen was a Danish modernist cultural and literary magazine existed between 1954 and 1974. It was one of the Danish publications which improved the cultural journalism in the country.
Thorkild Henningsen was a Danish architect. He is best known for his design of numerous terraced housing developments, especially Bakkehusene at Bellahøj whish is listed on the Danish Registry of Protected buildings and Places. In spite of his early death, he also had a significant influence on Danish residential architecture of the 1920s through his work for Landsforeningen Bedre Byggeskik as well as through his writings in newspapers, architectural journals and Kritisk Revy.
Helhesten was an arts and literary magazine which was published between 1941 and 1944 in Copenhagen, Denmark. It was one of the leading publications during World War II in the region. Its title was a reference to a figure in the Norse mythology.
Ultra was an avant-garde bilingual art and literature magazine which appeared in Finland in 1922. Its subtitle was tidskrift för ny konst och litteratur. Although it produced only eight issues, it played a significant role in the introduction of avant-garde literary approach in the region.
Quosego was an avant-garde magazine which existed between 1928 and 1929 in Helsinki, Finland. Like its successor Ultra, it played a significant role in introducing the avant-garde movement to Scandinavian countries. However, Quosego was much more inflential than its successor in terms of artistic and linguistic innovation. The subtitle of Quosego was Tidskrift för ny generation.
Bauhaus was a quarterly avant-garde art and design magazine which existed in the period between 1926 and 1931 with some interruptions. It was launched by a German art movement with the same name and financed by an art group called Kreis der Freunde des Bauhauses. It had significant effects on the Danish art magazines such as Kritisk Revy and Linien.
Poul Vad (1927–2003) was a Danish writer and art historian who also worked as a consultant at Holstebro Art Museum. He wrote novels, monographs and critical essays on artistic subjects, and started his literary career as a poet in Heretica.