La Défense de Paris is a bronze statue by French sculptor Louis-Ernest Barrias. It commemorates the French dead from the Siege of Paris in 1870–71, during the Franco-Prussian War. The sculpture group was unveiled to the west of Paris on 12 October 1883, erected on an existing plinth that had previously supported a bronze sculpture of Napoleon by Charles Émile Seurre, alongside the crossroads between Courbevoie and Puteaux. The location became the La Défense roundabout, but the statue was later removed. The surrounding area was subsumed into Paris as the city expanded later in the 19th and in the 20th centuries; the area became known as La Défense after the statue. The statue was removed to a new location about 1965, and then moved several times before it was placed at its current location near the Arche de la Défense in 2017.
The Republican government that came to power in France in 1879 was determined to commemorate the defence of France and Paris during the Franco-Prussian War nearly a decade earlier, when the collapse of the Second Empire had led to the foundation of the Third Republic. The statue was also intended to mark the reintegration of the city of Paris into the French nation after the radical socialist insurrection of the Paris Commune in 1871.
It was one of several patriotic sculptures commissioned during the first few decades of the Third French Republic, such as Rodin's Burghers of Calais and Jules Dalou's Triumph of the Republic , both from the 1880s.
The government of the Seine department organised a competition for a monument to be erected at the crossroads of Courbevoie, at the far end of the Avenue de Neuilly , on the extended alignment of the Axe historique from the Louvre, through the Tuileries to the Place de la Concorde, then along the Champs-Élysées to the Arc de Triomphe, along the Avenue de la Grande-Armée to the Porte Maillot, and along the Avenue de Neuilly (now the Avenue Charles-de-Gaulle) to the Pont de Neuilly . The location for the statue was the place where soldiers of the French National Guard were assembled before the Battle of Buzenval on 19 January 1871, in the last effort of the defenders to break out of the siege of Paris.
Proposals were sought from around 100 French artists, including Gustave Doré, Auguste Bartholdi, Albert-Ernest Carrier-Belleuse, Alfred Boucher, Alexandre Falguière and Auguste Rodin, but the jury awarded the project to Louis-Ernest Barrias. His plaster model was shown at the Paris Salon in 1881.
A casting of Rodin's rejected proposal, L'Appel aux armes ("The Call to Arms"), has been shown in the garden of the Musée Rodin since 1937. This sculpture was selected in 1916 for a memorial to the Battle of Verdun: a version enlarged to four times the original size was unveiled at Verdun on 1 August 1920.
Barrias designed a sculptural group of three figures to symbolise the defence of Paris in the Franco-Prussian War: a woman standing in the uniform of the National Guard and with a mural crown on her head, leaning on a cannon and holding a flag, symbolises the city of Paris; on the ground in front, a young soldier loading his Chassepot rifle represents the service of the military; and to the rear, a sad young woman represents the suffering of the civil population. Barrias used a similar triple composition for his Franco-Prussian war memorial sculpture in Saint-Quentin, Aisne.
A plaster preparatory model, c.1880, patinated to resemble bronze, is exhibited at the Petit Palais. The statue was cast in bronze by founder Henri Léon Thiébault . It is 5.5 m (18 ft) high and weighs 3.5 t (3.4 long tons; 3.9 short tons).
It was mounted on a tall plinth that was already in place, and which had previously supported a Statue of Napoleon by Charles Émile Seurre, which had itself been erected atop the Colonne Vendôme from 1833 to 1863, until moved to Puteaux as the centrepiece of the new Rond-Point de l’Empereur. The statue of Napoleon was removed in 1870 and lost into the River Seine (whether by the Prussians or by Parisians, accidentally or deliberately, is unclear); it was recovered from the river some months later, and has been displayed at the Hôtel des Invalides since 1911.
The statue was unveiled on 12 August 1883 by Pierre Waldeck-Rousseau, French Minister of the Interior, with a 21 gun salute and a military parade, observed by an audience estimated at 100,000. The statue was originally mounted on a granite plinth behind iron railings with four gas lanterns.
The commune of Courbevoie became known as La Défense after the sculpture, and is at the heart of the Defense business district, developed from the 1950s and which also spreads into the neighbouring communes of Nanterre and Puteaux. The buildings of the Établissement public pour l'aménagement de la région de la Défense (EPAD) and the Centre des nouvelles industries et technologies (CNIT) were constructed nearby from 1958, with early examples including the Nobel Tower and the Esso Tower.
The statue was moved several times during the expansion of La Défense. The statue was moved in 1965 to a different plinth nearby, and was removed for several years during the development of the La Défense business district and the building of La Défense station of RER line A, until it was again reinstalled on 21 September 1983, almost 100 years after it was originally unveiled. It moved to a new more visible location in 2017, near the Arche de la Défense.
Frédéric Auguste Bartholdi was a French sculptor and painter. He is best known for designing Liberty Enlightening the World, commonly known as the Statue of Liberty.
La Défense is a major business district in France's Paris metropolitan area, 3 kilometres (1.9 mi) west of the city limits. It is located in Île-de-France region's department of Hauts-de-Seine in the communes of Courbevoie, La Garenne-Colombes, Nanterre, and Puteaux.
The Tuileries Garden is a public garden between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place for Parisians to celebrate, meet, stroll and relax. During the 2024 Summer Olympics and Paralympics, it was the site of the Olympic and Paralympic cauldron.
Esplanade de La Défense is a station on Paris Métro Line 1 on the outskirts of La Défense on the border of Courbevoie and Puteaux. It has an island platform because of limitations on space due it being enclosed in a site originally earmarked for one of the underpasses of the A14 autoroute.
Pont de Neuilly is a station on Paris Métro Line 1, situated in the prosperous suburban commune of Neuilly-sur-Seine. Between 1940 and 1950 it was known as Pont de Neuilly, Avenue de Madrid.
Puteaux is a commune in the western suburbs of Paris, France. It is located in the heart of the Hauts-de-Seine department, 8.7 kilometres (5.4 mi) from the centre of Paris.
The Centre of New Industries and Technologies, located in Puteaux, France, was the first building developed in La Défense, west of Paris, France. It functions as a convention centre, though it also houses shops and offices such as Fnac, ESSEC Business School campus for executive education, as well as a Hilton hotel.
The Hôtel de Ville is the city hall of Paris, France, standing on the Place de l'Hôtel-de-Ville – Esplanade de la Libération in the 4th arrondissement. The south wing was originally constructed by Francis I beginning in 1535 until 1551. The north wing was built by Henry IV and Louis XIII between 1605 and 1628. It was burned by the Paris Commune, along with all the city archives that it contained, during the Semaine Sanglante, the Commune's final days, in May 1871. The outside was rebuilt following the original design, but larger, between 1874 and 1882, while the inside was considerably modified. It has been the headquarters of the municipality of Paris since 1357. It serves multiple functions, housing the local government council, since 1977 the Mayors of Paris and their cabinets, and also serves as a venue for large receptions. It was designated a monument historique by the French government in 1975.
Louis-Ernest Barrias was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.
The Église de la Sainte-Trinité is a Roman Catholic church located on the place d'Estienne d'Orves, at 3 rue de la Trinité, in the 9th arrondissement of Paris. It was built between 1861 and 1867 during the reign of Emperor Napoleon III, in the residential neighborhood of the Chaussée d'Antin. It is in the ornate Neo-Renaissance or Second Empire Style, with a highly visible 65-meter-tall belfry.
The Pont de Neuilly is a road and rail bridge carrying the Route nationale 13 (N13) and Paris Métro Line 1 which crosses the Seine between the right bank of Neuilly-sur-Seine and Courbevoie and Puteaux on the left bank in the department of Hauts-de-Seine. It faces the headquarters of La Défense and is aligned on the Axe historique of Paris.
Charles Marie Émile Seurre or Seurre the Younger was a French sculptor.
Pierre Marie François Ogé was a French sculptor born in Saint-Brieuc on 24 March 1849 and who died in Paris on 5 June 1913.
Adrien Étienne Gaudez was a French sculptor who worked in the 19th century. He produced several monumental figures that were cast in bronze. Gaudez studied sculpture under the tutelage of Francois Jouffroy at the École des Beaux-Arts and in 1870 was a prisoner of war during the Franco-Prussian War.
Onésime-Aristide Croisy was a French sculptor. He is known for his dramatic bronze military statues, but perhaps best known for his marble Le Nid, showing two children asleep in an armchair.
La Defense, also known as The Call to Arms, is a sculpture by Auguste Rodin.
Suzon is an early bust of a woman by Auguste Rodin, created between 1872 and 1873 when he wholly worked on commissions. It was inspired by late 18th century Romantic works whilst Rodin was in exile in Brussels due to the Franco-Prussian War. He created it in homage to Albert-Ernest Carrier-Belleuse, another sculptor also in exile there who was highly influential on Rodin's early works.