Lane Pryce

Last updated
Lane Pryce
Mad Men character
Lane Pryce.jpg
Jared Harris as Lane Pryce
First appearance"Out of Town" (3.01)
Last appearance"Commissions and Fees" (5.12)
Created by Matthew Weiner
Portrayed by Jared Harris
In-universe information
OccupationFounding and Junior Partner and Financial Chief of Sterling Cooper Draper Pryce (former)
Financial Chief of Sterling Cooper Advertising Agency for Puttnam, Powell, and Lowe (former)
Family Robert Pryce (father)
Spouse Rebecca Pryce
ChildrenNigel Pryce
NationalityBritish

Lane Pryce is a fictional character in the television series Mad Men , portrayed by Jared Harris. [1]

Contents

A British newcomer to the United States as of 1963, he initially acts as financial officer at Sterling Cooper but eventually leaves along with a handful of his co-workers to form new agency Sterling Cooper Draper Pryce.

For his performance, Harris was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2012.

Fictional character biography

Background and personality

Born in London on 10 May 1916, Lane was raised by middle-class traveling salesman Robert Pryce (W. Morgan Sheppard) in a strict and regimented home. Lane served in the British Army as a supply assistant in Rosyth and, although he never saw combat, was later thanked by a British veteran of World War II who said his resupply effort saved lives and reminded that "England expects every man to do his duty." After his military career, Lane attended accounting school and married a woman named Rebecca (Embeth Davidtz), with whom he had a son named Nigel. Some time later was hired by advertising agency Putnam Powell and Lowe, and was eventually promoted to an executive position responsible for mergers and takeovers.

Lane is shown to be caught between two worlds and struggles to be himself while adjusting to life in America. He genuinely enjoys the United States and sees it as far removed from the rigidity and economic decay back home. He sometimes appears stiff and reserved. He does enjoy a drink but not as much as Don, who is known to drink during work hours. He is not particularly keen on football but was seen in a bar with fellow expats cheering England's performance in the 1966 World Cup Final. He was able to make contacts to set up a potential account with Jaguar.

Sterling Cooper

PPL sends Lane to recent acquisition Sterling Cooper and tasks him with trimming costs. He begins by firing many employees, including long-time employee and head of accounts Burt Peterson (Michael Gaston). He names Pete Campbell (Vincent Kartheiser) and Ken Cosgrove (Aaron Staton) as Burt's joint successors. Lane angers Creative Director Don Draper (Jon Hamm) and becomes isolated from the company when he expresses PPL's lack of interest in a potentially lucrative account with Madison Square Garden. Initially unaware of PPL's plans, he later learns that he was instructed to cut overheads so that the Sterling Cooper could be sold for a profit. [2] Lane's superiors at PPL tell him that after the sale he is to be transferred to India. The plan is soon aborted after his would-be replacement's injury in a freak accident. [3] Don, Roger Sterling (John Slattery) and Bertram Cooper (Robert Morse) convince him to join them in starting a new agency and make him a named partner in exchange for him "firing" the three of them in order to void their contracts' non-compete clauses that would otherwise prohibit their continued work in advertising. [4]

Sterling Cooper Draper Pryce

It becomes clear that Lane has a knack for managing company revenues and controlling costs, a talent sorely needed in the agency that the other partners lack. Lane and office manager Joan Harris (Christina Hendricks) are credited with keeping the company running and managing the day-to-day operations.

In Season 4, Lane's marriage falls apart when Rebecca, who genuinely loves him, finds the strains of homesickness and culture shock too much to bear and returns with their son to London indefinitely. Lane and Don meet at work and then get drunk and go for a night out on the town, which includes seeing Gamera . Lane makes monster noises and slurred Japanese remarks to a married couple in the audience, which Don considers hilarious. This is considered obnoxious by the husband of the couple, who nearly challenges both Lane and Don to take it outside. Lane then sleeps with a prostitute supplied by Don. Lane reimburses Don for the money he spent on the prostitute and thanks him for the "welcome distraction". [5] When Lane's family is supposed to come to New York to see him, he is instead visited by his elderly father, who intends to bring Lane home to England to sort out his affairs. Around the same time, Lane begins a relationship with a young African-American Playboy Bunny named Toni (Naturi Naughton) and later introduces her to his father. His father beats Lane with his cane and orders him to return to London to reunite with his family. Lane takes a short leave-of-absence from the agency and later returns to New York with his family, who by now are more accepting of being overseas. [6] Although he seems to have got his home life in order, Lane still has signs of a wandering eye, particularly when he finds a lost wallet. Lane does not touch any of the man's cash or credit cards but notices he has an attractive wife and keeps the wallet photo for himself prior to contacting the owner.

In Season 5, Lane faces severe financial troubles due to a tax demand and struggles to keep his balance at work. During his three years at Sterling Cooper Draper Pryce, it has been operating at a loss, and he struggles to turn the agency around. Though Lane and Joan are friendly compatriots responsible for keeping the company going, Lane often makes inappropriate sexual remarks that upset and disgust her. Lane later gets Joan a 5-percent speaking partnership. While ultimately in Joan's best long-term interests, Lane makes the suggestion to her as a means of covering up his embezzlement. Had she accepted the original cash offer, his theft would have been discovered. The partnership kept it concealed for a while longer.

Embezzlement and death

Lane's work has been vital, but he struggles to make ends meet. His investment in SCDP has yielded no return, for the agency has yet to make a profit. As a partner, Lane is required to invest a further $50,000 (approximately $435,000 in 2021 USD) in order to keep the company afloat when it loses the Lucky Strike account. He therefore liquidates the majority of his savings, which had been invested in securities with a British brokerage house causing another issue: high taxes in the UK. His lawyer despite lengthy negotiations tells him that he must pay $8,000 (approximately $70,000 in 2021 USD) in back taxes within two days or face jail. Lane does not have the money.

To pay the tax, he hatches a plan: he extends the company's line of credit by an additional $50,000 by presenting their projections as firm commitments and reports the borrowed money as a profit surplus to the other partners and proposes that it be spent on Christmas bonuses for all employees. Lane's bonus would conveniently be the amount he needs.

The plan is frustrated when Don delays payment of the bonuses until the Christmas party two weeks later and Campbell points out that they will need the funds as seed money for the Jaguar account should they land it. Unable to wait, Lane embezzles $7,500 from the company. He forges Don's signature on the Christmas bonus he expects to receive in two weeks’ time. [7]

The business unexpectedly loses a large revenue stream when major client Mohawk Air suspends all advertising. The company will now need the "surplus" to cover costs until January and will not pay Christmas bonuses. This panicks Lane. His lies to the bank are nearly uncovered when head of the Jaguar account Herb Rennet demands a night with Joan Harris in exchange for choosing SCDP. Keen to win the account, the partners ask Lane to extend their line of credit to pay Joan for the act. They do not know that Lane has already done so and cannot borrow more. To avoid detection, he convinces Joan to request a 5-percent partnership stake instead of a one-time cash payment but grows uneasy when the partners do not change their minds about taking Christmas bonuses. [8]

Cooper discovers the forged cheque when he looks through unopened account statements. Bert confronts Don about the bonus paid to Lane when the partners had decided not to take bonuses. Don tells Bert that he will handle it but omits that he did not sign the cheque. [9] Don confronts Lane. Lane tries to lie his way out of it before he admits to embezzlement. Don tells him that he should have told him. Erupting with anger, Lane says that he could not bear the shame of asking for a loan and has never been adequately compensated for his contribution to the agency and feels owed and entitled to the money and meant it to be a two-week loan but was frustrated by the announcement that the partners would not receive bonuses and then makes a snide remark about Don's jet-set lifestyle and tries to justify his own fraudulent actions. Don has lost all trust in him. Don says that he will cover the $7,500 himself and not tell the police or the other partners but that Lane is fired and gives Lane the weekend to "think of an elegant exit" and resign on Monday. Don offers comfort and says that Lane can start again somewhere else. Being fired will not cancel Lane’s share in the company but will lose him his visa. He will have to return to the UK. On his way out of the office, Lane makes a lewd sexual remark to the “newly-wealthy" Joan. She was talking about her vacation plans to celebrate her new partnership. He seems grimly happy when she responds with muted anger. [9]

Upon returning home, Lane discovers that his wife Rebecca, unaware of their financial situation, has bought him a new Jaguar as a surprise and paid by cheque. He puts his affairs in order and tries to kill himself by carbon monoxide poisoning but fails when the Jaguar fails to start. He goes back to SCDP and types a resignation letter and hangs himself in his office. Joan arrives Monday morning to assume her usual duties but has trouble opening the door to his office and grows suspicious. [10] She sees knocked-over furniture through the small gap in the door and notices a strong and unpleasant smell and goes into Pete Campbell's adjacent office to say that she thinks that something is wrong. Pete climbs onto his sofa and looks over the privacy wall and sees what has happened. The partners send everyone home. They claim that they need to evacuate due to a "building emergency". They find a boilerplate resignation letter from Lane. [9] Don shows up with Roger and has the news broken to him by Bert. He is shocked that everyone has left Lane's office as is. The police had told them to stay out of the office so that a report could be made. Don demands that Lane's body be cut down immediately. [9] [10]

In the wake of Lane's suicide, the partners mourn the loss. Joan in particular feels guilty for rejecting his advances and confesses to Don that she wonders whether Lane would have killed himself if she had slept with him. Don keeps the embezzlement a secret. He reveals to no one that he had fired Lane the Friday before the suicide. The business does better than ever. SCDP lands significant client Dow Corning on top of Jaguar and receives a hefty $175,000 insurance payout from Lane's death (approximately $1.5 million in 2021 USD) and posts its first profitable quarter. They begin looking to expand their offices and staff. Suffering guilt and haunted by visions of his brother Adam, who hanged himself in a similar way, Don chooses to refund Lane's $50,000 partnership fee to the widowed Rebecca Pryce. This conveniently avoids her inheriting any shares or profits. In response, Rebecca says that Lane was worth much more to the agency than $50,000 and accuses Don and the others of filling "a man like that with ambition" and causing his corruption and eventual suicide. [11]

Related Research Articles

<span class="mw-page-title-main">Don Draper</span> Fictional character on American TV show "Mad Men"

Donald Francis Draper, born Richard “Dick” Whitman, is a fictional character and the protagonist of the AMC television series Mad Men (2007–2015), portrayed by Jon Hamm. At the beginning of the series, Draper is the charismatic yet enigmatic creative director at the fictional Manhattan advertising firm Sterling Cooper. In spite of his success, he is plagued by several personal problems, including the issues of identity and social alienation, in part due to his difficult past. His personal and professional developments in the show are frequently situated against the larger social, political, and economic events of the 1960s.

<span class="mw-page-title-main">Joan Harris</span> Fictional character on American TV series "Mad Men"

Joan P. Holloway Harris is a fictional character on the AMC television series Mad Men (2007–15). She is portrayed by Christina Hendricks.

<span class="mw-page-title-main">Peggy Olson</span> Fictional character from "Mad Men"

Margaret "Peggy" Olson is a fictional character on the AMC television series Mad Men. She was portrayed by Elisabeth Moss and served as the show's female lead. Initially, Peggy is secretary to Don Draper, creative director of the advertising agency Sterling Cooper. She soon discovers her passion for copywriting and due to her talent, Draper takes her on as his protégé. Her rise is an integral part of the series and plays a key role in every season of Mad Men. After Don, she has the highest number of episode appearances, appearing in 88 out of the 92 episodes.

"Christmas Comes But Once a Year" is the second episode of the fourth season of the American television drama series Mad Men, and the 41st overall episode of the series. It was written by series creator and executive producer Matthew Weiner and Tracy McMillan, and directed by Michael Uppendahl. It originally aired on the AMC channel in the United States on August 1, 2010.

The Rejected (<i>Mad Men</i>) 4th episode of the 4th season of Mad Men

"The Rejected" is the fourth episode of the fourth season of the American television drama series Mad Men, and the 43rd overall episode of the series. It was written by Keith Huff and series creator and executive producer Matthew Weiner, and directed by John Slattery, who portrays Roger Sterling on the show. It originally aired on the AMC channel in the United States on August 15, 2010. Reviews of the episode were generally positive, emphasizing particularly the emotional tension between Pete Campbell and Peggy Olson.

"The Chrysanthemum and the Sword" is the fifth episode of the fourth season of the American television drama series Mad Men, and the 44th overall episode of the series. It was written by Erin Levy and directed by Lesli Linka Glatter, and it originally aired on the AMC channel in the United States on August 22, 2010.

"Hands and Knees" is the tenth episode of the fourth season of the American television drama series Mad Men, and the 49th overall episode of the series. It aired on the AMC channel in the United States on September 26, 2010. John Slattery submitted this episode for consideration on his nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series at the 63rd Primetime Emmy Awards.

Chinese Wall (<i>Mad Men</i>) 11th episode of the 4th season of Mad Men

"Chinese Wall" is the eleventh episode of the fourth season of the American television drama series Mad Men, and the 50th overall episode of the series. It aired on the AMC channel in the United States on October 3, 2010. Cara Buono, who played Dr. Faye Miller, received a nomination for Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for this episode.

"Blowing Smoke" is the twelfth episode of the fourth season of the American television drama series Mad Men, and the 51st overall episode of the series. It aired on the AMC channel in the United States on October 10, 2010. At the 63rd Primetime Emmy Awards, Robert Morse was nominated for the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series for his performance in this episode; Andre and Maria Jaccquemetton were nominated for the Primetime Emmy Award for Outstanding Writing for a Drama Series for their teleplay.

Tomorrowland (<i>Mad Men</i>) 13th episode of the 4th season of Mad Men

"Tomorrowland" is the thirteenth and final episode of the fourth season of the American television drama series Mad Men, and the 52nd overall episode of the series. It aired on the AMC channel in the United States on October 17, 2010. It was written by Jonathan Igla and Matthew Weiner and directed by Matthew Weiner.

<i>Mad Men</i> (season 3) Season of television series

The third season of the American television drama series Mad Men premiered on August 16, 2009, and concluded on November 8, 2009. It consisted of thirteen episodes, each running approximately 48 minutes in length. AMC broadcast the third season on Sundays at 10:00 pm in the United States.

<i>Mad Men</i> (season 5) Season of television series

The fifth season of the American television drama series Mad Men premiered on March 25, 2012, with a two-episode premiere, and concluded on June 10, 2012. It consisted of thirteen episodes, each running approximately 48 minutes in length. AMC broadcast the fifth season on Sundays at 10:00 pm in the United States. The fifth season was released on DVD and Blu-ray in region 1 on October 16, 2012.

<span class="mw-page-title-main">Guy Walks Into an Advertising Agency</span> 6th episode of the 3rd season of Mad Men

"Guy Walks Into an Advertising Agency" is the sixth episode of the third season of the American television drama series Mad Men, and the 32nd overall episode of the series. It was written by series creator and executive producer Matthew Weiner and Robin Veith, and directed by Lesli Linka Glatter. It originally aired on the AMC channel in the United States on September 20, 2009.

Signal 30 (<i>Mad Men</i>) 5th episode of the 5th season of Mad Men

"Signal 30" is the fifth episode of the fifth season of the American television drama series Mad Men and the 57th episode of the series overall. It was written by series creator and executive producer Matthew Weiner and writer Frank Pierson, and directed by main cast member John Slattery. It originally aired on the AMC channel in the United States on April 15, 2012.

Christmas Waltz (<i>Mad Men</i>) 10th episode of the 5th season of Mad Men

"Christmas Waltz" is the tenth episode of the fifth season of the American television drama series Mad Men and the 62nd episode of the series overall. It is written by Victor Levin and Matthew Weiner, and directed by Michael Uppendahl. It originally aired on the AMC channel in the United States on May 20, 2012.

"The Other Woman" is the eleventh episode of the fifth season of the American television drama series Mad Men and the 63rd episode of the series overall. It is co-written by Semi Chellas and Matthew Weiner, and directed by Phil Abraham. It aired on AMC in the United States on May 27, 2012.

"Commissions and Fees" is the twelfth and penultimate episode of the fifth season of the American television drama series Mad Men and the 64th episode of the series overall. It is co-written by Andre Jacquemetton and Maria Jacquemetton, and directed by Christopher Manley. It aired on the AMC channel in the United States on June 3, 2012.

"The Phantom" is the thirteenth episode and season finale of the fifth season of the American television drama series Mad Men and the 65th episode of the series overall. It is co-written by Jonathan Igla and Matthew Weiner and directed by Weiner. It originally aired on the AMC channel in the United States on June 10, 2012.

<span class="mw-page-title-main">Shut the Door. Have a Seat.</span> 13th episode of the 3rd season of Mad Men

"Shut the Door. Have a Seat." is the thirteenth episode and season finale of the third season of the American television drama series Mad Men, and the 39th overall episode of the series. The episode was written by series creator and executive producer Matthew Weiner and Erin Levy, and directed by Weiner. It originally aired on the AMC channel in the United States on November 8, 2009. The title refers to a line that is spoken once in the episode verbatim, but more generally to similar phrases that are spoken to various characters throughout, "and they sit and hear some life-changing bit of news".

References

  1. Itzkoff, Dave (June 4, 2012). "Jared Harris of 'Mad Men' Discusses Sunday's Episode". The New York Times .
  2. "Out of Town". Mad Men . Season 3. Episode 1. August 16, 2009. AMC.
  3. "Guy Walks Into an Advertising Agency". Mad Men . Season 3. Episode 6. September 20, 2009. AMC.
  4. "Shut the Door. Have a Seat.". Mad Men . Season 3. Episode 13. November 8, 2009. AMC.
  5. "The Good News". Mad Men . Season 4. Episode 3. August 8, 2010. AMC.
  6. "Hands and Knees". Mad Men . Season 4. Episode 10. September 26, 2010. AMC.
  7. "Christmas Waltz". Mad Men . Season 5. Episode 10. May 20, 2012. AMC.
  8. "The Other Woman". Mad Men . Season 5. Episode 11. May 27, 2012. AMC.
  9. 1 2 3 4 "Commissions and Fees". Mad Men . Season 5. Episode 12. June 3, 2012. AMC.
  10. 1 2 O'Connell, Kimberly Nordyke,Lesley Goldberg,Mikey; Nordyke, Kimberly; Goldberg, Lesley; O'Connell, Mikey (2023-04-10). "21 of the Most Shocking Character Deaths in Television History". The Hollywood Reporter. Retrieved 2023-04-11.{{cite web}}: CS1 maint: multiple names: authors list (link)
  11. "The Phantom". Mad Men . Season 5. Episode 13. June 10, 2012. AMC.