Related Research Articles
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Tommy Wayne Cannon was an important Native American artist of the 20th century. He was popularly known as T. C. Cannon. He was an enrolled member of the Kiowa Indian Tribe of Oklahoma and had Caddo and French ancestry.
Diego Romero is an American Cochiti Pueblo visual artist. He is known for ceramics and pottery, and lives in New Mexico.
Julián Martínez, also known as Pocano (1879–1943), was a San Ildefonso Pueblo potter, painter, and the patriarch of a family of Native American ceramic artists in the United States.
Awa Tsireh, also known as Alfonso Roybal and Cattail Bird, was a San Ildefonso Pueblo painter and artist in several genres including metalwork. He was part of the art movement known as the San Ildefonso Self-Taught Group. His work is held by several museums, including the Smithsonian American Art Museum.
Wendy Ponca is an Osage artist, educator, and fashion designer noted for her Native American fashion creations. From 1982 to 1993, she taught design and Fiber Arts courses at the Institute of American Indian Arts (IAIA) of Santa Fe and later taught at the University of Las Vegas. She won first place awards for her contemporary Native American fashion from the Santa Fe Indian Market each year between 1982 and 1987. Her artwork is on display at IAIA, the Los Angeles County Museum of Art, the Philbrook Museum of Art and the Smithsonian Institution's National Museum of the American Indian.
Jose Encarnacion Peña, also known as Encarnacion Peña, and Soqween (1902–1979) was a Native American painter from San Ildefonso Pueblo in Santa Fe County, New Mexico. He is best known for his watercolors of Pueblo ceremonies and he was an early participant in the San Ildefonso school and later in the "Santa Fe Studio Style" art movement.
Rufina Vigil, also called Sah Wa, was an Puebloan-American painter from the Tesuque Pueblo tribe, part of the Eight Northern Pueblos. Active in the 1930s, she studied under Dorothy Dunn at the Santa Fe Indian School. At one time she worked as a drafter in Los Alamos, New Mexico. Vigil's paintings depict Tesuque life, including women gathering guaco and firing pottery. Her 1936 painting Mass at Fiesta is one of the earliest depictions of Catholic Church rituals by an indigenous North American painter.
Emiliano Abeyta (1911–1981), also called Sa Pa, was a twentieth-century Pueblo-American painter from the Ohkay Owingeh tribe. From 1933 to 1934, he was an artist in the Public Works of Art Project as part of the New Deal. Already an established artist by that time, he worked for the program out of the Santa Fe Indian School in Santa Fe, New Mexico. Later, in the 1950s, his work was part of the University of Oklahoma European Tours, for which the university's College of Fine Arts curated a collection of paintings for the U.S. Information Service to exhibit across Europe. Abeyta's work is in the permanent collection of the Smithsonian National Museum of the American Indian and the University of Oklahoma.
Alfred Aguilar, also called Sa Wa Pin, is Tewa Pueblo-American potter, ceramicist, and painter from the San Ildefonso Pueblo tribe. He is known for his coil-built pottery that is carved or painted, his buffalo figurines, and his clay nacimientos.
Gilbert Benjamin Atencio, also called Wah Peen, was a San Ildefonso Pueblo painter, potter, medical Illustrator, and politician.
Pat Atencio, also called Koo Peen, was a San Ildefonso Pueblo painter.
Tony Atencio, also called Su Ta, was a San Ildefonso Pueblo painter. He studied at the Santa Fe Indian School and exhibited his work across the country. He is known for his paintings of animals.
Lorencita Atencio Bird, also called T'o Pove, was a Pueblo-American painter and textile artist from the Ohkay Owingeh Pueblo. She studied at the Santa Fe Indian School under Dorothy Dunn and exhibited her artwork across the country and in Europe. In particular, she is known for her embroidery designs, utilizing symbolic colors and motifs such as diamonds, butterflies, and the color gold. Her artworks can be found in private collections including the Margretta S. Dietrich Collection and in museums including the Heard Museum, the Gilcrease Museum, the Philbrook Museum of Art, and the Wheelwright Museum of the American Indian.
Apie Begay was a Navajo painter and artist in the early 20th century who resided and created art near the Pueblo Bonito trading post in the western part of present-day New Mexico. He is considered the first Navajo artist to create works with European-style materials such as crayons and colored pencils. Begay's work has been published widely and is in the permanent collections of institutions including the Museum of New Mexico and the Fred Jones Jr. Museum of Art.
Arthur C. Begay was a Navajo American painter born in Newcomb, New Mexico. Begay has exhibited his work across the country and is known for his colorful, flat style paintings. Some of his works are in the permanent collection of institutions including the Smithsonian National Museum of the American Indian.
Keats Begay was a Navajo American painter who lived in Chinle, Arizona and was active in the late 1930s. Begay has exhibited his work across the country, including at the National Gallery of Art, and is known for his colorful, flat style paintings. Some of his works are in the permanent collection of institutions including the Indian Arts and Crafts Board, Museum of Northern Arizona, the Southwest Museum of the American Indian and the Museum of New Mexico.
Timothy Bradley Begay was an American Navajo painter who lived in Chinle, Arizona. Begay has exhibited his work across the country, including at the Museum of New Mexico and the Philbrook Museum of Art. Some of his works are in the permanent collection of institutions including Memorial Art Gallery at the University of Rochester and the Woolaroc Museum. He utilizes media such as watercolor to paint figurative scenes, often showing people with livestock.
Earl Biss, also called Spotted Horse and The Spirit Who Walks Among His People, was a Native American painter born in Renton, Washington. He was Apsáalooke and a citizen of the Crow Tribe of Montana.
References
- 1 2 King, Jeanne Snodgrass (1968). American Indian painters; a biographical directory. Smithsonian Libraries. New York : Museum of the American Indian, Heye Foundation.
- 1 2 Lester, Patrick D. (Patrick David) (1995). The biographical directory of Native American painters. Internet Archive. Tulsa, OK : SIR Publications ; Norman, OK : Distributed by University of Oklahoma Press. ISBN 978-0-8061-9936-8.
- ↑ "Students Exhibit In Capital Show". The Santa Fe New Mexican. 1964-05-17. p. 41. Retrieved 2024-07-04.
- ↑ "Larkins Gallery showing two IAIA graduates". The Santa Fe New Mexican. 1970-05-03. p. 36. Retrieved 2024-07-04.
- ↑ "Yellow | National Museum of the American Indian". americanindian.si.edu. Retrieved 2024-07-04.
- 1 2 "Browse by Artist: Larry Bird". IAIA - Action/Abstraction Redefined. Retrieved 2024-07-04.
- ↑ Kirby, V. G. (1971-01-17). "Santa Fe Art". The Santa Fe New Mexican. p. 30. Retrieved 2024-07-04.
 | This biographical article about an Indigenous person of North America is a stub. You can help Wikipedia by expanding it. |