| Latin in a Satin Mood | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1963 | |||
| Recorded | Late 1962 | |||
| Genre | Traditional pop | |||
| Label | Liberty | |||
| Producer | Snuff Garrett | |||
| Julie London chronology | ||||
| ||||
Latin in a Satin Mood is an LP album by Julie London, released by Liberty Records under catalog number LRP-3278 as a monophonic recording and catalog number LST-7278 in stereo in 1963.
| Track | Song | Songwriter(s) | Time |
|---|---|---|---|
| 1 | "Frenesi" | Alberto Domínguez | 2:22 |
| 2 | "Be Mine Tonight" | Agustin Lara | 2:32 |
| 3 | "Yours" | Gonzalo Roig, Albert Gamse, Jack Sherr | 2:38 |
| 4 | "Bésame Mucho" | Consuelo Velázquez | 2:07 |
| 5 | "Adios" | Enric Madriguera | 2:30 |
| 6 | "Sway" | Luis Demetrio, Pablo Beltrán Ruiz | 2:33 |
| 7 | "Perfidia" | Alberto Domínguez | 2:28 |
| 8 | "Come Closer to Me" | Osvaldo Farrés | 1:55 |
| 9 | "Amor" | Gabriel Ruiz, Ricardo López Méndez, Sunny Skylar | 2:42 |
| 10 | "Magic Is the Moonlight" | María Grever, Charles Pasquale | 2:22 |
| 11 | "You Belong to My Heart" | Agustín Lara | 2:48 |
| 12 | "Vaya con Dios" | Larry Russell, Inez James, Buddy Pepper | 2:38 |
"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938.
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"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.
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Hawkins! Eldridge! Hodges! Alive! At the Village Gate! is a live album by saxophonists Coleman Hawkins and Johnny Hodges with trumpeter Roy Eldridge which was recorded at the Village Gate in 1962 and released on the Verve label.
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