Latino | |
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Directed by | Haskell Wexler |
Written by | Haskell Wexler |
Produced by |
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Starring | |
Cinematography | Newton Thomas Sigel |
Edited by | Robert Dalva |
Music by | Diane Louie |
Production companies |
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Distributed by | Cinecom Pictures |
Release dates | |
Running time | 105 minutes |
Country | United States |
Languages | English Spanish |
Latino is a 1985 American war film directed by Haskell Wexler. It was screened in the Un Certain Regard section at the 1985 Cannes Film Festival. [1]
Set in the context of the Sandinista government in Nicaragua and their battle with the U.S.-backed Contra rebels in 1979, Mexican-American Vietnam vet Eddie Guerrero (Robert Beltran) was sent to help U.S. Special Forces train Contra rebels. Eddie falls for a local girl, Marlena (Annette Charles). However, when her father is killed by the Contras, things change.
Edward James Olmos is an American actor. He is best known for his roles as Lieutenant Martin "Marty" Castillo in Miami Vice (1984–1989), American Me (1992), William Adama in the re-imagined Battlestar Galactica (2004–2009), Detective Gaff in Blade Runner (1982) and its sequel Blade Runner 2049 (2017) and the voice of Mito in the 2005 English dub of Nausicaä of the Valley of the Wind. For his performance as high school math teacher Jaime Escalante in Stand and Deliver (1988), he was nominated for the Academy Award for Best Actor.
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Welcome Mr. Marshall! is a 1953 Spanish comedy film directed by Luis García Berlanga, and considered one of the masterpieces of Spanish cinema. The film highlights the stereotypes held by both the Spanish and the Americans regarding the culture of the other, as well as displays social criticism of 1950s Francoist Spain. The film was entered into the 1953 Cannes Film Festival. It was the first full-length film Berlanga directed alone.
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L'aventure, c'est l'aventure is a 1972 French film directed by Claude Lelouch. Starring Lino Ventura and popular singers Jacques Brel and Johnny Hallyday, it recounts the adventures of five criminals who progress from conventional urban crime to international notoriety as celebrity kidnappers. The film was screened at the 1972 Cannes Film Festival, but wasn't entered into the main competition.