The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
Conrad Lafcadio Hall, ASC was a French Polynesian-born American cinematographer. Named after writers Joseph Conrad and Lafcadio Hearn, he came widely prominent as a cinematographer earning numerous accolades including three Academy Awards, three BAFTA Awards and five American Society of Cinematographers Awards.
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not imply that a male is performing the task.
László KovácsASC was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors including Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese. Known for his work on Easy Rider (1969) and Five Easy Pieces (1970), Kovács was the recipient of numerous awards, including three Lifetime Achievement Awards. He was an active member of the American Society of Cinematographers and was a member of the organization's board of directors.
Philip H. Lathrop, A.S.C. was an American cinematographer noted for his skills with wide screen technology and detailed approach to lighting and camera placement. He spent most of his life in movie studios. Lathrop was known for such films as Touch of Evil (1958), Lonely Are the Brave (1962), The Americanization of Emily (1964), The Cincinnati Kid (1965), Point Blank (1967), Finian's Rainbow (1968), The Traveling Executioner (1970), Portnoy's Complaint (1972), Earthquake (1974), Swashbuckler (1976), The Driver (1978), Moment by Moment (1978), A Change of Seasons (1980), Foolin' Around (1980), Loving Couples (1980), and Deadly Friend (1986).
Robert Bridge Richardson, ASC is an American cinematographer. He has won the Academy Award for Best Cinematography three times, for his work on JFK, The Aviator, and Hugo. Richardson is and has been a frequent collaborator for several directors, including Oliver Stone, John Sayles, Errol Morris, Quentin Tarantino, Martin Scorsese, Ben Affleck, and Andy Serkis. Known for his trademark aggressively bright highlight as well as shapeshifting style, he is one of three living persons who has won the Academy Award for Best Cinematography three times, the others being Vittorio Storaro and Emmanuel Lubezki.
Haskell Wexler, ASC was an American cinematographer, film producer, and director. Wexler was judged to be one of film history's ten most influential cinematographers in a survey of the members of the International Cinematographers Guild. He won the Academy Award for Best Cinematography twice, in 1966 and 1976, out of five nominations. In his obituary in The New York Times, Wexler is described as being "renowned as one of the most inventive cinematographers in Hollywood."
Peter Suschitzky, A.S.C. is a British cinematographer and photographer. Among his most known works as director of photography are The Rocky Horror Picture Show, The Empire Strikes Back, and Mars Attacks! and the later films of David Cronenberg. Suschitzky succeeded Mark Irwin as Cronenberg's regular cinematographer when Irwin left during the pre-production of Dead Ringers (1988), and has been the cinematographer for all of Cronenberg's films since, with the exception of Crimes of the Future (2022). He has also collaborated with directors John Boorman, Ken Russell, Bernard Rose, and Tim Burton.
Hiro Narita is an American cinematographer.
Cinematographer Style is a 2006 American documentary film directed by Jon Fauer, ASC, about the art of cinematography. In the film, Fauer interviews 110 leading cinematographers from around the world, asking them about their influences and the origins of the style of their films.
Wilmer Cable Butler was an American cinematographer who was known for his work on The Conversation (1974), Jaws (1975), and three Rocky sequels. Butler also completed One Flew Over the Cuckoo's Nest (1975) after Haskell Wexler was fired from the production, and was subsequently nominated for an Academy Award for Best Cinematography.
David Russell Boyd, A.S.C. is an American cinematographer and director of television and film known for his role as director of photography for the Fox television series Firefly and the AMC series The Walking Dead. He also worked as cinematographer on the first three episodes of HBO's Deadwood. On the NBC television series Friday Night Lights he served as director of photography on 18 of 22 episodes in the first season and moved up to direct two more. He also directed the film Home Run, which was released in 2013.
Matthew Frank Leonetti A.S.C. is an American cinematographer. Accomplished and highly prolific, he has worked on dozens of well-known and acclaimed films spanning numerous genres, including Poltergeist, Fast Times at Ridgemont High, Weird Science, Jagged Edge, Strange Days, and Star Trek: First Contact. He has collaborated with directors such as Tobe Hooper, Walter Hill, John Hughes, Kenneth Branagh, Kathryn Bigelow, Zack Snyder, and The Farrelly Brothers.
Guillermo Jorge Navarro Solares, AMC, ASC is a Mexican cinematographer and television director. He has worked in Hollywood since 1994 and is a frequent collaborator of Guillermo del Toro and Robert Rodriguez. In 2007, he won the Academy Award for Best Cinematography and the Goya Award for Best Cinematography for del Toro's Pan's Labyrinth. His subsequent filmography runs the gamut from lower-budget arthouse and genre films to high-profile blockbusters like Hellboy, Zathura: A Space Adventure, Night at the Museum, and Pacific Rim.
John Niel Green, ASC, is an American cinematographer and film director best known for his Oscar-nominated collaborations with actor/director Clint Eastwood, taking over from Eastwood's previous collaborator Bruce Surtees.
Jeffrey Scott Cronenweth, ASC is an American cinematographer based in Los Angeles, California who is known for his role as the director of photography on the David Fincher films Fight Club, The Social Network, The Girl with the Dragon Tattoo and Gone Girl. He graduated from the USC School of Cinematic Arts and was invited to join the cinematographers branch of the Academy of Motion Picture Arts and Sciences in 2004. He is the son of Jordan Cronenweth, one of the most influential cinematographers in motion picture history.
Eric Wesley Steelberg is an American cinematographer. He is a frequent collaborator of Jason Reitman, having worked with him on Juno (2007), Up in the Air (2009), Young Adult (2011), Labor Day (2013), Men, Women & Children (2014), Tully (2018), and Ghostbusters: Afterlife (2021).
Mark Simon Wexler is an American documentary filmmaker and photojournalist.
Erik Messerschmidt, ASC is an American cinematographer. He is best known for his collaborations with director David Fincher on the films Mank and The Killer and Gone Girl, and on the Netflix series Mindhunter. He has also shot episodes of the TV series Fargo, Legion, and Raised by Wolves. His work has been nominated for an Emmy. In April 2021, he won the top ASC Award and the Academy Award for Best Cinematography for Mank.
Cynthia Pusheck is an American film and television cinematographer. She co-founded and co-chairs the ASC Vision committee that supports people from under-represented groups who hope to build a career in cinematography. She was the first woman to serve as Vice-President of the American Society of Cinematographers (ASC).
