Alexina Diane Louie, OCOOntFRSC (born 30 July 1949), is a Canadian composer of contemporary classical music.[1] She has composed for various instrumental and vocal combinations in a variety of genres. She has fulfilled a number of commissions,[2] and her works, which have been performed internationally, have earned her a number of awards, including the Order of Canada and two Juno Awards.
While studying in the Greater Los Angeles Area, Louie was a member of an ensemble, and later she taught piano, theory, and electronic composition at Pasadena College and Los Angeles City College. One of her earliest compositions, completed in 1972, is an electronic piece for 4-channel tape entitled, Molly. The object in this composition, based on the last segment of James Joyce's novel Ulysses, was to make an electronic composition sound "human."[4]
She created a number of piano compositions, including Scenes from a Jade Terrace, Distant Memories (dedicated to Jean Lyons) and I Leap Through the Sky With Stars for solo piano, Dragon Bells for prepared piano and pre-recorded prepared piano, and Concerto for Piano and Orchestra, which was commissioned by the Canadian Broadcasting Corporation (CBC).
Louie moved from Los Angeles to Toronto in 1980.[5] Soon after, in 1982, she composed O Magnum Mysterium: In Memoriam Glenn Gould.[6] She composed the opening music ("The Ringing Earth") for Expo 86 in Vancouver, and that year was named Composer of the Year by the Canadian Music Council.
Louie has twice won a Juno Award for Best Classical Composition: in 1989 for Songs of Paradise (1984), and in 2000 for Shattered Night, Shivering Stars (1997) - both are orchestral works. She has received several additional nominations for various works.[7]
Orchestral scores include The Eternal Earth (commissioned by the Toronto Symphony), Music for a Thousand Autumns (commissioned by the Ensemble SMCQ) and Music for Heaven and Earth (commissioned by the Esprit Orchestra).
Louie's works of chamber music include The Distant Shore for piano trio, Edges for string quartet, Music from Night's Edge for piano quintet, Riffs for oboe, clarinet and bassoon, and Gallery Fanfares, Arias and Interludes (commissioned by the Art Gallery of Ontario in 1993).
In 1990, 1992,[8] and later in 2003, Louie received the SOCAN Concert Music Award for the most performed Classical composer of the year.[4]
The Scarlet Princess, which was premiered by the Canadian Opera Company in 2002, is an erotic ghost story based on a 17th-century Japanese Kabuki play. Her eight-minute comic mini-opera entitled, Toothpaste (1995),[needs update] based on a libretto by Dan Redican, has been broadcast in more than a dozen countries. With Redican, Louie also completed Burnt Toast, which consists of eight comic mini-operas for television, in 2005. She draws upon the music for the Queen of the Night aria, "Der Hölle Rache", from Mozart's The Magic Flute, as well as music from Wagner's Tristan und Isolde.[citation needed]
Songs of Paradise was re-recorded by the Thunder Bay Symphony Orchestra and Music Director Geoffrey Moull in 2004, and subsequently released on the album, Variations on a Memory. It became the best-selling disc of the Canadian Music Centre in 2005.[10]
Louie's composition Three Fanfares from the Ringing Earth, was performed at the opening of the new National Gallery of Canada in Ottawa, and Scenes from a Jade Terrace, opened the new Canadian Embassy in Tokyo. Her Infinite Sky With Birds, a National Arts Centre commission, debuted on 22 February 2006. That year, she was made a Fellow of the Royal Society of Canada.[11]
Louie's composition Mulroney: The Opera, a musical satire of Brian Mulroney's life, was released by Alliance Films in April 2011. In 2013 her composition "Bringing the Tiger Down From the Mountain" was performed by the National Arts Centre Orchestra during their tour of China.[12]
In Canada, classical music includes a range of musical styles rooted in the traditions of Western or European classical music that European settlers brought to the country from the 17th century and onwards. As well, it includes musical styles brought by other ethnic communities from the 19th century and onwards, such as Indian classical music and Chinese classical music. Since Canada's emergence as a nation in 1867, the country has produced its own composers, musicians and ensembles. As well, it has developed a music infrastructure that includes training institutions, conservatories, performance halls, and a public radio broadcaster, CBC, which programs a moderate amount of Classical music. There is a high level of public interest in classical music and education.
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