Latter Days | |
---|---|
Series | Cerebus |
Page count | 700 pages |
Publisher | Aardvark-Vanaheim |
Creative team | |
Writers | Dave Sim |
Artists | Dave Sim Gerhard |
Original publication | |
Published in | Cerebus |
Issues | 266–300 |
Language | English |
ISBN | 978-0-919-35922-2 (Latter Days) 978-0-919-35921-5 (The Last Day) |
Chronology | |
Preceded by | Going Home |
Cerebus novels |
---|
Phonebooks · Characters |
Cerebus |
High Society |
Church & State |
Jaka's Story |
Melmoth |
Mothers & Daughters |
Guys |
Rick's Story |
Going Home |
Latter Days |
Latter Days is the tenth and final novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It is made up of issues #266-300 of Cerebus. It was collected as the 15th and 16th "phonebook" volumes, as Latter Days (#266-288, November 2003) and The Last Day (#289-300, June 2004).
The novel concludes Cerebus life, as Sim had long announced it would, and is generally considered the most difficult and problematic of the Cerebus novels. [1] [2]
Narrated by Cerebus from sometime later in his life, Latter Days is heavy in religious themes, and also features caricatures of the Three Stooges and Woody Allen. [2]
Sim had declared early on that Cerebus would chronicle the life leading up to death of its titular character. The Judge at the end of Church & State had foretold that Cerebus would "die alone, unmourned and unloved". [2] The main Cerebus story came to an end with issue #200; [3] the final 100 issues served as a dénouement, with Latter Days an "epilogue-to-the-epilogue". [4]
At the end of Going Home , Cerebus comes to reject Jaka, the woman he has loved almost since the beginning of the series and with whom he has been travelling to his childhood home. [2]
(Cerebus #266–267)
Thirty years following Going Home , Cerebus, working as a shepherd, is only waiting to die. [4]
(Cerebus #268–288)
Cerebus returns from the north with the intention of provoking the Cirinists into killing him when he is abducted by radical followers of the religion Rick founded in Rick's Story —they turn out to be a trio of caricatures of the Three Stooges called the Three Wise Fellows. With these followers behind him as an army, Cerebus leads a successful rebellion against the Cirinsts and conquers the continent of Estarcion, setting up a fascist utopia, from which he retires and starts obsessively collecting a Reads called "Rabbi", becoming an expert on the series and setting out to write "The. One. Definite. Guide to Rabbi."
He meets Konigsberg, the Not-So-Good Samaritan (a caricature of Jewish filmmaker Woody Allen), to whom Cerebus gives his unique interpretation of the Old Testament, [5] in a mostly textual series called "Chasing YHWH" in issues #282-290. Cerebus explains that YHWH (which he pronounces "Yoowhoo") is a female deity who believes she is God.
(Cerebus #289–300)
A hundred years pass, and Cerebus awakens from a dream or vision in which cosmology is seen as a reflection of theology, complete with explanatory footnotes by Sim. Upon waking, Cerebus—now incredibly aged, decrepit, pain-ridden, and mildly senile, makes the laborious trek to his writing desk to write down his new revelation. He then hides the manuscript, and it is implied that nobody will find it for two thousand years, and he has written instructions on how to carry on his dynasty in a final testament for his son. [5]
Cerebus spends most of the rest of the book trying to persuade his chief of security, Walter O'Reilly (named after Corporal Walter (Radar) O'Reilly from M*A*S*H)[ citation needed ] to admit his son, Shep-Shep, with whom he remembers sharing an idyllic father-son relationship. The Sanctuary is under lockdown due to opposition from a new and even more rabidly "feminist-homosexualist" group led by Shep-Shep's mother, however, whom Cerebus refers to as "New Joanne". The group favors such "rights" as pedophilia, zoophilia, juvenile recreational drug use and lesbian motherhood, as the result of which social values have undergone a complete breakdown.
Cerebus finally goes to bed despairing of seeing his son again, but Shep-Shep manages to sneak into Cerebus' room late that night. Their subsequent conversation shatters Cerebus' last illusions about his son. Shep-Shep has aligned himself with his mother, who has been conducting genetic engineering experiments, partly with knowledge gained from Cirin's earlier experimentation. Cerebus is disgusted and horrified when Shep-Shep shows him the results of one of the experiments; a baby sphinx made with his DNA. As he leaves, Shep-Shep reveals that he and his mother plan on creating a new religion around the sphinx. He also informs his father of a second new religion that has sprung up, Islam, and implies that Cerebus and his state will one day fall at the hands of Muslim invaders who see Cerebus's views on religion as blasphemy.
After Shep-Shep leaves, a rejuvenated Cerebus grabs a knife, intending to kill him and his followers, but falls out of bed and breaks his neck, alone, unmourned, and unloved, just as the Judge had predicted. His life passes before his eyes in a series of flashback panels and his ghost sees many of his old friends and enemies waiting for him in "the Light." Jaka, Bear, and Ham beckon to him and he eagerly rushes to join them, thinking they are in Heaven, but he then notices Rick's absence and realizes that the Light may in fact be Hell. He calls out to God for help, but is dragged into the Light nonetheless.
In 2017, Sim published a new five part series with Cerebus entitled Cerebus in Hell, with issues #0 and #1 through #4. This series reveals that the Light is indeed Hell. Cerebus is shown wandering around Hell with the artwork taken from Gustave Doré's illustrations for Dante Alighieri's Divine Comedy . [6]
The novel took up the last 35 issues of Cerebus, from #266 through #300. It was published in two "phonebook" volumes: Latter Days in November 2003, collecting issues #266–288, and The Last Day in June 2004, collecting issues #289–300. The volume The Last Day includes a two-page introduction and 18 pages of annotations. The Last Day first printing in limited edition signed (by both Dave Sim and Gerhard) and numbered (out of 1000) ISBN 0-919359-21-3.
Gerhard had become frustrated with the time restraints on the work at this point, and has said publicly that Sim had lost him as a reader. [8]
Sim and Gerhard's continuing artistic innovations met with some praise, but the Three Stooges caricatures (and their tangential back-story [9] ) left some readers cold, as did Cerebus' take on the Scriptures. The fact that it was so text heavy (approximately a third of the book in small fonts) was also considered tiresome. [2]
Cerebus is a comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series—barbarian, prime minister and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim's controversial beliefs.
Gerhard is the professional name of a Canadian artist known for the elaborately detailed background illustrations in the comics series Cerebus the Aardvark.
The Comics Journal, often abbreviated TCJ, is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels. Known for its lengthy interviews with comic creators, pointed editorials and scathing reviews of the products of the mainstream comics industry, the magazine promotes the view that comics are a fine art, meriting broader cultural respect, and thus should be evaluated with higher critical standards.
Dave Sim is a Canadian cartoonist and publisher, best known for his comic book Cerebus, his artistic experimentation, his advocacy of self-publishing and creators' rights, and his controversial political and philosophical beliefs.
Richard Veitch is an American comics artist and writer who has worked in mainstream, underground, and alternative comics.
Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serializion in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom.
Last days or end time is the time period described by the eschatology of various religions.
Howard Eugene Day was a Canadian comics artist best known for his work on Marvel Comics' Star Wars licensed series and Master of Kung Fu. He was considered a mentor by independent comic writer/artist Dave Sim.
Ed the Happy Clown is a graphic novel by Canadian cartoonist Chester Brown. Its title character is a large-headed, childlike children's clown who undergoes one horrifying affliction after another. The story is a dark, humorous mix of genres and features scatological humour, sex, body horror, extreme graphic violence, and blasphemous religious imagery. Central to the plot are a man who cannot stop defecating; the head of a miniature, other-dimensional Ronald Reagan attached to the head of Ed's penis; and a female vampire who seeks revenge on her adulterous lover who had murdered her to escape his sins.
The Creator's Bill of Rights is a document drafted in November 1988 by a number of independent comic book artists, writers, and publishers, designed to protect their rights as creators and publishers and oppose exploitation by corporate work for hire practices and the power of distributors to dictate the means of distribution. Issues covered by the Bill included giving creators proper credit for their characters and stories, profit-sharing, distribution, fair contracts, licensing, and return of original artwork. The signing of the Bill spurred Cerebus creator and self-publisher Dave Sim and Teenage Mutant Ninja Turtles creators/self-publishers Kevin Eastman and Peter Laird to sell or continue selling collected volumes of their comics directly to readers via their periodic issues, rather than through direct market distributors selling the collections at comic book specialty shops. Comic book professionals that have commented on the Bill conclude that it had little or no impact on the comic book industry.
The Little Man: Short Strips 1980–1995 is a collection of short works by award-winning Canadian cartoonist Chester Brown, published by Drawn & Quarterly in 1998. It collects most of Brown's non-graphic novel short works up to that point, with the notable exception of his incomplete adaptations of the Gospels.
High Society is the second collected volume, and first volume-length story, of Canadian cartoonist Dave Sim's Cerebus comic book series. It focuses mainly on politics, including Cerebus' campaign for the office of Prime Minister, in the fictional city-state of Iest in Sim's world of Estarcion. It is generally considered the best book for beginning Cerebus readers to start with, and has been called "one of the finest storylines of the 1980s". The story was published in individual issues from May 1981 to May 1983 (#50), with the collection published in 1986.
Church & State is the third novel in Canadian cartoonist Dave Sim's Cerebus comic book series. In it, Cerebus once again becomes Prime Minister, and eventually Pope. The story was published in individual issues from July 1983 to June 1988 (#111).
Jaka's Story is the fourth major storyline in Canadian cartoonist Dave Sim's Cerebus comics series.
Melmoth is the fifth novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It follows Oscar in his last days leading up until his death, while Cerebus sits catatonic, clutching the doll of Jaka, the woman he loves but believes has been killed.
Mothers & Daughters: a novel is the sixth novel in Canadian cartoonist Dave Sim's Cerebus comic book series. Sim considers the novel to be the final portion of the main story. It collects Cerebus #151–200 in four volumes, the seventh through tenth volumes of the paperback "phone book" collections of the series, titled Flight, Women, Reads and Minds.
Guys is the seventh novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It is made up of issues #201-219 of Cerebus and was collected as Guys in one volume in September 1997.
Rick's Story is the eighth novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It is made up of issues #220-231 of Cerebus. It was collected as Rick's Story in one volume in November 1998, and was the 12th collected "phonebook" volume.
Going Home is the ninth novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It is made up of issues #232–265 of Cerebus. It was collected as the 13th and 14th "phonebook" volumes, as Going Home and Form & Void.
Cerebus phonebooks are the paperback collections that Dave Sim has collected his comic book series Cerebus in since 1986. They have come to be known as "phonebooks" as their thickness and paper stock resemble that of phone books. The format had a large influence on alternative comics publishing and was key in the move from the periodical-centric publishing style that was once dominant.
Woody Allen was born in Brooklyn, New York, in the spring of 1952, when Allan Stewart Konigsberg, who was born in Brooklyn, New York on December 1, 1935, settled on the name as a suitable cover.