Laura Cottingham (born 1959) is an American art critic, [1] curator and visual artist. Her most recent book is Angst essen Seele auf on Rainer Werner Fassbinder published by the British Film Institute in 2005. Her work has been exhibited in galleries and museums throughout Europe and in New York City, her best known videos being Not For Sale, 1998 and The Anita Pallenberg Story, 2000. She curated "NowHere," for the Louisiana Museum of Art, Denmark in 1996 and "Vraiment Feminisme et art," for Le Magasin in Grenoble, France in 1997. She lives in New York City.
Laura Cottingham is a graduate of Notre Dame Academy, in Park Hills, Kentucky and of the University of Chicago. In 1981-82, she was a Helena Rubenstein Fellow in the Whitney Museum of American Art's Independent Study Program. Her activities have been primarily concentrated in Europe—including Austria, Germany, France, Spain, England, Scotland, the Netherlands, Denmark, and Sweden—where she has published, exhibited and lectured widely. Her work is concerned with reconsidering the meaning of art in light of the countercultural values of circa 1968. Her influences include Fluxus, Rock and roll, punk (Dee Dee Ramone kissed her), ballet, radical feminism, Gay rights, Black Power, Zen and Gestalt.
Aside from Angst essen Seele auf, Cottingham's other books include Seeing Through the Seventies: Essays on Feminism and Art (Amsterdam, 2000); Lesbians Are So Chic... (London, 1996) and How many 'bad' feminists does it take to change a lightbulb? (New York, 1994), also in French (Lyon, 1999). She is best known for her work recuperating Seventies Feminist Art and has published extensively on many of the artists of that period, as well as on artists of her own generation.
Her Not For Sale: Feminism and Art in the USA during the 1970s, premiered at the Museum of Modern Art, New York, in 1998. The Anita Pallenberg Story is a satire on the international art scene that features Cottingham playing Mick Jagger; other art world personalities likewise appear in this Warhol-like drama, including collector Peter Norton ("Norton Utilities") who plays a pizza delivery boy. "Pallenberg" is the subject of a website: "LOVE, SEX, FAME and the LIFE OF THE IMAGE: On the making of the Anita Pallenberg Story" at www.haussite.net, the Kuenstlerhaus Stuttgart's website. [2]
In 2006, she co-curated Sweden's annual national exhibition for the Lilevalchs Konsthalle, Stockholm.
She has taught at the graduate visual arts programs at Rutgers University, the School of Visual Arts, Pratt Institute and Columbia University, New York as well as at the Danish Royal Academy and The Cooper Union in New York City.
In 2000, Cottingham performed as a dancer with the Stanley Love Performance Group in New York.
Her name appears in the lyrics of the Le Tigre song "Hot Topic." [3]
She often appeared as a contestant on "Name That Painting," a Manhattan cable television show.
Adrienne Cecile Rich was an American poet, essayist and feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse". Rich criticized rigid forms of feminist identities, and valorized what she coined the "lesbian continuum", which is a female continuum of solidarity and creativity that impacts and fills women's lives.
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Arlene Raven was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.
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Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
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Nancy Angelo is an organizational psychologist and formerly a performance and video artist who took part in the feminist art movement in Los Angeles. As an artist, she is best known for co-founding the collaborative performance art group The Feminist Art Workers in 1976 with Candace Compton, Cheri Gaulke, and Laurel Klick.
Laura Aguilar was an American photographer. She was born with auditory dyslexia and attributed her start in photography to her brother, who showed her how to develop in dark rooms. She was mostly self-taught, although she took some photography courses at East Los Angeles College, where her second solo exhibition, Laura Aguilar: Show and Tell, was held. Aguilar used visual art to bring forth marginalized identities, especially within the LA Queer scene and Latinx communities. Before the term Intersectionality was used commonly, Aguilar captured the largely invisible identities of large bodied, queer, working-class, brown people in the form of portraits. Often using her naked body as a subject, she used photography to empower herself and her inner struggles to reclaim her own identity as “Laura”- a lesbian, fat, disabled, and brown person. Although work on Chicana/os is limited, Aguilar has become an essential figure in Chicano art history and is often regarded as an early "pioneer of intersectional feminism” for her outright and uncensored work. Some of her most well-known works are Three Eagles Flying, The Plush Pony Series, and Nature Self Portraits. Aguilar has been noted for her collaboration with cultural scholars such as Yvonne Yarbo-Berjano and receiving inspiration from other artists like Judy Dater. She was well known for her portraits, mostly of herself, and also focused upon people in marginalized communities, including LGBT and Latino subjects, self-love, and social stigma of obesity.
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