Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Lenore "Lee" Krasner was an American Abstract Expressionist painter and visual artist active primarily in New York. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Albert Pinkham Ryder was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist.
James Browning Wyeth is an American realist painter, son of Andrew Wyeth, and grandson of N.C. Wyeth. He was raised in Chadds Ford Township, Pennsylvania, and is artistic heir to the Brandywine School tradition — painters who worked in the rural Brandywine River area of Delaware and Pennsylvania, portraying its people, animals, and landscape.
Louise Moillon (1610–1696) was a French still life painter in the Baroque era. It is recorded that she became known as one of the best still life painters of her time, as her work was purchased by King Charles I of England, as well as French nobility. Louise Moillon is also known for her Flemish style that is present in her artwork. Moillon created about 40 artworks during her lifetime which are held in museums and private collections.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
Eleanore Mikus was an American artist who began painting in the late 1950s in the Abstract Expressionist mode. By the early 1960s, she was creating monochromatic paintings with geometric patterns that according to Luis Camnitzer, “could be seen as conforming to the Minimalist aesthetic of the era while emphatically contradicting that style’s emotional distance and coldness.” In 1969, she began painting simple, cartoon-like images in bold, colorful strokes that anticipated Neo-Expressionism of the early 1980s. In the mid-1980s, Mikus resumed creating her abstract works. Since 1961, she has also been creating works of folded paper in which the “folds” make lines or textures that become integral to the material itself.
Susan Hannah Eakins was an American painter and photographer. Her works were first shown at the Pennsylvania Academy of the Fine Arts, where she was a student. She won the Mary Smith Prize there in 1879 and the Charles Toppan prize in 1882.
Marylyn Dintenfass is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures.
Stevenson Memorial is a 1903 oil painting by the American artist Abbott Handerson Thayer, intended to commemorate the writer Robert Louis Stevenson. Though Thayer initiated several paintings with the intent of honoring Stevenson, Stevenson Memorial is the only version to survive the artist's revisions.
Carol Lorraine Sutton is a multidisciplinary artist born in Norfolk, Virginia, USA and now living in Toronto, Ontario, Canada. She is a painter whose works on canvas and paper have been shown in 32 solo exhibits as well as being included in 94 group shows. Her work, which ranges from complete abstraction to the use of organic and architectural images, relates to the formalist ideas of Clement Greenberg and is noted for the use of color. Some of Sutton paintings have been related to ontology.
Zofia Stryjeńska was a Polish painter, graphic designer, illustrator, stage designer, a representative of art deco. Along with Olga Boznańska and Tamara de Lempicka, she was one of the best-known Polish women artists of the interwar period. In the 1930s she was nominated for the prestigious Golden Laurel of the Polish Academy of Literature, but declined the offer.
Mary Heilmann is an American painter based in New York City and Bridgehampton, NY. She has had solo shows and travelling exhibitions at galleries such as 303 Gallery and Hauser & Wirth (Zurich) and museums including the Wexner Center for the Arts and the New Museum. Heilmann has been cited by many younger artists, particularly women, as an influential figure.
Jacqueline Mary Fahey is a New Zealand painter and writer.
Dusti Bongé was an American painter who worked from the 1930s through the early 1990s. She is considered Mississippi's first Abstract Expressionist painter and its first Modernist artist.
Mary Evelyn Wrinch (1877–1969), was a Canadian artist who created miniature paintings, oil paintings, and block prints, sometimes inspired by the Northern Ontario landscape. She pioneered the 'Canadian style', painting landscapes with bold colours of the Algoma, Muskoka and Lake Superior regions, in situ. In her miniature paintings on ivory, she depicted her sitters with freshness and vitality. Her colour block prints are virtuoso examples of the medium.
Cianne Fragione is an American-born Italian abstract artist based in Washington, D.C. She is known for her mixed-media works that incorporate found objects and textiles with heavily layered oil paint and collage. She can be found in the permanent collections of the Baltimore Museum of Art, Cecil H. Green Library at Stanford University, and Georgetown College.
Bailey Doogan was an American artist best known for her large-scale, feminist paintings and drawings that offer an unflinching look at the aging, female body and that tackle cultural issues like the equation of beauty with youth. Doogan's artwork has been reviewed in numerous publications, including Art in America, The Nation, Art Journal, Ms., ARTnews and the New Art Examiner. Her work also has been reproduced in Harper's Magazine.
Helene Marie Fesenmaier was an American painter in acrylic, oil and pastel and sculptor. She initially disliked art when she was young but graduated from Smith College and Yale School of Art. Fesenamier was part of a group who established the New York Studio School of Drawing, Painting, and Sculpture in 1964. She spent time painting in the Netherlands and visited archaeological sites in Greece, Peru and Yucatán before taking up sculpting in Venezuela when she could not obtain suitable life models to paint and draw on. In 1970, Fesenmaier moved from Venezuela to London, as she combined painting and sculpting. She exhibited her works in major cities and art museums across the globe, and was posthumously inducted into the ISD 88 Hall of Fame in 2017.
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
