Diana Josephine Churchill was an English actress. Churchill was a crisp, classy blonde with blue eyes who appeared in several British films, playing the sardonic heroine in a handful of comic chillers during the early 1930s. She was mainly a theatre actress into the war years and after, an actress for "all theatrical seasons" who was "renowned for her versatility in playing Shakespeare, Restoration comedy, farce, Chekhov and revue".
A Christmas Carol is a British-American animated adaptation of Charles Dickens's 1843 novella. The film was broadcast on U.S. television by ABC on December 21, 1971, and released theatrically soon after. In 1972, it won the Academy Award for Best Animated Short Film. The film notably has Alastair Sim and Michael Hordern reprising their respective roles as Ebenezer Scrooge and Marley's ghost.
Waterloo Road is a 1945 British film directed by Sidney Gilliat and starring John Mills, Stewart Granger, and Alastair Sim. It is based on the Waterloo area of South London. According to the British Film Institute database, it is the third in an "unofficial trilogy" by Gilliat, preceded by Millions Like Us (1943) and Two Thousand Women (1944).
Nicola Mary Pagett Scott, known professionally as Nicola Pagett, was a British actress, known for her role as Elizabeth Bellamy in the 1970s TV drama series Upstairs, Downstairs (1971–1973), as well as being one of the leads in the sitcom Ain't Misbehavin' (1994–1995). Her film appearances included Anne of the Thousand Days (1969), Frankenstein: The True Story (1973), Operation Daybreak (1975), Privates on Parade (1982) and An Awfully Big Adventure (1995).
David MacDonald was a Scottish film director, writer and producer.
The Pickwick Papers is a 1952 British historical comedy drama film written and directed by Noel Langley and starring James Hayter, James Donald, Nigel Patrick and Joyce Grenfell. It is based on the Charles Dickens’s 1837 novel of the same name. It was made by Renown Pictures who had successfully released another Dickens adaptation Scrooge the previous year.
Climbing High is a 1938 British comedy film directed by Carol Reed and produced by Michael Balcon with a screenplay by Sonnie Hale, Marion Dix and Lesser Samuels. It stars Jessie Matthews, Michael Redgrave, Noel Madison, Margaret Vyner and Alistair Sim, and was first released in the U.K. in November 1938.
Barry K. Barnes was an English film and stage actor. The son of Horatio Nelson Barnes and Anne Mackintosh Barnes, he was born and died in London. He appeared in sixteen films between 1936 and 1947. He played Sir Percy Blakeney in the 1937 film The Return of the Scarlet Pimpernel. His film career was cut short in 1947 due to an undiagnosable illness contracted during the war. He was married to actress Diana Churchill, and worked with his wife on stage during the 1940s and 1950s, taking West End revivals of The Admirable Crichton and On Approval on profitable tours.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
Troubled Waters is a 1936 British mystery film directed by Albert Parker and starring James Mason, Virginia Cherrill, Alastair Sim, Raymond Lovell and Sam Wilkinson. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
Sailing Along is a 1938 British musical comedy film directed by Sonnie Hale and starring Jessie Matthews, Barry MacKay, Jack Whiting, Roland Young, Frank Pettingell, Noel Madison and Alastair Sim. It includes many staged song and dance routines either on barges or on the dock edge.
The Midas Touch is a 1940 British thriller film directed by David MacDonald and starring Barry K. Barnes, Judy Kelly, Frank Cellier and Bertha Belmore. It is an adaptation of the 1938 novel of the same title by Margaret Kennedy.
This Man in Paris is a 1939 British comedy mystery film directed by David MacDonald and starring Barry K. Barnes, Valerie Hobson and Alastair Sim.
This Man is News is a 1938 British comedy mystery film directed by David MacDonald and starring Barry K. Barnes, Valerie Hobson, Alastair Sim and Edward Lexy. The screenplay concerns a journalist who solves a crime of which he himself is suspected . A "quota quickie", it was made for a mere £6,000, but "was among the highest grossing films of 1938".
The Private Secretary is a 1935 British comedy film directed by Henry Edwards and starring Edward Everett Horton, Barry MacKay, Judy Gunn and Oscar Asche. It is an adaptation of the play The Private Secretary by Charles Henry Hawtrey. It was made at Twickenham Studios.
Two for Danger is a 1940 British crime film directed by George King and starring Barry K. Barnes, Greta Gynt and Ian McLean.
The Great Barrier is a 1937 British historical drama film directed by Milton Rosmer and Geoffrey Barkas and starring Richard Arlen, Lilli Palmer and Antoinette Cellier. The film depicts the construction of the Canadian Pacific Railway. It was based on the 1935 novel The Great Divide by Alan Sullivan. It was made at the Lime Grove Studios in Shepherd's Bush. The film's sets were designed by Walter Murton.
Gangway is a 1937 British musical film directed by Sonnie Hale and starring Jessie Matthews, Barry MacKay, Nat Pendleton and Alastair Sim. Its plot involves a young reporter goes undercover to unmask a gang of criminals who are planning a jewel heist. AKA as Sparkles in Australia and on Australian release 78rpm records. Jessie Matthews was nicknamed SPARKLE in the film.
Alias John Preston is a 1955 British thriller film directed by David MacDonald and starring Betta St. John, Alexander Knox and Christopher Lee. Its plot is about a mysterious and wealthy man who moves to a small village where he outwardly appears to be a friendly figure but nurses a dangerous secret.
Spies of the Air is a 1939 British adventure film directed by David MacDonald and based on the play Official Secret by Jeffrey Dell. The film stars Barry K. Barnes, Roger Livesey, Basil Radford, Edward Ashley and Felix Aylmer. Spies of the Air involves espionage in the period just before the outbreak of war in Europe that spawned a number of similar propaganda films linking aeronautics and spies. Films in both Great Britain and the United States centred on "... spies and fifth columnists (as) the staple diet of films made during the first year of the war."
