Related Research Articles
Dance is an art form, often classified as a sport, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves.
Japanese traditional dance describes a number of Japanese dance styles with a long history and prescribed method of performance. Some of the oldest forms of traditional Japanese dance may be among those transmitted through the kagura tradition, or folk dances relating to food producing activities such as planting rice and fishing, including rain dances. There are large number of these traditional dances, which are often subfixed -odori, -asobi, and -mai, and may be specific to a region or village. Mai and odori are the two main groups of Japanese dances, and the term buyō (舞踊) was coined in modern times as a general term for dance, by combining mai (舞) and odori (踊).
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia.
Khwarazm or Chorasmia is a large oasis region on the Amu Darya river delta in western Central Asia, bordered on the north by the (former) Aral Sea, on the east by the Kyzylkum Desert, on the south by the Karakum Desert, and on the west by the Ustyurt Plateau. It was the center of the Iranian Khwarezmian civilization, and a series of kingdoms such as the Afrighid dynasty and the Anushtegin dynasty, whose capitals were Kath, Gurganj and—from the 16th century on—Khiva. Today Khwarazm belongs partly to Uzbekistan and partly to Turkmenistan.
The zurna is a double reed wind instrument played in the Central Asia, West Asia, the Caucasus, Southeast Europe and parts of North Africa. It is also used in Sri Lanka. It is usually accompanied by a davul in Armenian, Anatolian and Assyrian folk music.
Locking is a style of funk dance, which is today also associated with hip hop. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
The dance forms of Andhra Pradesh take on a wide variety of colors, costumes, and types; and involve different settings and musical instruments.
Attan, the national dance of Afghanistan, is a traditional dance originating from the tribal Pashtun regions. The dance is performed during weddings or other celebrations. The Attan was also conducted by Pashtuns in times of war such as the British occupation and the Pashtun resistance movement, when Pashtuns used the dance to instil confidence and energy among warriors readying to battle the colonisers. It is now considered the national dance of Afghanistan, popularly carried by other ethnic groups in Afghanistan as well as by the Pashtun ethnic group in Pakistan.
Azerbaijani dances are traditional dances developed and performed in the Republic of Azerbaijan. These dances are known for their quick tempo and the dancers' traditional clothing.
Dance in Thailand is the main dramatic art form in Thailand. Thai dance can be divided into two major categories, high art and low art.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
Tamara Khanum was a Soviet, Uzbek dancer, singer, actress, and choreographer. She was honored as a People's Artist of the USSR in 1956 and received the Stalin Prize, second degree, in 1941.
VIA is an abbreviation for Vocal and Instrumental Ensemble. It is the general name used for popular music bands that were formally recognized by the Soviet government from the 1960s to the 1980s.
Folk dances of Assam include the Bihu and the Bagurumba, the Bhortal, the Ojapali dance. Assam is home to many groups: Muslim, Indo-Aryan, Rabha, Bodo, Dimasa, Karbi, Mising, Sonowal Kacharis, Mishmi and Tiwa (Lalung) etc. These cultures come together to create an Assamese culture. Residents of the state of Assam are known as "Axomiya" (Assamese). Most tribes have their own language, although Assamese is the primary language of the state.
Radio and Juliet is an hour long ballet setup in 2005 for the Slovenian company Ballet Maribor in Slovenia. It was directed by Romanian dancer and choreographer Edward Clug. The ballet is a rendition of William Shakespeare's Romeo and Juliet set music of Radiohead. Since 2005 Radio and Juliet has guested in the Netherlands, Italy, Singapore, Korea, Israel, Canada, United States, Russia, Ukraine, Brazil, Serbia and Croatia. It has also been set on the companies of Bucharest National Theater and Kiev National Opera. On 15 September 2012, the 100th performance was celebrated on the old stage of the Maribor Opera house. The ballet premiered in the United States in 2008 at the Pittsburgh International Festival of Firsts at the Byham Theater.
There are three schools of dance in Uzbekistan: Khorezm, Fergana, and Bukhara. Each one has its peculiarities and specific features.
Matniyoz Devonbegi Madrasah is an architectural monument in the city of Khiva, Khorazm Region. The madrasah was built in 1871, and today it is located at 19, Pahlavon Mahmud Street, "Itchan Kala" neighborhood of Khiva. The historical object "Itchan Kala" state museum-reserve belongs to the state property based on the right of operational management.
Muhammad Aminkhan Madrasah is an architectural monument in Khiva (1852–1855). Built by Muhammad Amin Bahadur Khan. The Madrasah is located in the western part of the Itchan Kala. It was built in 1852–1855 with the funds and decree of the Uzbek ruler Muhammad Aminkhan. Muhammad Aminkhan Madrasah is the largest and most tiled in comparison to other Khiva madrasahs.
Abdullakhan Madrasah is an architectural monument in Khiva. It is located between Olloquli Khan and Kutlugmurad Inak madrasas in Itchan Kala. It was built in memory of Abdulla Khan by his mother after his death at age 17 in 1855 in a battle with Turkmen Yavmuts. It is located west of the White Mosque.
The Muhammad Amin Inoq Madrasa is an architectural monument in Khiva city of Khorezm region of the Republic of Uzbekistan. The madrasa dates back to the 18th century (1785) and is currently located in the “Ichan qal’a” quarter, Zargarlar street, house 34. It was built by Muhammad Amin inoq and stood out in the center of Ichan qal’a.
References
- ↑ Botir Matyoqubov. National Encyclopedia of Uzbekistan. Volume 1. Tashkent, 2000
- 1 2 3 Lazgi raqsi – Xorazm folklorining yuragi (in Uzbek). Retrieved 2023-04-21.
- ↑ Oriental Art and Culture. Volume 3 Issue 2 (in Uzbek). Scientific-Methodical Journal. 2022.
- 1 2 Matyoqubova G (1993). Ofatijon "Lazgi" (in Uzbek). Toshkent. p. 12.
{{cite book}}: CS1 maint: location missing publisher (link) - 1 2 Xudayberganova M, Xolmoʻminov М. Хorazm "Lazgi" raqsi: paydo bo‘lish tarixi, shakllanish davri va taraqqiyot bosqichlari (in Uzbek).
- ↑ Rahimov B. Lazgi ashulasi qanday yaratilgan?. Volume 1 (in Uzbek) (Issue 10 ed.). Oriental Renaissance: Innovative, educational, natural and social sciences.