Lazzaro Vasari

Last updated
Lazzaro Vasari 049 le vite, lazzaro vasari.jpg
Lazzaro Vasari

Lazzaro Vasari (1399–1468), also known as Lazzaro Taldi and as Lazzaro di Niccolò de' Taldi, was an Italian painter who was born in the Province of Arezzo. His father was a potter, as was Lazzaro Vasari’s son, Giorgio Vasari I. The painter Luca Signorelli (1441–1523) was Lazzaro Vasari’s nephew, and the art historian Giorgio Vasari was his great-grandson.

Province of Arezzo Province of Italy

The province of Arezzo is the easternmost province in the Tuscany region of central Italy. Its capital is the city of Arezzo. The province is bordered by the regions of Marche, Emilia-Romagna, Umbria, and the provinces Siena and Florence of Tuscany. It has an area of 3,233 square kilometres (1,248 sq mi), a total population of about 344,000 in 36 comuni

Luca Signorelli Italian Renaissance painter

Luca Signorelli was an Italian Renaissance painter who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.

Giorgio Vasari Italian painter, architect, writer and historian

Giorgio Vasari was an Italian painter, architect, writer, and historian, most famous today for his Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of art-historical writing.

Lazzaro Vasari’s best-known work is the fresco of Saint Vincent Ferrer in the Basilica of San Domenico in Arezzo, Italy. He died in Arezzo in 1468 and was buried at the Chapel of San Giorgio in the same city.

Fresco Mural painting upon freshly laid lime plaster

Fresco is a technique of mural painting executed upon freshly laid, or wet lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.

Vincent Ferrer Valencian Dominican friar

Vincent Ferrer, O.P. was a Valencian Dominican friar, who gained acclaim as a missionary and a logician. He is honored as a saint of the Roman Catholic Church and other churches of Catholic traditions, like the Iglesia Filipina Independiente.

Arezzo Comune in Tuscany, Italy

Arezzo is a city and comune in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about 80 kilometres southeast of Florence at an elevation of 296 metres (971 ft) above sea level. It is also 30 km west of Città di Castello. In 2013 the population was about 99,000.

Related Research Articles

Cimabue Italian painter

Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence.

Paolo Uccello Italian painter

Paolo Uccello, born Paolo di Dono, was an Italian painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the "Battle of Sant' Egidio of 1416" for a long period of time.

Guglielmo da Marsiglia (1475–1537) was an Italian painter of stained glass of the 16th century. He is also known as Guglielmo da Marcillat, and was a native of Dt. Michiel near Meuse, France.

Margaritone dArezzo Italian painter from Arezzo

Margarito or Margaritone d'Arezzo was an Italian painter from Arezzo.

Giovanni Antonio Lappoli (1492–1552) was a Tuscan painter from Arezzo who painted in a Mannerist style.

Cristofano Gherardi Italian painter

Cristofano or Cristoforo Gherardi, also known as il Doceno, was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany.

<i>Lives of the Most Excellent Painters, Sculptors, and Architects</i> 16th-century book of artist biographies by Giorgio Vasari

The Lives of the Most Excellent Painters, Sculptors, and Architects, also known as The Lives, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history". The title is often abridged to just the Vite or the Lives.

Orazio Porta was an Italian painter active in the mannerist period. He was active from at least 1568 to 1580s.

Parri Spinelli Italian painter

Parri Spinelli was an Italian (Tuscan) painter of the early renaissance who was born in the Province of Arezzo. His father and teacher was Spinello Aretino (1350–1410), who was active throughout Tuscany. Parri Spinelli lived in Florence from 1411 or 1412 to 1419, and was a member of the workshop of Lorenzo Ghiberti. He became the most important painter in Arezzo upon his return. Spinelli died in 1453 in Arezzo Province. His paintings are notable for their bold colors and figures that are more elongated than those of his predecessors.

Simone Ghini Italian sculptor

Simone Ghini, also known as Simone Ghini I and as Simone I di Giovanni di Simone Ghini, was an Italian (Florentine) renaissance sculptor who was born in 1406 or 1407. He is best known for his funeral monument to Pope Martin V, in the Basilica of St. John Lateran, in Rome. Together with Antonio Filarete, Simone also made a set of bronze doors for St. Peter's Basilica in Rome. Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects erroneously stated that Simone was the brother of Donatello. Simone Ghini died in 1491.

Paolo Romano 15th century Italian sculptor

Paolo Romano, also known as Paolo Tuccone and as Paolo di Mariano di Tuccio Taccone was an Italian early Renaissance sculptor and goldsmith. Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects recounts that Paolo Romano was a modest man whose sculpture was far superior to that of his boastful contemporary Mino del Reame.

Bartolomeo della Gatta Italian painter

Bartolomeo della Gatta (1448–1502), born Pietro di Antonio Dei, was an Italian (Florentine) painter, illuminator, and architect. He was the son of a goldsmith. He was a colleague of Fra Bartolommeo. In 1468, Bartolomeo became a monk in the Order of Camaldoli, which his brother Nicolo had already entered. Upon taking holy orders, he changed his name to Bartolomeo. About 1481, he was summoned to Rome where he contributed to the cycle of frescos on the walls of the Sistine Chapel. Bartolomeo eventually became Abbot of San Clemente in Arezzo. He died in 1502 and was buried in the Abbey of San Clemente.

Guillaume de Marcillat French painter

Guillaume de Marcillat was a French painter and stained glass artist.

Matteo dal Nasaro Veronese Italian sculptor

Matteo dal Nasaro Veronese, also known as Matteo dal Nasaro of Verona, was an Italian sculptor.

Niccolò Soggi Italian painter

Niccolò Soggi was an Italian painter, born in Monte San Savino in the Province of Arezzo, Italy.

Vasari is an Italian surname. Notable people with the surname include:

Libro de Disegni

The Libro de' Disegni was a collection of drawings gathered, sorted and grouped by Giorgio Vasari whilst writing his Lives of the Most Excellent Painters, Sculptors, and Architects. By the time of his death in 1574 it is thought to have contained around 526 drawings, of which 162 are now in the Louvre and 83 in the Nationalmuseum, Stockholm. There are also drawings from the Libro in the prints and drawings departments of the Uffizi, the British Museum, the Albertina, the National Gallery of Art and other institutions.

References