Le baruffe chiozzotte (Brawling in Chioggia) is a play by the Italian playwright Carlo Goldoni, first performed at the Teatro San Luca in Venice in January 1762. It deals with the comic struggles between two groups of fishermen in the lagoon-mouth village of Chioggia brought on by the love affairs of the younger generation. Written in Venetian, the comedy is intensified by the presence of a hapless young Venetian official, who is helpless to enforce order on the sly inhabitants he is supposed to keep under control.
In modern times, the play was revived at the Piccolo Teatro di Milano in 1962, in a production by Giorgio Strehler emphasizing the humanity and realism of Goldoni's script over the conventionally farcical elements. In 1966 the production was filmed for Italian television.
A concert overture based on the play was composed by Leone Sinigaglia in 1907; it was a favorite of Arturo Toscanini. [1] An operatic version by Franco Leoni also exists. [2]
While Toni and his men are still fishing, the women (Pasqua, Lucietta; Libera, Orsetta, and Checca) are sitting outside their houses talking. Toffolo, another boat owner, comes by and flirts with Lucietta (who is actually engaged to Titta-Nane), giving her some roast pumpkin, thereby exciting the jealousy of Checca. The men (Toni, Beppe and Titta-Nane) all get involved after they arrive and a fight starts with Toffolo's group. This is broken up by Vicenzo and his soldiers. The different sets of jealous Chioggia lovers quarrel amongst themselves, and Toffolo complains to the officials. The Adjunct Isidoro is sent to try to sort everything out. Eventually there is a happy ending and peace is restored. Lucietta marries Titta-Nane, Orsetta marries Beppe and Checca is married to Toffolo.
Antonio Lucio Vivaldi was an Italian composer, virtuoso violinist and impresario of Baroque music. Along with Johann Sebastian Bach and George Frideric Handel, Vivaldi ranks amongst the greatest Baroque composers and his influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programmatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom.
Carlo Osvaldo Goldoni was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title Polisseno Fegeio, Pastor Arcade, which he claimed in his memoirs the "Arcadians of Rome" bestowed on him.
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The Republic of Venice or Venetian Republic, traditionally known as La Serenissima, was a sovereign state and maritime republic in parts of the present-day Italian Republic that existed for 1,100 years from 697 until 1797. Centered on the lagoon communities of the prosperous city of Venice, it incorporated numerous overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a trading power during the Middle Ages and strengthened this position during the Renaissance. Most citizens spoke the Venetian language, although publishing in Italian became the norm during the Renaissance, alongside Latin and Medieval Greek.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
Chioggia is a coastal town and comune of the Metropolitan City of Venice in the Veneto region of northern Italy.
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