Lea Jacobs

Last updated

  1. 1 2 3 4 "Jacobs, Lea". University of Wisconsin–Madison Department of Communication Arts. Archived from the original on April 21, 2025. Retrieved August 8, 2025.
  2. 1 2 3 4 5 6 Reports of the President and the Treasurer. John Simon Guggenheim Memorial Foundation. 2003. p. 81.
  3. Jacobs, Lea (1986). Reforming the fallen woman cycle: strategies of film censorship, 1930-1940 (PhD thesis). University of California, Los Angeles. OCLC   16413017.
  4. Jacobs, Lea (1997). The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. p. xiii.
  5. 1 2 "CV of Lea Jacobs" (PDF). University of Wisconsin–Madison Department of Communication Arts Arts. Retrieved August 8, 2025.
  6. 1 2 Koppes, Clayton R. (1992). "Film Censorship: Beyond the Heroic Interpretation". American Quarterly. 44 (4): 643–649. doi:10.2307/2713218. ISSN   0003-0678. JSTOR   2713218.
  7. 1 2 Carnicke, Sharon Marie (1999). "Review of Theatre to Cinema: Stage Pictorialism and the Early Feature Film". Film Quarterly. 53 (1): 59–59. doi:10.2307/3697225. ISSN   0015-1386. JSTOR   3697225.
  8. "The Decline of Sentiment by Lea Jacobs - Paper". University of California Press. Archived from the original on February 23, 2025. Retrieved August 8, 2025.
  9. "Professor Lea Jacobs's New Book: Film Rhythm after Sound". University of Wisconsin–Madison Department of Communication Arts. January 6, 2015. Retrieved August 8, 2025.
  10. "Lea Jacobs". Guggenheim Fellowships. Retrieved August 8, 2025.
  11. Kaplan, E. Ann (1994). "Review of The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942; Women Watching Television: Gender, Class, and Generation in the American Television Experience; All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama". Signs. 19 (2): 550–555. ISSN   0097-9740. JSTOR   3174823.
  12. Ames, Eric (1999). "Ben Brewster, Lea Jacobs: Theatre to Cinema. Stage Pictorialism and the Early Feature Film". MEDIENwissenschaft: Rezensionen | Reviews. doi:10.17192/ep1999.2.2975.
  13. Shaiman, Mark (1999). "Theatre to Cinema: Stage Pictorialism and the Early Feature Film. By Ben Brewster and Lea Jacobs". Theatre Survey. 40 (2): 96–98. doi:10.1017/S0040557400003641. ISSN   0040-5574.
  14. Waltz, Gwendolyn (2000). "Ben Brewster and Lea Jacobs, "Theatre to Cinema: Stage Pictorialism and the Early Feature Film" (Book Review)". Nineteenth Century Theatre. 28 (1): 70.
  15. Auerbach, Jonathan (2009). "Review of The Decline of Sentiment: American Film in the 1920s". The Journal of American History. 95 (4): 1208–1209. doi:10.2307/27694666. ISSN   0021-8723. JSTOR   27694666.
  16. Neale, Steve (2010). "Review of The Decline of Sentiment: American Film in the 1920s". Film Quarterly. 64 (1): 79–80. doi:10.1525/fq.2010.64.1.79. ISSN   0015-1386. JSTOR   10.1525/fq.2010.64.1.79.
  17. "Recent Books in Film History". Film History. 29 (2): 192–200. 2017. doi:10.2979/filmhistory.29.2.08. ISSN   0892-2160. JSTOR   10.2979/filmhistory.29.2.08.
  18. Jones, Kent (2015). "Get Rhythm". Film Comment. 51 (3): 78–78. ISSN   0015-119X. JSTOR   43460087.
  19. Pipolo, Tony (2016). "Review of Film Rhythm After Sound: Technology, Music, and Performance". Cinéaste. 41 (3): 76–77. ISSN   0009-7004. JSTOR   26356446.
  20. Shpolberg, Masha (2015). "Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs". Film Quarterly. 68 (4): 101–102. doi:10.1525/fq.2015.68.4.101. ISSN   0015-1386. JSTOR   10.1525/fq.2015.68.4.101.
  21. Wang, George Chun Han (2017). "Review of FILM RHYTHM AFTER SOUND: TECHNOLOGY, MUSIC, AND PERFORMANCE". Journal of Film and Video. 69 (2): 58–59. doi:10.5406/jfilmvideo.69.2.0058. ISSN   0742-4671. JSTOR   10.5406/jfilmvideo.69.2.0058.
Lea Jacobs
Born (1957-01-12) January 12, 1957 (age 68)
OccupationHistorian
Awards Guggenheim Fellowship (2002)
Academic background
Alma mater
Thesis Reforming the fallen woman cycle: strategies of film censorship, 1930-1940 (1986)