Legacy Russell | |
---|---|
Born | New York City |
Nationality | American |
Alma mater | Macalester College (BA) [1] Goldsmiths, University of London (MRes) [2] |
Occupation(s) | Executive director and chief curator [3] |
Organization | The Kitchen [4] |
Notable work | Glitch Feminism [5] |
Predecessor | Tim Griffin [4] |
Website | legacyrussell |
Legacy Russell is an American curator, writer, and author of Glitch Feminism: A Manifesto, published by Verso Books in 2020. [5] In 2021, the performance and experimental art institution The Kitchen announced Russell as the organization's next executive director and chief curator. From 2018 to 2021, she was the associate curator of exhibitions at the Studio Museum in Harlem.
Russell was born in New York City and grew up in the East Village. She is the daughter of Harlem-born photographer and technologist Ernest Russell and Kamala Mottl, a community gerontologist. She is the great-granddaughter of Nolle Smith, Black cowboy, engineer, and Hawaii statesman. [6] She attended Friends Seminary, a Quaker school in Manhattan. [7] Russell holds a dual-major BA from Macalester College in Studio Art and Art History and English & Creative Writing, [2] as well as an MRes in Art History and Visual Culture with distinction from Goldsmiths, University of London. [7] [8] Her graduate dissertation focused on the notion of "re-performing reality" and shared research on artists such as Devin Kenny, Ann Hirsch, Awol Erizku. [9]
Russell worked at the online platform Artsy, expanding the company's gallery relations across Europe. [10] She has worked at The Metropolitan Museum of Art, The Whitney Museum of Art, the Brooklyn Museum, and CREATIVE TIME.[ citation needed ] She is a contributing editor at BOMB Magazine. [10]
Russell writes about art, gender, race, and technology, particularly as they intersect with histories of cyberculture. In 2012, Russell coined the term "Glitch Feminism", [11] which Russell says "embod[ies] error as a disruption to gender binary, as a resistance to the normative". [12]
In 2019, The Carl & Marilynn Thoma Art Foundation awarded Russell the Arts Writing Award in Digital Arts, which offers awardees a spot in the Rauschenberg Residency fellowship. [8]
Her first book, Glitch Feminism: A Manifesto, was published in September 2020 by Verso Books. [13] [12] A Forbes review stated, "Glitch Feminism is a rallying cry, a recapturing of cyberfeminism oriented to include and spotlight the many queer and non-white voices who in their practice live out the awesome potential of an enmeshed digital feminism: the glitch." [14] The New York Times stated the book is "Grounded in theory... but a fast, percussive read". [15] According to Russell's website, her second book, Black Meme, "explores the impact of Blackness, Black life, and Black social death on contemporary conceptions of virality borne in the age of the Internet." [16] Black Meme was awarded a Creative Capital Award in 2021. [17]
Russell's curatorial and academic work focuses on queer histories, blackness in visual culture, Internet culture, feminism, and new media. As a curator she has done work around her originating concept of Glitch Feminism. Russell has curated exhibitions and projects at the Museum of Modern Art, [18] MoMA PS1, [19] Institute of Contemporary Art, London, [20] Performa's Radical Broadcast, [21] Kunsthall Stavanger [22] in Norway, and The Studio Museum in Harlem. [23]
Russell was associate curator of exhibitions at the Studio Museum in Harlem from 2018 to 2021. [24] [13] In 2021, The Kitchen announced that Russell would succeed Tim Griffin as the institution's next executive director and chief curator; she is the first Black person to hold the position of executive director and chief curator at The Kitchen since its founding in 1971. [3]
In 2023, Russell was part of the jury that selected a group of ten artists – including Kantemir Balagov, Moor Mother and Dalton Paula – for Chanel's Next Prize. [25]
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
Lorraine O'Grady is an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explores the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity. O'Grady studied at Wellesley College and the University of Iowa Writers' Workshop before becoming an artist at age forty-five. Regarding the purpose of art, O'Grady said in 2016: "I think art’s first goal is to remind us that we are human, whatever that is. I suppose the politics in my art could be to remind us that we are all human."
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Cornelia H. "Connie" Butler is an American museum curator, author, and art historian. Since 2023, Butler is the Director of MoMA PS1. From 2013 to 2023, she was the Chief Curator at the Hammer Museum in Los Angeles.
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Clifford Owens is an African-American mixed media and performance artist, writer and curator. Owens was born in Baltimore, Maryland, in 1971 and spent his early life in Baltimore. Owens is known for his works which center on the body and often include interactions with the audience and spontaneity.
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Performa is a non-profit arts organization well-known for the Performa Biennial, a festival of performance art that happens every two year in various venues and institutions in New York City. Performa was founded in 2004 by art historian and curator RoseLee Goldberg. Since 2005, Performa curators have included Charles Aubin, Defne Ayas, Tairone Bastien, Mark Beasley, Adrienne Edwards, Laura McLean-Ferris, Kathy Noble, Job Piston, and Lana Wilson. The organization commissions new works and tours performances premiered at the biennial. It also manages the work of choreographer and filmmaker Yvonne Rainer.
Kellie Jones is an American art historian and curator. She is a Professor in Art History and Archaeology in African American Studies at Columbia University. She won a MacArthur Fellowship in 2016. In 2023, she was elected to the American Philosophical Society.
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Paula Wilson is an African American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Jordan Casteel is an American figurative painter. She typically paints portraits of friends and family members as well as neighbors and strangers in Harlem and New York. Casteel lives and works in New York City.
Aria Dean is an American artist, critic, and curator. Until 2021, Dean served as Curator and Editor of Rhizome. Her writings have appeared in various art publications including Artforum, e-flux, The New Inquiry, Art in America, and Topical Cream. Dean has exhibited internationally at venues such as Foxy Production and American Medium in New York, Chateau Shatto in Los Angeles, and Arcadia Missa in London. Dean also co-directs As It Stands LA, an artists project space that opened in 2015. Dean lives and works in New York City and Los Angeles. She is represented by Greene Naftali.
Kia Michelle Benbow is an American fine artist. Her most well known series, 24, is a sociopolitical commentary on the effects of growing up as a young woman of color with HIV. She is a former Mother of the Royal House of LaBeija.
Stefanie Hessler is a German-born contemporary art curator, an art writer, and the current director of Swiss Institute in New York. From 2019 to 2022 she was the director of Kunsthall Trondheim in Trondheim, Norway.
Lauren Haynes is an American curator who is senior curator of contemporary art at the Nasher Museum of Art at Duke University. Previously, she was director of artist initiatives and curator of contemporary art at the Crystal Bridges Museum of American Art and the Momentary in Arkansas.
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Tim Griffin is an American writer, curator and former editor. He served as the director and chief curator of the Kitchen. He was editor-in-chief of Artforum from 2003 to 2010.