Legal walls or open walls, [1] are public spaces where graffiti is allowed by any member of the public.
Legal walls started in Scanadanavia, [1] and the first legal wall was likely the klotterplanket ("scribble board") in Stockholm which opened in 1968. The wall was repainted white every morning by a civil servant. [2] They are still most common in Scandanavia, [2] as well as Australia [3] where there are over thirty legal walls in Canberra alone. [4] However, legal walls exist around the world. [5] [6]
Legal walls are different from commissioned murals or commercial graffiti as writers and artists are given relative freedom in what they create, [1] although hateful messages are often disallowed. [7] They may be state-designated spaces [8] or privately owned. [2] Privately owned walls may need council permission to exist in some jurisdictions, where graffiti-style art is illegal in public even if done on personal property. [9]
In typical graffiti spaces, going over someone elses writing (or "capping") is an insult, but legal walls are often repainted multiple times a day with no disrespect taken by artists. [10]
Some writers dismiss legal graffiti as "not real" and avoid legal walls. [10] These people may consider a writer who uses legal walls to be a toy (inexperienced or uncultured writer). [10] Some writers believe that legal walls defeats the purpose of graffiti, as a rebellious act [3] to reclaim public space. [1] Writers interested in aquiring graffiti "fame" are often uninterested in legal walls. [3] Despite this, legal walls are utilised equally by both inexperienced and experienced writers. [3] They can attract "retired" writers who are at a higher risk from doing illegal graffiti. [3]
Cameron McAuliffe says legal walls can help legitimise graffiti as an art form. [3] This was seen on a legal wall in Malmö, where after a group of young people were attacked by neo-nazis, large scale protests were held and a local legal wall was painted with a piece using the words ”Kämpa Malmö” ("Keep fighting Malmö") with a rainbow ribbon, and the anti-fascist slogan "No Pasaran". [2] The piece became an attraction, and was restored multiple times. There were calls for the art to be protected by the local council. [2]
There is debate about whether legal walls discourage or encourage illegal graffiti. [2] Paramatta in Australia used to have several legal walls, but after the local council decided on a zero-tolerance policy in related to graffiti in 2009, all but one of the legal walls were demolished. [3] The council said that graffiti had decreased in the area since the legal walls were removed. [11] Other research has shown that legal walls reduce illegal graffiti by giving writers a safer, often visible space for their art. [12] Opponents of legal walls argue that if writers wanted to produce art legally, they would already be using canvases instead of illegal spaces. [12]
Some places are "grey areas", where graffiti is not legal but is generally left up by authorities, often due to popularity with tourists. [2] These include Hosier Lane in Melbourne [13] and Rush Lane (Graffiti Alley) in Toronto. [14] Others walls exist as something between commissioned art and legal walls, and are curated, invitation-only art walls that are in public spaces but not open to anyone to paint on [2] such as the Venice Art Walls.
Fully legal walls include
Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
A street artist is a person who makes art in public places. Street artists include portrait artists, caricaturists, graffiti artists, muralists and people making crafts. Street artists can also refer to street performers such as musicians, acrobats, jugglers, living statues, and street theatre performers. Street artists can be seen throughout the world.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
A number of words and phrases that have come to describe different styles and aspects of graffiti and its subculture. Like other jargon and colloquialisms, some of these terms may vary regionally, taking on different meanings across different cities and countries. The following terminology originates primarily in the United States.
Reverse graffiti is a method of creating temporary or semi-permanent images on walls or other surfaces by removing dirt from a surface. It can also be done by simply removing dirt with the fingertip from windows or other dirty surfaces, such as writing "wash me" on a dirty vehicle. Others, such as graffiti artist Moose, use a cloth or a high-power washer to remove dirt on a larger scale.
Since the 1980s, the area surrounding the Sydney inner west suburb of Newtown, Australia, including the suburbs of Newtown, Enmore, Erskineville, Camperdown and St Peters, has been known for its wide range of prominent graffiti and street art on walls. The public visual art in the Newtown area consists of a variety of styles and methods of execution, including large-scale painted murals, hand-painted political slogans, hand-painted figurative designs, spray painted semi-abstract designs "tags"), and other stylistic developments such as stencil art and street poster art, "Yarn bombing", and sculptural items cast from plaster and other materials.
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Leon Reid IV, also known as VERBS and Darius Jones, is an American artist widely credited as being among the pioneers of 21st century street art. His brief creative output is marked by numerous phases, several of which are known by separate alter-egos.
Stephen J. Powers is an American contemporary artist and muralist. He is also known by the name ESPO, and Steve Powers. He lives in New York City.
Hosier Lane is a laneway in the central business district (CBD) of Melbourne, Victoria, Australia. Located on the CBD's southern edge, it extends between Flinders Street and Flinders Lane, and opens opposite the Atrium at Federation Square. Since the late 1990s, Hosier Lane has become a popular tourist attraction due to its street art. Despite popular belief, Hosier Lane is not a legal wall, and graffiti in the area is illegal.
Underground art is any form of art that operates outside of conventional norms in the art world, part of underground culture. This can include essentially any genre of art that is not popular in the art world, including visionary art and street art. Underground art can include art created both legally and illegally, organized or unauthorized, and can essentially exist in any form.
Graffiti are writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public place. Graffiti ranges from simple written words to elaborate wall paintings. Graffiti, consisting of the defacement of public spaces and buildings, remains a nuisance issue for cities.
Commercial graffiti is the commercial practice of graffiti artists being paid for their work. In New York City in particular, commercial graffiti is big business and since the 1980s has manifested itself in many of the major cities of Europe such as London, Paris and Berlin. Increasingly it has been used to promote video games and even feature prominently within them, reflecting a real life struggle between street artists and the law. Commercial graffiti has created significant controversy between those who view it as an effective medium of advertising amongst specific target audiences and those who believe that legal graffiti and advertising using it encourages illegal graffiti and crime.
Graffiti in Toronto, Ontario, Canada, is a cause of much disagreement among its residents. Graffiti is seen by some as an art form adding to the Toronto culture; however, others see graffiti as form of vandalism, viewing it as ugly, or as a form of property damage.
In recent years, Atlanta has become one of the USA's best cities for street art. Street artists have prominently created murals in Krog Street Tunnel, along the BeltLine, and in neighborhoods across the city. The street art conference, Living Walls, the City Speaks, originated in Atlanta in 2009.
In Hong Kong there are a few types of graffiti that are utilized for different reasons. The face of artist Ai Weiwei is one of the more well-known caricatures in the region. Journalist and commentators have considered the graffiti as "street-art", "creative" and the "voice of the young".
Roger Gastman is an American art dealer, curator, filmmaker, and publisher who focuses on graffiti and street art.
Wendy Murray, is a visual artist and arts educator, formerly known as Mini Graff. Under her former persona, Murray worked as an urban street-poster artist between 2003 and 2010, working in and around Sydney's urban fringe. Since 2014, Murray's art expanded into traditional forms of drawing and artist book design, whilst still engaging with social and political issues through poster-making. Murray's use of letraset transfers, accompanied with vibrant colours and fluorescent inks, references the work of studios from the 1960s through to the 1980s, including the community-based Earthworks Poster Collective and Redback Graphix. A 2018 collaboration with The Urban Crew, a 17-person collective of socially engaged geographers, planners, political scientists and sociologists, resulted in the Sydney – We Need to Talk! artist book, addressing issues of development, transport congestion, housing affordability and commercialisation of public space.
Street art in Israel refers to different forms of visual art found on public walls, buildings, and other surfaces throughout the State of Israel. Israeli street art reflects the country's unique cultural, historical, and political landscape.
Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three and least likely to be seen as vandalism.