Queen is the debut studio album by the British rock band Queen. Released on 13 July 1973 by EMI Records in the UK and by Elektra Records in the US, it was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker, John Anthony and the band members themselves.
Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released on July 28, 1986. R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studios in Belmont, Indiana. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, hard rock-influenced quality. The album was well-received critically.
Eyehategod is an American sludge metal band from New Orleans, Louisiana who formed in 1988. They have become one of the better known bands to emerge from the NOLA metal scene. Throughout the years, their core lineup has remained, with the exceptions of the bassist, a slot in which several musicians have played, and the death of drummer Joey LaCaze in 2013.
The Spits are an American punk rock band formed in Kalamazoo, Michigan in 1993. They later moved to Seattle. Currently, the band has released six albums. All are officially self-titled, unofficially titled 1, 2, 3, 4, V, and VI respectively. The albums were released by Nickel and Dime Records, Slovenly Recordings, Dirtnap Records, Thriftstore Records and In the Red Records respectively for the first five. In October 2020, they released their latest album, VI, independently.
Too-Rye-Ay is the second studio album by English pop band Dexys Midnight Runners, released in July 1982 by Mercury Records. The album is best known for the hit single "Come On Eileen", which included the lyrics "too-rye-ay" that inspired the album's title.
Zappa in New York is a double live album by Frank Zappa, released internationally in March 1978. It was recorded in December 1976 at a series of concerts at the Palladium in New York City.
Goodbye Cruel World is Elvis Costello's ninth album overall and the eighth with his backing band the Attractions. It was released in 1984 by F-Beat Records in the UK and Columbia in the US.
Dopesick is the third studio album by American sludge metal band Eyehategod, released on April 2, 1996. It was reissued in 2006 as part of Century Media's 20th Anniversary series with three bonus tracks that were recorded during the original Dopesick recording sessions.
In the Name of Suffering is the debut album by American sludge metal band Eyehategod. It was initially released in 1990 through French independent label Intellectual Convulsion and reissued in 1992 by Century Media.
Take as Needed for Pain is the second studio album by American sludge metal band Eyehategod, released on November 22, 1993. It was reissued in 2006 as part of Century Media's 20th Anniversary series of reissues, with six bonus tracks, taken from rare 7" records and splits.
10 Years of Abuse is the title of Sludge metal band Eyehategod's only live album, released on May 29, 2001. Although not all the tracks are live, it is still considered a live album, as the majority of tracks are live, and there are no studio tracks. It is also their last album on Century Media.
If 3 is the third release by the English jazz rock band If. It was released in 1971 and reached #171 on the Billboard Pop Albums Chart. It was reissued in CD in 2006 by Bodyheat with 2 bonus tracks, then by Repertoire in 2007 with 2 different bonus tracks.
Invisible Touch Tour is a live video by the English rock band Genesis, released in 1988 on Virgin Music Video. It was the first concert ever shot in High Definition and cameras and lenses had to be flown in from the USA and Japan. It was directed by Jim Yukich and produced by Paul Flattery of FYI. It was edited at the band's facilities known as The Farm by Jerry Behrens and David Foster. It documents the band's four sold out shows at Wembley Stadium in London between 1–4 July 1987 at the end of their Invisible Touch Tour promoting their thirteenth studio album, Invisible Touch. A limited edition release included a CD single containing the live version of "Domino" as performed on the video. In 2003, the video was reissued on DVD and renamed Genesis Live at Wembley Stadium.
Dragging Down the Enforcer is the name of the debut album by Outlaw Order, a side-project of the pioneering American sludge metal outfit Eyehategod. It was released in November 2008 in both jewel case and metal box formats. It was originally due to be released on October 13 and 14, but was delayed due to manufacturing issues. There were apparently 13 songs recorded for the album, but the final track listing lists 11, meaning two B-sides exist. Between the release of the Legalize Crime EP and Dragging Down the Enforcer, bassist Justin Grisoli left the band, hence bass parts on the album were recorded by Brian Patton. The track "Double Barrel Solves Everything" previously appeared on Legalize Crime as "D.B.S.E.".
Back in Town is a live album by the American folk music group the Kingston Trio, released in 1964. It reached number 22 on the Billboard Pop Albums chart and is the final principal album recorded by the Trio for Capitol Records. The Trio's seven-year contract with Capitol ended in February 1964 with one album due. Unable to negotiate another contract, the group released this live album and moved to Decca Records.
Stay Awhile is an album by the American folk music group the Kingston Trio, released in 1965. It was their second release on the Decca label. It continued their downward slide in the charts, reaching number 126 on the Billboard Pop Albums chart. The single "Yes I Can Feel It" b/w "Stay Awhile" did not chart.
Live at the Bottom Line is a live album by American vocalist and songwriter Patti Austin recorded in 1978 and released on the CTI label.
Everyday I Have the Blues is an album by singer Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 which was originally released on the Roulette label.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.
Sign Of The Times is the fourth studio album by the English band The Rubettes. It was released on the State Records label in June 1976. The album represented a significant change in direction for the band, as it was the first not produced by Wayne Bickerton and Tony Waddington - instead the Rubettes took on production responsibilities themselves, with Alan Blakley as co-producer. The band made the decision due to the disappointing sales of their previous two Bickerton/Waddington singles and the desire to forge new musical directions.
