Leigh Landy (born 1951) [1] is a composer and musicologist of Dutch and American citizenship. [2] He holds a Research Chair at De Montfort University where he directs the Music, Technology and Innovation Research Centre.
Landy's compositions include several works for video, dance and theatre. He has worked extensively with the late playwright, Heiner Müller, the new media artist, Michel Jaffrennou and the composer-performer, Jos Zwaanenburg. He was composer in residence for the Dutch National Theatre during its first years of existence and is currently co-director of Idée Fixe – Experimental Sound and Movement Theatre with the choreographer, Evelyn Jamieson. [3] A complete list of his compositions, recordings, publications and other creative endeavours can be found on his personal website.
Landy's musicological publications focus on studies of electroacoustic music, including the notion of musical dramaturgy, contemporary music in a cross-arts context, access and the contemporary time-based arts, and devising practices in the performing arts. He is editor of the international journal of music technology Organised Sound (Cambridge University Press) and author of over 100 articles (see his personal website) and eight books including:
He directs the ElectroAcoustic Resource Site (EARS) project [4] and is a founding member of the Electroacoustic Music Studies Network (EMS). [5] [6] [7]
Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties Op. 14, is a programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830.
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de recherches musicales at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of elektronische Musik, and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century.
Frank Denyer is a composer. His music uses a combination of conventional instruments and new, unusual, and structurally modified instruments. Partly due to his studies of non-Western music, much of Denyer's music is microtonal.
Denis Arthur Smalley is a composer of electroacoustic music, with a special interest in acousmatic music.
La Communauté électroacoustique canadienne is Canada's national electroacoustic / computer music / sonic arts organization and is dedicated to promoting this progressive art form in its broadest definition: from "pure" acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond.
Fylkingen - New Music and Intermedia Art is an artist-run venue and member based organisation committed to contemporary experimental performing arts. Over 300 artists from various disciplines use the space to develop and present new work. Today Fylkingen represents a wide field of artistic practices, including EAM, dance, performance art, video art, improvisation music, sound art, etc. It also produces and distributes recorded material through its own label Fylkingen Records since 1966. It is also from the same year that Fylkingen started to publish its own periodicals intermittently.
Josef Tal was an Israeli composer. He wrote three Hebrew operas; four German operas, dramatic scenes; six symphonies; 13 concerti; chamber music, including three string quartets; instrumental works; and electronic compositions. He is considered one of the founding fathers of Israeli art music.
Monty Adkins is a composer, performer and lecturer in electroacoustic music.
Åke Parmerud is a Swedish composer, musician, and multimedia artist noted for his acoustic and electronic works, which have been performed mostly in Europe, Mexico, and Canada. He is also noted for the design of stage and acoustics as well as interactive media and software. He has received recognition for his work from a number of festivals in Europe and has won two Swedish Grammis awards. He has been a member of the Royal Swedish Academy of Music since 1998.
John Stephen Richards is a British musician and composer working in the field of electronic music. Since 1999, he has predominantly explored performing with self-made instruments and creating interactive environments for composition.
Robin Minard is a Canadian composer and installation artist.
Simon Emmerson is an electroacoustic music composer working mostly with live electronics. He was born in Wolverhampton, UK, on 15 September 1950.
Antti Saario is a contemporary electroacoustic composer and academic.
Marc Battier is a French composer and musicologist.
Daniel Hensel is a German composer, VJ, musicologist and music theorist. He is known as a composer of expressive works of all musical genres whose works can be dedicated to "a thread of a tradition leading from Schubert via Mahler to Hensel's teacher Schedl in presence.[...]" His style contains all kinds of material, such as traditional tonal or harmonic as well as noise and electronic material. His works are published by Musikverlag Doblinger in Vienna.
Igor Lintz Maués; also spelled Igor Lintz-Maues; is a composer and sound artist born December 8, 1955, in São Paulo, Brazil, and since the end of the 1980s living in Vienna, Austria.
David Monacchi is an Italian sound artist, researcher and eco-acoustic composer, best known for his multidisciplinary project Fragments of Extinction, patented periphonic device, the Eco-Acoustic Theatre, and award-winning music and sound-art installations.
Scott Alan Wyatt, composing music as Scott A. Wyatt, is a composer of electroacoustic music. He is currently Professor Emeritus of Music Composition at the University of Illinois at Urbana-Champaign, having served as Director of the university's Experimental Music Studios for 40 years. Wyatt also served as President of the Society for Electro-Acoustic Music in the United States (SEAMUS) from 1989 through 1996, and is the recipient of the 2018 SEAMUS Award. Wyatt's compositions include purely electroacoustic music, as well as live performance compositions for instruments with electroacoustic accompaniment. His compositions for live instrument performance with electroacoustic accompaniment are published by Cimarron Music Press and Media Press Music.
The International Confederation of Electroacoustic Music (ICEM), or Confédération Internationale de Musique Électroacoustique (CIME), cofounded by the Bourges International Confederation of Electroacoustic Music, formerly Groupe de musique expérimentale de Bourges, in 1981 in Bourges, is a music organization in support of electroacoustic music, including computer music.
Lothar Voigtländer is a German composer.