Lennie Lee | |
---|---|
Born | |
Education | Christ Church, Oxford |
Known for | painting, performance art, video art, photography and installation art |
Patron(s) | David Roberts |
Website | www |
Lennie Lee (born 4 March 1958) is a South African conceptual artist who lives and works in London.
Lee is a South African artist born in Johannesburg, South Africa. He moved to the UK in 1960. He was educated at Dulwich college in London before winning a scholarship to study philosophy at Christ Church, Oxford.
In 1983, he took up painting. Soon after, he moved to East London where he became interested in the urban dereliction left over from the Second World War. In 1984 he occupied several disused buildings and, together with a number of artists including South African painter, Beezy Bailey, he began to make site-specific [1] installations using found material.
From the mid-1980s he joined various underground art collectives including the ARC group, a London-based collective of international artists, influenced by Kurt Schwitters, who specialized in building site-specific [2] installation art. From 1987 to 1991, he worked together with the ARC group until it was finally disbanded in November 1991 in Budapest.
After the Berlin Wall came down in 1989, Lee was offered a number of exhibitions in East and West Berlin. While working on a series of outdoor sculptural installations in the summer of 1990, he was invited to work at the Kunst Haus Tacheles in Berlin, where he made contact with the thriving Berlin underground scene. On his return to London in the winter of 1990 he began to make a series of performances, mostly on the theme of taboo, the first of which took place at the ARC in London's Balls Pond Road. Through this, Lee was introduced to members of the KULE group, a radical theatre collective based in Berlin who invited him to come and stay in August Strasse 10 in the winter of 1990. There, together with performance artist Nils Duemcke, he set up a weekly cabaret. In the same year he painted large-scale banners for the Mutoid Waste Company.
After returning to London, he set up a new art collective known as the 'Department of Hate and Social Sickness', (DHSS) in spring 1992. The DHSS continued to make installations and performances in underground venues throughout London until it was disbanded in the spring of 1994. That same year, in collaboration with Ian Stenhouse and Mark Bishop, Lee set up the Rich and famous gallery in the heart of London's East End showing work by a number of artists including Martin Maloney, David Burrows, Mark Divo, Ingo Giezendanner, Graham Nicholls, Dan Jones, Tod Hanson, [3] Lee Campbell, Daniel Fernandez, David Mccairley Ian Stenhouse, Gini Simpson, Trevor Knaggs and Stefanie Maas. [4]
In winter 1994, Lee once again moved to Berlin where he organised a series of performances in the theatre space at the Kunst Haus Tacheles in Berlin. [5] There he became involved with a group of radical artists from Zürich including Mark Divo and Ingo Giezendanner and from 1995 onwards was repeatedly invited by them to take part in a series of art projects throughout Europe including Divo's important show at the 'Escherwyssplatz' in Zürich in 1995, the infamous Cabaret Voltaire in 2002, [6] [7] the 'Sihlpapierfabrik', Zürich in 2003 and the 'Real Biennale', Prague in 2005 [8] and 'Process', Prague in 2006. [9]
In the late 1990s Lee made a series of performances and installations for the art collective, Hydra. [10] Between 1996 and 2002 Lee worked together with Gustavo Aguerre and Ingrid Falk, mainly in Sweden.
In 2003 Lee was invited by Gillian McIver to join 'Luna Nera', an art collective producing site-specific installations. [11] [12] [13]
Since 2000 Lee has concentrated mainly on performance art, video art, digital photography and installation art. He has exhibited in a number of UK institutions including the Barbican Art Centre, the Institute of Contemporary Arts, Tate gallery and the Third Eye Centre in Glasgow. Abroad he has exhibited in the National Gallery in Stockholm 1998, the Museum of Arts and Sciences in Valencia, 2005, the Circulo de Bellas Artes, [7] Madrid, 2006 and the prestigious Venice Biennale in 1999. [14] He was the subject of documentaries. [15] He was included in an Imax film [16] directed by "Faust" singer and painter Geraldine Swayne. [17] Since 2001, Lee has made a series of performances and exhibitions in Chengdu, Xi'an and Beijing [18] organised by the curator Shu Yang.
In 2020 he exhibited in Covent Gardens Our Wonderful Culture [19] alongside Stan Lewry [20]
Lee is a painter [21] and performance artist [22] working with themes of taboo, [23] [24] [20] [19] shame [25] and fear. [26] His work involves extreme performance, [27] video and digital images
Dada or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia.
Kurt Hermann Eduard Karl Julius Schwitters was a German artist. He was born in Hanover, Germany, but lived in exile from 1937.
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art.
Cabaret Voltaire is the birthplace of the Dada art movement, founded in Zürich, Switzerland, in 1916. It was founded by Hugo Ball and Emmy Hennings as a cabaret intended for artistic and political purposes.
Mark Divo is a Swiss-Luxembourgian conceptual artist and curator. He organizes large-scale interactive art projects incorporating the work of underground artists. His work involves painting, performance, photography, sculpture and installation.
Jan Theiler alias Pastor Leumund is a German artist, musician and political activist.
The Kunsthaus Tacheles was an art center in Berlin, Germany, a large building and sculpture park on Oranienburger Straße, in the sub-neighborhood of Spandauer Vorstadt in the Mitte district. Huge, colorful graffiti-style murals were painted on the exterior walls, and modern art sculptures were featured inside. The building housed an artist collective from 1990 until 2012.
Keith Andrew Palmer, better known by his stage name Maxim, is a British musician, known for being a vocalist of electronic music band the Prodigy.
The Kroesos Foundation is an artistic collective set up by Luxemburgese Artist Mark Divo. Between January and March 2002 they occupied the building in the centre of Zurich where the original European Dada movement began, as a response to the horrors of World War I, which came to be known as the Cabaret Voltaire. The collective organised a number of events/ performances over a period of three months until they were forced to leave the building. In spite of their eviction they managed to have the building turned into a museum. Members of the collective, apart from Divo, include Aiana Calugar, Dan Jones, Lennie Lee, ingo giezendanner and Pastor Leumund Cult. Throughout the winter of 2002 they were described as neo-Dadaists by the Swiss and international press. The group have exhibited in a number of international exhibitions including the real Biennale at the Kinský Palace in Prague.
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It is in the category of conceptual art and is commonly a form of performance art. It is associated with Letterist International, Situationist International, Viennese Actionists, the Dada movement and Neo-Dadaists. More latterly, intervention art has delivered Guerrilla art, street art plus the Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions.
Street installations are a form of street art and installation art. While conventional street art is done on walls and surfaces street installations use three-dimensional objects set in an urban environment. Like graffiti, it is generally non-permission based and the installation is effectively abandoned by the artist upon completion. Street Installations sometimes have an interactive component.
!Wowow! is a collective in Peckham, London. Otherwise known as The Children of !Wowow!, they are a group of artists, fashion designers, writers and musicians, who have promoted numerous art events and parties in London and Berlin.
Gideon "Gid" London (1961–2010) was a British artist.
Marcel·lí Antúnez Roca is an artist from Spain who uses digital technologies in the fields of mechatronic performance and installation art.
Adam Pendleton is an American conceptual artist known for his multi-disciplinary practice, involving painting, silkscreen, collage, video, performance, and word art. His work often involves the investigation of language and the recontextualization of history through appropriated imagery.
United Visual Artists (UVA) is a London-based art practice founded in 2003 by British artist Matt Clark (b.1974). UVA's diverse body of work integrates new technologies with traditional media such as painting, sculpture, performance, and site-specific installation. The practice has an open and inclusive approach to collaboration. While Clark leads the UVA team, the plural use of the word "Artist" in its designation refers to the many collaborators with whom Clark works.
Karolina Halatek is a Polish contemporary visual artist working in a field of installation art, using light as a key medium. Karolina Halatek creates experiential site-specific spaces that incorporate visual, architectural and sculptural elements. Seeing her work primarily as a catalyst for experience, Karolina creates installations that have strong experiential and immersive characteristics, often the result of collaborations with quantum physicists, founders of the superstring theory and precision mechanical engineers.
Olive Allen is a New-York based visual artist, associated with crypto art movement. She has been releasing her digital artworks as non-fungible tokens since 2019.
Simin Keramati is an Iranian-born Canadian multidisciplinary visual artist and activist. She is primarily known as a painter, video artist, installation artist, and filmmaker. Keramati lives in Toronto.
{{cite web}}
: CS1 maint: archived copy as title (link){{cite web}}
: CS1 maint: archived copy as title (link){{cite web}}
: CS1 maint: archived copy as title (link)