The Toccata and Fugue in D minor, BWV 565, is a composition for organ by, according to the oldest sources, German composer Johann Sebastian Bach and is one of the most widely recognisable works in the organ repertoire. Although the date of its origin is unknown, scholars have suggested between 1704 and the 1750s. The piece opens with a toccata section followed by a fugue that ends in a coda, and is largely typical of the north German organ school of the Baroque era.
Toccata is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments.
Jan Pieterszoon Sweelinck was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition.
Helmuth Rilling is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
St. Catherine's Church is one of the five principal Lutheran churches (Hauptkirchen) of Hamburg, Germany. The base of its spire, dating from the 13th century, is the second oldest building preserved in the city, after the lighthouse on Neuwerk island. It is situated on an island near what was formerly the southern boundary of the medieval city, opposite the historic harbour area on the Elbe river. It traditionally served as the church of the seamen.
Antonius Gerhardus Michael "Ton" Koopman is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
The Chronicle of Anna Magdalena Bach is a 1968 film by the French filmmaking duo of Jean-Marie Straub and Danièle Huillet. It was their first full-length feature film, and reportedly took a decade to finance. The film stars renowned harpsichordist Gustav Leonhardt as Johann Sebastian Bach and Christiane Lang as Anna Magdalena Bach. The orchestral music was performed by Concentus Musicus and conducted by Nikolaus Harnoncourt. It is the first of several Straub-Huillet films to be based on works of classical music. The film was entered in the 18th Berlin International Film Festival.
Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th century Bach Revival, he has been generally regarded as one of the greatest composers in the history of Western music.
Käte van Tricht, was a German organist, pianist, harpsichordist, and pedagogue.
Felix Hell is a German organist.
The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach. It acquired that name to distinguish it from the earlier Little Fugue in G minor, which is shorter. This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great".
Pavel Svoboda is a Czech organist.
Max van Egmond is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of Baroque and Renaissance music.
Betwixt & Between is an album by American jazz trombonists Kai Winding and J. J. Johnson featuring performances recorded in 1968 and released on the CTI label. The album features jazz interpretations of popular tunes linked by brief Baroque interludes.
Peter Planyavsky is an Austrian organist and composer. He attended the Schottengymnasium. After graduating from the Vienna Academy of Music in 1966 he spent a year in an organ workshop, and has been instrumental in organ-building projects, notably the construction of the Rieger organ in the Great Hall of the Wiener Musikverein. In 1968 he was appointed organist in the Upper Austrian Stift Schlägl, and the following year organist at Vienna's St. Stephen's Cathedral. From 1983 until 1990 Planyavsky was their director of music, with overall responsibility for church music at the cathedral.
Bob van Asperen is a Dutch harpsichordist and early keyboard instrument performer, as well as a conductor. He graduated in 1971 from the Amsterdam Conservatory, where he studied the harpsichord with Gustav Leonhardt and the pipe organ with Albert de Klerk. Since then he has been performing extensively in Europe and the rest of the world as a soloist and accompanist/conductor.
Harry Geraerts is a Dutch tenor. His repertoire includes the great oratorios, baroque operas, ensemble music and Lieder, especially in the field of Renaissance and Baroque music.
Leo Ketelaars was a Dutch violinist, operatic baritone, opera manager and academic voice teacher. Beginning as a violinist, his voice was discovered by Herbert von Karajan and trained by Suze Luger at the Maastricht Conservatory. He was mainly active in concert, recording with Eugen Jochum, among others.
