Les Waters | |
|---|---|
 Les Waters in 2015 | |
| Born | April 1952, 67 |
| Occupation | Theatre director |
Les Waters (born in Cleethorpes, England) [1] is a British theatre director. Waters was the Artistic Director of the Actors Theatre of Louisville. He has directed plays Off-Broadway and also at Berkeley Repertory Theatre and Actors Theatre.
Waters is currently working as a freelance director. [2]
From 2012-2018, he served as the Artistic Director of the Actors Theatre of Louisville. [3] At Actors Theatre, Waters’ directing credits included the world premieres of Mark Schultz's "Evocation to Visible Appearance", Anne Washburn's and Dave Malloy's "Little Bunny Foo Foo", Jorge Ignacio Cortiñas’ Recent Alien Abductions, Sarah Ruhl’s For Peter Pan on her 70th birthday, Chuck Mee’s The Glory of the World, Naomi Iizuka’s At the Vanishing Point, Lucas Hnath’s The Christians, and Will Eno’s Gnit. [4] Additional directing credits at Actors Theatre include Macbeth , Luna Gale, Our Town, Girlfriend and Long Day’s Journey into Night . [4] Les Waters’ directing debut with Actors Theatre was at the 2000 Humana Festival of New American Plays, where he directed the world premiere of Chuck Mee’s Big Love. [4] In 2002 Waters and Mee received the Obie Award Special Citation for Big Love. [5]
He had previously served as associate artistic director of Berkeley Repertory Theatre from 2003 to 2011. [4]
His productions at Berkeley Rep include the world premieres of Chuck Mee's Fêtes de la Nuit , Jordan Harrison's Finn in the Underworld , Sarah Ruhl's In the Next Room (or The Vibrator Play) and Adele Edling Shank's To the Lighthouse ; [6] the American premiere of Will Eno's Tragedy: a tragedy ; [7] the West Coast premiere of Sarah Ruhl's Eurydice ; and extended runs of The Glass Menagerie , The Pillowman , The Lieutenant of Inishmore , [8] and Yellowman . [9]
His New York credits include directing for BAM, Classic Stage Company, the Connelly Theatre, Manhattan Theatre Club, Playwrights Horizons, The Public Theater/New York Shakespeare Festival, Second Stage Theatre, Signature Theatre Company, Clubbed Thumb and Soho Rep. [4] Elsewhere in America, he has directed for A Contemporary Theatre, American Conservatory Theater, American Repertory Theatre, Arena Stage, the Guthrie Theater, La Jolla Playhouse, the Mark Taper Forum, Steppenwolf Theatre Company, Goodman Theatre and Yale Repertory Theatre. [4]
In his native England, Waters has worked with the Bristol Old Vic, Hampstead Theatre Club, Joint Stock Theatre Company, National Theatre, Royal Court Theatre and Traverse Theatre Club. [10]
From 1995 to 2003, Waters led the M.F.A. directing program at UC San Diego. [11]
Eurydice is a 2003 play by Sarah Ruhl which retells the myth of Orpheus from the perspective of Eurydice, his wife. The story focuses on Eurydice's choice to return to Earth with Orpheus or to stay in the underworld with her father. Ruhl made several changes to the original myth's story-line. The most noticeable of these changes was that in the myth Orpheus succumbs to his desires and looks back at Eurydice, while in Ruhl's version Eurydice calls out to Orpheus perhaps in part because of her fear of reentering the world of the living and perhaps as a result of her desire to remain in the land of the dead with her father. Ruhl's script has been explicitly written so as to be a playground for the designer of the sets.
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