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Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
A hetaira, Latinized as hetaera, was a type of courtesan or prostitute in ancient Greece, who served as an artist, entertainer, and conversationalist in addition to providing sexual service. Custom excluded the wives and daughters of Athenian citizens from the symposium, but this prohibition did not extend to hetairai, who were often foreign born and could be highly educated. Other female entertainers made appearances in the otherwise male domain, but hetairai joined the male guests in their sexual joking, sometimes evidencing a wide knowledge of literature in their contributions.
Gregory Nagy is an American professor of Classics at Harvard University, specializing in Homer and archaic Greek poetry. Nagy is known for extending Milman Parry and Albert Lord's theories about the oral composition-in-performance of the Iliad and Odyssey.
Friedrich W. Solmsen was a German-American philologist and professor of classical studies. He published nearly 150 books, monographs, scholarly articles, and reviews from the 1930s through the 1980s. Solmsen's work is characterized by a prevailing interest in the history of ideas. He was an influential scholar in the areas of Greek tragedy, particularly for his work on Aeschylus, and the philosophy of the physical world and its relation to the soul, especially the systems of Plato and Aristotle.
Paul Shorey was an American classical scholar.
Nossis was a Hellenistic poet from Epizephyrian Locris in Magna Graecia. Probably well-educated and from a noble family, Nossis was influenced by and claimed to rival Sappho. Eleven or twelve of her epigrams, mostly religious dedications and epitaphs, survive in the Greek Anthology, making her one of the best-preserved ancient Greek women poets, though her work does not seem to have entered the Greek literary canon. In the twentieth century, the imagist poet H. D. was influenced by Nossis, as was Renée Vivien in her French translation of the ancient Greek women poets.
A skolion, also scolion, was a song sung by invited guests at banquets in ancient Greece. Often extolling the virtues of the gods or heroic men, skolia were improvised to suit the occasion and accompanied by a lyre, which was handed about from singer to singer as the time for each scolion came around. "Capping" verses were exchanged, "by varying, punning, riddling, or cleverly modifying" the previous contribution.
The Altar of the Twelve Gods, was an important altar and sanctuary at Athens, located in the northwest corner of the Classical Agora. The Altar was set up by Pisistratus the Younger, during his archonship, in 522/1 BC. It marked the central point from which distances from Athens were measured and was a place of supplication and refuge.
Aesop was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.
The epinikion or epinicion is a genre of occasional poetry also known in English as a victory ode. In ancient Greece, the epinikion most often took the form of a choral lyric, commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Major poets in the genre are Simonides, Bacchylides, and Pindar.
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. The poem is also known as phainetai moi after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman.
Jonathan Mark Hall is professor of Greek history at the University of Chicago. He earned a BA from the University of Oxford in 1988 and a PhD from the University of Cambridge in 1993 and he is the author of many books, including Ethnic Identity in Greek Antiquity, Hellenicity: Between Ethnicity and Culture, A History of the Archaic Greek World, ca. 1200–479 BCE, Artifact and Artifice: Classical Archaeology and the Ancient Historian, and Reclaiming the Past: Argos and its Archaeological Heritage in the Modern Era, as well as various articles and reviews on Archaic and Classical Greece. His focus of research is on Greek history, historiography, and archaeology. He received the Quantrell Teaching Award in 2009.
The Greek lyric poet Pindar composed odes to celebrate victories at all four Panhellenic Games. Of his fourteen Olympian Odes, glorifying victors at the Ancient Olympic Games, the First was positioned at the beginning of the collection by Aristophanes of Byzantium since it included praise for the games as well as of Pelops, who first competed at Elis. It was the most quoted in antiquity and was hailed as the "best of all the odes" by Lucian. Pindar composed the epinikion in honour of his then patron Hieron I, tyrant of Syracuse, whose horse Pherenikos and its jockey were victorious in the single horse race in 476 BC.
Pherenikos was an Ancient Greek chestnut racehorse victorious at the Olympic and Pythian Games in the 470s BC. Pherenikos, whose name means "victory-bearer", was "the most famous racehorse in antiquity". Owned by Hieron I, tyrant of Syracuse, Pherenikos is celebrated in the victory odes of both Pindar and Bacchylides.
Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods.
John T. Hamilton is a literary scholar, musician, and William R. Kenan Professor of German and Comparative Literature at Harvard University. He previously held positions at the University of California-Santa Cruz and New York University, and has also taught as a visiting professor at the Institute of Greece, Rome, and the Classical Tradition at Bristol University. Numerous academic fellowships include the Wissenschaftskolleg zu Berlin, the ETH-Zürich, the Zentrum für Literatur- und Kulturforschung Berlin, and the Hamburg Institute for Advanced Study.
Judith P. Hallett is Professor and Distinguished Scholar-Teacher Emerita of Classics, having formerly been the Graduate Director at the Department of Classics, University of Maryland. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on classical education and reception in the nineteenth and twentieth centuries.
Sappho 2 is a fragment of a poem by the archaic Greek lyric poet Sappho. In antiquity it was part of Book I of the Alexandrian edition of Sappho's poetry. Sixteen lines of the poem survive, preserved on a potsherd discovered in Egypt and first published in 1937 by Medea Norsa. It is in the form of a hymn to the goddess Aphrodite, summoning her to appear in a temple in an apple grove. The majority of the poem is made up of an extended description of the sacred grove to which Aphrodite is being summoned.
Kathryn J. Gutzwiller is a professor of classics at the University of Cincinnati. She specialises in Hellenistic poetry, and her interests include Greek and Latin poetry, ancient gender studies, literary theory, and the interaction between text and image. Her contribution to Hellenistic epigram and pastoral poetry has been considered particularly influential.
References
- 1 2 "Leslie Kurke". dagrs.berkeley.edu. Retrieved December 3, 2024.
- ↑ Kurke, Leslie (1988). Pindar's Oikonomia : the house as organizing metaphor in the odes of Pindar.
- 1 2 "Distinguished Teaching awards announced". newsarchive.berkeley.edu. April 24, 2007. Retrieved December 2, 2024.
- ↑ "Two UC Berkeley scholars elected to America's oldest learned society". vcresearch.berkeley.edu. April 30, 2010. Retrieved December 2, 2024.
