Less Than Kin | |
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Directed by | Donald Crisp |
Screenplay by | Marion Fairfax |
Based on | Less Than Kin (novel) by Alice Duer Miller |
Produced by | Jesse L. Lasky |
Starring | Wallace Reid Ann Little Raymond Hatton Noah Beery, Sr. James Neill Charles Ogle |
Cinematography | Henry Kotani |
Production company | Jesse L. Lasky Feature Play Company |
Distributed by | Paramount Pictures |
Release date |
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Running time | 50 minutes |
Country | United States |
Language | Silent (English intertitles) |
Less Than Kin is a lost [1] 1918 American silent comedy film directed by Donald Crisp and written by Marion Fairfax and Alice Duer Miller. The film stars Wallace Reid, Ann Little, Raymond Hatton, Noah Beery, Sr., James Neill and Charles Ogle. [2] [3] The film was released on July 21, 1918, by Paramount Pictures.
As described in a film magazine, [4] Lewis Vickers (Reid), a young American languishing in South America because he is "wanted" for a crime which was the result of an accident, comes across another American Hobart Lee (Reid) who greatly resembles him. That man dies and Vickers, to get back to the United States, decides to impersonate him. He is taken to the family group upon his arrival in New York City and soon finds himself possessed of the encumbrances and debts left by the former youth, which include a wife and three children. He is left a fortune, but discloses his identity and flees to Canada. En route he marries the ward of his benefactor, who had helped him escape and had hid in his automobile. Eventually he is cleared of all guilt and has a happy ending.
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.
The Thundering Herd is a 1933 American pre-Code Western film directed by Henry Hathaway and starring Randolph Scott, Judith Allen, Buster Crabbe, Noah Beery, Sr. and Harry Carey.
The Thundering Herd is a 1925 American silent Western film, now lost. It is directed by William K. Howard and starring Jack Holt, Lois Wilson, Noah Beery, Sr. and Raymond Hatton. Based on Zane Grey's 1925 novel of the same name and written by Lucien Hubbard, the film is about a trader who uncovers a scheme to blame the Indians for a buffalo-herd massacre. It was one of a series of critically and commercially successful Zane Grey westerns produced by Jesse Lasky and Adolph Zukor for Paramount Pictures.
Nan of Music Mountain is a 1917 American silent drama film directed by George Melford and Cecil B. DeMille. The film is based on Frank H. Spearman's novel of the same name and stars Wallace Reid and Anna Little.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar.
The Whispering Chorus is a 1918 American silent psychological drama film directed by Cecil B. DeMille. It is the first and earliest film considered a psychological drama.
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
The Fighting Coward is a 1924 American silent comedy film produced by Famous Players–Lasky, released by Paramount Pictures, and directed by James Cruze. The film stars Ernest Torrence, Mary Astor, Noah Beery, Sr., Phyllis Haver, and Cullen Landis. The film is based on the play Magnolia by Booth Tarkington, from 1904.
Valley of the Giants is a 1919 American silent romantic drama film directed by James Cruze and starring Wallace Reid and Grace Darmond. Based on Peter B. Kyne's popular 1918 novel of the same name, the film produced by Famous Players–Lasky and distributed through Paramount Pictures.
Ebb Tide is a 1922 American silent adventure film produced by Famous Players–Lasky and distributed by Paramount Pictures, directed by George Melford, and based on the 1894 novel The Ebb-Tide by Robert Louis Stevenson and his step-son Lloyd Osbourne. The story had been filmed before in 1915 by the Selig Polyscope Company.
Believe Me, Xantippe is a lost 1918 American silent romantic comedy film produced by Jesse Lasky for release through Paramount Pictures. The film was directed by actor/director Donald Crisp and stars Wallace Reid and Ann Little. The film is based on a 1913 William A. Brady-produced play Believe Me Xantippe by John Frederick Ballard, which on the Broadway stage had starred John Barrymore.
The Sea Wolf is a lost 1920 American drama film based upon the 1904 novel by Jack London, directed by George Melford, and starring Noah Beery as the brutal sea captain Wolf Larsen, sometimes referred to as "The Sea Wolf." The supporting cast includes Mabel Julienne Scott, Tom Forman, Raymond Hatton, and A. Edward Sutherland.
Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne. Violet Heming appears as the title character supported by several Paramount character stars.
Jules of the Strong Heart is a lost 1918 American silent drama film directed by Donald Crisp and written by William Merriam Rouse, Frank X. Finnegan' and Harvey F. Thew. The film stars George Beban, Helen Jerome Eddy, Charles Ogle, Raymond Hatton, Guy Oliver, and Ernest Joy. The film was released on January 14, 1918, by Paramount Pictures.
The Firefly of France is a lost 1918 American silent drama film directed by Donald Crisp and written by Margaret Turnbull based upon a novelette by Marion Polk Angelotti. The film stars Wallace Reid, Ann Little, Charles Ogle, Raymond Hatton, Winter Hall, and Ernest Joy. The film was released on July 7, 1918, by Paramount Pictures.
The Source is a lost 1918 American drama silent film directed by George Melford and written by Monte M. Katterjohn and Clarence Budington Kelland. The film stars Wallace Reid, Ann Little, Theodore Roberts, Raymond Hatton, James Cruze, Noah Beery, Sr. and Nina Byron. The film was released on September 8, 1918, by Paramount Pictures.
Too Many Millions is a lost 1918 American silent comedy film directed by James Cruze and written by Gardner Hunting based upon the novel by Porter Emerson Browne. The film stars Wallace Reid, Ora Carew, Tully Marshall, Charles Ogle, James Neill, and Winifred Greenwood. The film was released on December 8, 1918, by Paramount Pictures.
The Love Burglar is a 1919 American silent drama film directed by James Cruze, written by Walter Woods based upon a play by Jack Lait, and starring Wallace Reid, Anna Q. Nilsson, Raymond Hatton, Wallace Beery, Wilton Taylor, and Edmund Burns. The film was released on July 13, 1919, by Paramount Pictures.