Hard rock or heavy rock is a loosely defined subgenre of rock music typified by a heavy use of aggressive vocals, distorted electric guitars, bass guitar, and drums, sometimes accompanied with keyboards. It began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, the Yardbirds, Cream and the Jimi Hendrix Experience. In the late 1960s, bands such as the Jeff Beck Group, Iron Butterfly, the Beatles, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock.
Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1962 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.
Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Beat music, British beat, or Merseybeat is a popular music genre, influenced by rock and roll, skiffle and traditional pop music that developed in and around Liverpool in the early 1960s, before expanding to the rest of the country and the United States by 1964. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the US record charts, becoming their highest-charting LP of new music in the US since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Roots rock is rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of dominant psychedelic and developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave and heavy metal music.
Stephen Thomas Erlewine is an American music critic and senior editor for the online music database AllMusic. He is the author of many artist biographies and record reviews for AllMusic, as well as a freelance writer, occasionally contributing liner notes.
Never Mind the Ballots is the second studio album by anarchist punk band Chumbawamba. Most of the songs centre on lying politicians and their search for more voter control. It was originally released as a cassette and LP, then re-released in the '90s as half of the Chumbawamba compilation CD First 2, which was a combination of their first two LP albums released on a single CD.
New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen. Major figures in the genre include Professor Longhair and Guitar Slim, who both had regional, R&B and even mainstream chart hits.
This article includes an overview of the events and trends in popular music in the 1960s.
"Their Hearts Were Full of Spring" is a song written by Bobby Troup. It has been recorded by many artists including Jimmie Rodgers, the Four Freshmen, the Lettermen, the Beach Boys, Sue Raney, the Cyrkle, and Tatsuro Yamashita.
Clare Kenny is a British musician who was a bassist for a number of groups from the 1980s to the present day, including:
Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Travis, Keane, Snow Patrol, Stereophonics, Feeder, Toploader and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
"Oh Bondage Up Yours!" is the debut single by English punk rock band X-Ray Spex. Released in September 1977, it is regarded by critics as a prototypic example of British punk, though it was not a chart hit.
"Other Arms" is a rock song performed by English rock singer Robert Plant, the first track from his 1983 album The Principle of Moments. It was Plant's first number-one hit on the Billboard Top Tracks chart.
Popular music of the United States in the 1960s became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and environmentalism. This trend took place in a tumultuous period of massive public, unrest in the United States which consisted of the Cold War, Vietnam War, and Civil Rights Movement.
Psychedelic rock in Australia and New Zealand is the psychedelic rock music scene in Australia and New Zealand.
"Baby, Oh No" is a 1982 single by English new wave band Bow Wow Wow from their 1982 compilation album I Want Candy. The single peaked at No. 58 on the Billboard dance/disco chart in the same year. In addition, the single was accompanied by a music video which had some airplay on MTV. The song has also been mentioned in the books, "Pocket DJ", "Life and Death on the New York Dance Floor, 1980-1983", and "All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul"
