Let No One Deceive You: Songs of Bertolt Brecht | ||||
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Studio album by | ||||
Released | 1992 | |||
Genre | Folk | |||
Length | 41:39 | |||
Label | Flying Fish (FF 70557) | |||
Producer | Gary Cristall | |||
Dave Van Ronk chronology | ||||
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Let No One Deceive You: Songs of Bertolt Brecht (or simply Let No One Deceive You) is an album by American folk and blues singer Dave Van Ronk and vocalist Frankie Armstrong, released in 1992. It consists completely of songs by Bertolt Brecht.
Review scores | |
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Source | Rating |
Allmusic | [1] |
Writing for Allmusic, critic William Ruhlman wrote of the album "These are songs that have been translated from the original German many times, and listeners familiar with them will recognize minor variations from, for example, Marc Blitzstein's English adaptations for The Threepenny Opera. It's actually some of the more obscure songs with music by Hanns Eisler... that are more interesting, since, while often recorded, they are rarely performed in English." [1]
All songs by Bertolt Brecht and Kurt Weill unless otherwise noted.
Kurt Julian Weill was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.
Hanns Eisler was a German-Austrian composer. He is best known for composing the national anthem of East Germany, for his long artistic association with Bertolt Brecht, and for the scores he wrote for films. The Hochschule für Musik Hanns Eisler Berlin is named after him.
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Dagmar Krause is a German singer, best known for her work with avant-rock groups including Slapp Happy, Henry Cow, and Art Bears. She is also noted for her coverage of songs by Bertolt Brecht, Kurt Weill and Hanns Eisler. Her unusual singing style makes her voice instantly recognisable and has defined the sound of many of the bands with whom she has worked.
David Kenneth Ritz Van Ronk was an American folk singer. An important figure in the American folk music revival and New York City's Greenwich Village scene in the 1960s, he was nicknamed the "Mayor of MacDougal Street".
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny and has been recorded by the Doors and David Bowie.
Frankie Armstrong is an English singer and voice teacher. She has worked as a singer in the folk scene and the women's movement and as a trainer in social and youth work. Her repertoire ranges from traditional ballads to music-hall and contemporary songs, often focusing on the lives of women.
"Grey Goose" is a traditional American folk song. Its subject is a preacher who hunts and captures a grey goose for dinner on a Sunday. He tries to kill the goose prior to eating it, but no matter how hard he tries, he cannot kill it, the implication being that he had not properly observed the Sabbath. The various methods the preacher used to unsuccessfully kill the grey goose were, in order according to the song:
Will Holt was an American singer, songwriter, librettist and lyricist. He was known first and primarily as a folk performer during the 1950s, when he made early and influential recordings of such songs as "Sinner Man" and "Lemon Tree", for which he wrote the English lyrics. He later became known as an interpreter of the music of Kurt Weill and Bertolt Brecht, and made significant contributions to Broadway theatre during the 1970s.
Supply and Demand: Songs by Brecht / Weill & Eisler is the first solo album by German singer Dagmar Krause released by Hannibal Records in 1986. It is a collection of 16 songs by German composers Kurt Weill and Hanns Eisler, with lyrics by Bertolt Brecht and sung by Krause in English. She also sang the songs in the original German which were released by Hannibal at the same time on a companion album, Angebot & Nachfrage: Lieder von Brecht / Weill & Eisler.
No Dirty Names is a 1966 album by artist Dave Van Ronk. It features the first recorded version of Bob Dylan's song "The Old Man".
Van Ronk is an album by folk music artist Dave Van Ronk, released in 1971.
Just Dave Van Ronk is a 1964 album by folk/blues singer Dave Van Ronk. It has not been released on CD.
Sunday Street is an album by American folk and blues singer Dave Van Ronk, released in 1976.
Songs for Ageing Children is an album by American folk and blues performer Dave Van Ronk, released in 1973. The album has not been released on CD, but a needle drop of the album has appeared on digital download platforms such as YouTube and iTunes.
Van Ronk Sings is an album by American folksinger Dave Van Ronk, released in July 1961.
Live at Sir George Williams University is a live album by Dave Van Ronk, re-released in 1997. This recording was done live as a joint concert of the folk music societies of McGill and Sir George Williams Universities in 1967, at Sir George Williams University, in Montreal, Quebec, Canada, and also featured Rev. Gary Davis on the same bill.
The Mayor of MacDougal Street: Rarities 1957-1969 is a compilation album by American folksinger Dave Van Ronk, released in 2005.
From... Another Time & Place is an album by folk singer and guitarist Dave Van Ronk, released in 1995.
Julie Covington is a 1978 album by English singer Julie Covington. It was produced by Joe Boyd and the sound engineer was John Wood. Most of the album was recorded at Britannia Row Studios in Islington. It was her second album released on Virgin Records. In 2000, it was reissued as Julie Covington Plus and features two bonus tracks.