Letters on Demonology and Witchcraft

Last updated

Title-page of the first edition Letters on Demonology and Witchcraft.jpg
Title-page of the first edition

Letters on Demonology and Witchcraft Addressed to J. G. Lockhart, Esq. (1830) was a study of witchcraft and the supernatural by Sir Walter Scott. A lifelong student of folklore, Scott was able to draw on a wide-ranging collection of primary and secondary sources. His book found many readers throughout the 19th century, and exercised a significant influence in promoting the Victorian vogue for Gothic and ghostly fiction. Though on first publication it met with mixed reviews, it is now recognised as a pioneering work of scientific anthropology, treating of its subject in an acute and analytical way which prefigures later scholarship on the subject, as well as presenting a highly readable collection of supernatural anecdotes.

Contents

Content

The book is divided into ten parts, each taking the form of a letter from the author to his son-in-law, J. G. Lockhart. This format allows Scott to write in an informal, discursive manner, enhancing the book's readability. He presents a wide survey of attitudes to demonology and witchcraft from Biblical times up to the 19th century, illustrating it with a large number of anecdotes of individual cases. He considers also the topics of ghosts, fairies, brownies, elves, second sight, and the mythologies of the various Germanic peoples. Belief in these phenomena is presented as the result of ignorance and prejudice, which was eventually dispersed by the rise of rationalist philosophy in the 18th century. Witchcraft prosecutions were, he points out, often directed against heretics and political undesirables. Throughout he treats his subjects in the analytical, rationalist manner to be expected of an heir of the Scottish Enlightenment. [1] [2] [3]

Composition

Scott's fascination with the supernatural stretched back to his childhood. [1] In 1809 he had suggested to his friend Robert Surtees that they work together on a "system of Daemonology", and in 1812 he proposed to collaborate with Charles Kirkpatrick Sharpe on a collection of comic stories on the same subject. In 1823 he began a "dialogue on Popular Superstitions"; his publisher made an offer for him to expand it to book-length, but Scott thought the sum too little and abandoned the idea. [4]

In 1830 Scott's position was entirely different. To pay off enormous debts he had for several years been writing volume after volume of fiction and non-fiction, to the detriment of his health. [5] In February he suffered a stroke, [6] inducing his son-in-law, J. G. Lockhart, to suggest he write a book on demonology rather than a more demanding three-volume novel. This promised to be, in John Sutherland's words, "the kind of roundabout essay on antiquarian themes which came as easily as talking to Scott". It was to be a contribution to the publisher John Murray's "Family Library", and the payment of £600 would be a sorely needed subvention for his personal expenses. [7] He began on 21 March, [4] but after three months work he was flagging. "I must do something better than these Daemonological trash", he wrote in his Journal. "It is nine o'clock, and I am weary, yea, my very spirit's tired." [8] On 16 July he was able to record "I have finished the Daemonology and have a mind to say D—n it, but the subject is damnd to my hand", and by 22 July he had finished correcting the proofs. [9] [10]

Publication

Letters on Demonology and Witchcraft was published on 14 September 1830, in time to take full advantage of the Christmas trade. From November 1830 copies were sold extra-illustrated with twelve engravings by George Cruikshank. Sales of the first edition were brisk enough to necessitate a second edition, published on 24 January 1831. [7] [11] In the following years translations appeared in Italian and Spanish, while two competing French translations were published in the 1830s. [12] New editions of the Letters appeared at short intervals throughout the 19th century. [13]

Sources

Scott was in an unusually good position to write a book on demonology and witchcraft, since, as Lockhart reminded him, "You have a whole library de re magica [on the subject of magic] at Abbotsford", [14] but he nevertheless had to call on his friends for help in finding much out-of-the-way material. Important sources for Scott's work include Samuel Hibbert's Sketches of the Philosophy of Apparitions, [15] Robert Pitcairn's Criminal Trials and other Proceedings before the High Court of Justiciary in Scotland, Reginald Scot's Discoverie of Witchcraft, Robert Kirk's Essay on the Subterranean Commonwealth, Cotton Mather's Magnalia Christi, John Ferriar's "Of Popular Illusions and More Particularly of Modern Demonology", Thomas Jackson's Treatise Containing the Originall of Unbelief, and a host of primary sources in the form of anecdotes sent him by his correspondents, not to mention his own memories of personal experiences, such as buying a favourable wind from a witch in Orkney during a voyage he undertook in 1814. [16] Scott was also able to draw on a large corpus of his own previous writings on matters supernatural. [17]

Reception

The first reaction to the publication of Scott's book came in a flurry of letters from readers wishing to inform him of obscure witches of the past or of the correspondent's own supernatural experiences. [18] This was followed by the appearance of a number of treatises on kindred subjects, including Charles Upham's Lectures on Witchcraft (1831), David Brewster's Letters on Natural Magic (1832), and William Godwin's Lives of the Necromancers (1834). [19] Scott's book has also been credited with provoking the long line of Victorian novels on necromantic themes that includes Harrison Ainsworth's The Lancashire Witches and Bram Stoker's Dracula . [20]

Though the book was a rapid seller, its reception by the critics was mixed, some praising its sceptical attitude to the supernatural and some thinking it not sceptical enough. [1] [21] It was warmly praised by the Imperial Magazine, the Gentleman's Magazine , and the Literary Gazette ; the Edinburgh Literary Journal and the Aberdeen Journal suggested the book was too philosophically lightweight; [1] and Blackwood's Magazine criticised Scott's style and the inconsistencies of his argument. [22]

When Lockhart came to write his biography of Scott (1837–1838) he dealt in a rather supercilious manner with the Letters on Demonology and Witchcraft, in which he saw clear signs of the author's recent stroke. He wrote that it:

contains many passages worthy of his best day – little snatches of picturesque narrative and the like – in fact, transcripts of his own familiar fireside stories. The shrewdness with which evidence is sifted on legal cases attests, too, that the main reasoning faculty remained unshaken. But, on the whole, [this work] can hardly be submitted to a strict ordeal of criticism. There is...a cloudiness both of words and arrangement. [23]

And there was much half-hearted praise for this work in later Scott scholarship. Henry Morley wrote that "the old delight in anecdote and skill in story-telling...yet survived. It gave to Scott's Letters on Demonology and Witchcraft what is for us now a pathetic charm". [24] For Andrew Lang it was "a work well worth reading, though marked by failing powers"; [25] for John Buchan, a book "in no way to be despised, for, though the style and arrangement are sometimes confused, it is a delightful compendium of eerie tales drawn from his capacious memory"; [26] for John Sutherland, "a readable work of popular anthropology". [7] But in the field of social science it has been judged more enthusiastically, being recognised as a work ahead of its time, a trailblazing scientific study of witchcraft and the supernatural. [1] Lewis Spence, for example, called the Letters

so many doors opening on the treasure-house of a lifetime's gleaning...nothing they contain in the richness of their hoard is more astonishing than the superior insight distinguishing the accompanying comment. The origins of human superstition, as then understood, are here set forth with a clearness and accuracy of method which for all time mapped out the direction which this department of the science of folklore was to take. [27]

Footnotes

  1. 1 2 3 4 5 Anonymous 2011.
  2. Scott 2001, p. 6.
  3. Henderson, Lizanne (2016). Witchcraft and Folk Belief in the Age of Enlightenment: Scotland, 1670–1740. Basingstoke: Palgrave Macmillan. p. 42. ISBN   978-0230294387 . Retrieved 25 July 2020.
  4. 1 2 Johnson 1970, p. 1126.
  5. "Scott, Sir Walter". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi: 10.1093/ref:odnb/24928 .
  6. Scott 1884, p. 5.
  7. 1 2 3 Sutherland 1997, p. 336.
  8. Johnson 1970, p. 1134.
  9. Anderson 1998, p. 685.
  10. Quayle, Eric (1968). The Ruin of Sir Walter Scott. London: Rupert Hart-Davis. p. 247. ISBN   978-0246974563 . Retrieved 25 July 2020.
  11. Todd & Bowden 1998, pp. 707–710.
  12. "Search". Library Hub Discover. Retrieved 25 July 2020.
  13. "Search". Library Hub Discover. Retrieved 25 July 2020.
  14. Grierson, H. J. C., ed. (1936). The Letters of Sir Walter Scott 1828–1831. London: Constable. p. 302. Retrieved 25 July 2020.
  15. Johnson 1970, p. 1131.
  16. Scott 2001, pp. 6–7.
  17. Todd & Bowden 1998, p. 708.
  18. Partington, Wilfred (1932). Sir Walter's Post-Bag: More Stories and Sidelights from His Unpublished Letter-Books. London: John Murray. p. 295. Retrieved 25 July 2020.
  19. Winter, Alison (1998). Mesmerized: Powers of Mind in Victorian Britain. Chicago: University of Chicago Press. p. 358. ISBN   0226902196 . Retrieved 25 July 2020.
  20. Hughes, Pennethorne (1965). Witchcraft. Harmondsworth: Penguin. p. 14. ISBN   0140207457.
  21. Scott 2001, p. 8.
  22. Anderson 1998, p. 719.
  23. Lockhart, J. G. (1853). Life of Sir Walter Scott, Bart. Edinburgh: Adam and Charles Black. p. 705. Retrieved 25 July 2020.
  24. Scott 1884, p. 6.
  25. Lang, Andrew (1906). Sir Walter Scott. London: Hodder and Stoughton. p. 235. Retrieved 25 July 2020.
  26. Buchan, John (1932). Sir Walter Scott. New York: Coward-McCann. p. 322. ISBN   9780598589323 . Retrieved 25 July 2020.
  27. Spence, Lewis (1932). "Sir Walter Scott as a student of tradition". In Grierson, H. J. C. (ed.). Sir Walter Scott To-Day: Some Retrospective Essays and Studies. London: Constable. pp. 123–124. Retrieved 25 July 2020.

Related Research Articles

<span class="mw-page-title-main">Banshee</span> Female spirit in Irish mythology

A banshee is a female spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. Her name is connected to the mythologically important tumuli or "mounds" that dot the Irish countryside, which are known as síde in Old Irish.

<span class="mw-page-title-main">Walter Scott</span> Scottish historian, novelist, poet, and playwright (1771–1832)

Sir Walter Scott, 1st Baronet, was a Scottish historian, novelist, poet, and playwright. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.

<span class="mw-page-title-main">John Gibson Lockhart</span> Scottish writer and editor

John Gibson Lockhart was a Scottish writer and editor. He is best known as the author of the seminal, and much-admired, seven-volume biography of his father-in-law Sir Walter Scott: Memoirs of the Life of Sir Walter Scott, Bart

<span class="mw-page-title-main">James Hogg</span> Scottish poet and novelist (1770–1835)

James Hogg was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorised biography. He became widely known as the "Ettrick Shepherd", a nickname under which some of his works were published, and the character name he was given in the widely read series Noctes Ambrosianae, published in Blackwood's Magazine. He is best known today for his novel The Private Memoirs and Confessions of a Justified Sinner. His other works include the long poem The Queen's Wake (1813), his collection of songs Jacobite Relics (1819), and his two novels The Three Perils of Man (1822), and The Three Perils of Woman (1823).

<span class="mw-page-title-main">Montague Summers</span> English writer (1880–1948)

Augustus Montague Summers was an English author, clergyman, occultist, and teacher. He initially prepared for a career in the Church of England at Oxford and Lichfield, and was ordained as an Anglican deacon in 1908. He then converted to Roman Catholicism and began styling himself as a Catholic priest. He was, however, never affiliated with any Catholic diocese or religious order, and it is doubtful that he was ever actually ordained to the priesthood. He was employed as a teacher of English and Latin while independently pursuing scholarly work on the English drama of the 17th century. The latter earned him election to the Royal Society of Literature in 1916.

<span class="mw-page-title-main">Brahan Seer</span>

The Brahan Seer, known in his native Scottish Gaelic as Coinneach Odhar, and Kenneth Mackenzie, was, according to legend, a predictor of the future who lived in the 17th century.

<span class="mw-page-title-main">John Lambe</span>

John Lambe was an English astrologer and quack physician who, by around 1625, served George Villiers, 1st Duke of Buckingham as his personal advisor.

<i>Minstrelsy of the Scottish Border</i> Collection of ballads edited by Walter Scott

Minstrelsy of the Scottish Border is an anthology of Border ballads, together with some from north-east Scotland and a few modern literary ballads, edited by Walter Scott. It was first published by Archibald Constable in Edinburgh in 1802, but was expanded in several later editions, reaching its final state in 1830, two years before Scott's death. It includes many of the most famous Scottish ballads, such as Sir Patrick Spens, The Young Tamlane, The Twa Corbies, The Douglas Tragedy, Clerk Saunders, Kempion, The Wife of Usher's Well, The Cruel Sister, The Dæmon Lover, and Thomas the Rhymer. Scott enlisted the help of several collaborators, notably John Leyden, and found his ballads both by field research of his own and by consulting the manuscript collections of others. Controversially, in the editing of his texts he preferred literary quality over scholarly rigour, but Minstrelsy of the Scottish Border nevertheless attracted high praise from the first. It was influential both in Britain and on the Continent, and helped to decide the course of Scott's later career as a poet and novelist. In recent years it has been called "the most exciting collection of ballads ever to appear."

<span class="mw-page-title-main">Lady Louisa Stuart</span> British writer

Lady Louisa Stuart was a British writer of the 18th and 19th centuries. Her long life spanned nearly ninety-four years.

<span class="mw-page-title-main">Fetch (folklore)</span> Part of Irish folklore

A fetch is a supernatural double or an apparition of a living person. The sighting of a fetch is regarded as an omen, usually for impending death.

Robert Kirk was a minister, Gaelic scholar and folklorist, best known for The Secret Commonwealth, a treatise on fairy folklore, witchcraft, ghosts, and second sight, a type of extrasensory perception described as a phenomenon by the people of the Scottish Highlands. Folklorist Stewart Sanderson and mythologist Marina Warner called Kirk's collection of supernatural tales one of the most important and significant works on the subject of fairies and second sight. Christian philosopher and religious studies scholar David Bentley Hart has praised Kirk for writing The Secret Commonwealth to defend "harmless Scottish country folk who innocently dabbled in the lore of their culture" and "found themselves arraigned by Presbyterian courts for practicing the black arts."

<i>The Journal of Sir Walter Scott</i>

The Journal of Sir Walter Scott is a diary which the novelist and poet Walter Scott kept between 1825 and 1832. It records the financial disaster which overtook him at the beginning of 1826, and the efforts he made over the next seven years to pay off his debts by writing bestselling books. Since its first complete publication in 1890 it has attracted high praise, being considered by many critics one of the finest diaries in the language.

<i>Rokeby</i> (poem)

Rokeby (1813) is a narrative poem in six cantos with voluminous antiquarian notes by Walter Scott. It is set in Teesdale during the English Civil War.

<span class="mw-page-title-main">Writers' Museum</span> Museum in Edinburgh, Scotland, UK

The Writers’ Museum, housed in Lady Stair's House at the Lawnmarket on the Royal Mile in Edinburgh, presents the lives of three of the foremost Scottish writers: Robert Burns, Walter Scott and Robert Louis Stevenson. Run by the City of Edinburgh Council, the collection includes portraits, works and personal objects. Beside the museum lies the Makars' Court, the country's emerging national literary monument.

The Field of Waterloo is a poem by Walter Scott, written and published in 1815. It is in iambic tetrameters and trimeters with a few Spenserian stanzas at the end. The work moves from a depiction of the site of the battle, with farm life renewing in the autumn, to an account of the conflict, highlighting Napoleon and Wellington, and a roll-call of prominent British casualties.

<span class="mw-page-title-main">Glenfinlas (poem)</span>

Glenfinlas; or, Lord Ronald's Coronach” by Walter Scott, written in 1798 and first published in 1800, was, as Scott remembered it, his first original poem as opposed to translations from the German. A short narrative of 264 lines, it tells a supernatural story based on a Highland legend. Though highly appreciated by many 19th century readers and critics it is now overshadowed by his later and longer poems.

The letters of Sir Walter Scott, the novelist and poet, range in date from September 1788, when he was aged 17, to June 1832, a few weeks before his death. About 7000 letters from Scott are known, and about 6500 letters addressed to him. The major repository of both is the National Library of Scotland. H. J. C. Grierson's The Letters of Sir Walter Scott (1932–1937), though it includes only about 3500, remains the standard edition.

Illustrations of Northern Antiquities (1814), or to give its full title Illustrations of Northern Antiquities, from the Earlier Teutonic and Scandinavian Romances; Being an Abstract of the Book of Heroes, and Nibelungen Lay; with Translations of Metrical Tales, from the Old German, Danish, Swedish, and Icelandic Languages; with Notes and Dissertations, was a pioneering work of comparative literature which provided translations and abstracts of various works written in medieval Germany and Scandinavia. Its three authors were Henry Weber, who précised the Nibelungenlied and Heldenbuch; Robert Jamieson, who translated Danish and other ballads, stressing their close connection with Scottish ballads; and Walter Scott, who provided an abstract of Eyrbyggja saga. It significantly extended British readers' access to early Germanic literature.

Walter Scott's "Memoirs", first published as "Memoir of the Early Life of Sir Walter Scott, Written by Himself" and also known as the Ashestiel fragment, is a short autobiographical work describing the author's ancestry, parentage, and life up to the age of 22. It is the most important source of information we have on Scott's early life. It was mainly written between 1808 and 1811, then revised and completed in 1826, and first published posthumously in 1837 as Chapter 1 of J. G. Lockhart's multi-volume Memoirs of the Life of Sir Walter Scott, Bart. It was re-edited in 1981 by David Hewitt.

Thomas Potts was an English law clerk, and the author of the Discoverie of Witches.

References