Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian, is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
In Egyptian history, the Upper and Lower Egypt period was the final stage of prehistoric Egypt and directly preceded the unification of the realm. The conception of Egypt as the Two Lands was an example of the dualism in ancient Egyptian culture and frequently appeared in texts and imagery, including in the titles of Egyptian pharaohs.
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".
Djer is considered the third pharaoh of the First Dynasty of ancient Egypt in current Egyptology. He lived around the mid 31st century BC and reigned for c. 40 years. A mummified forearm of Djer or his wife was discovered by Egyptologist Flinders Petrie, but was discarded by Émile Brugsch.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
Scorpion II, also known as King Scorpion, was a ruler during the Protodynastic Period of Upper Egypt.
Deshret was the Red Crown of Lower Egypt. When combined with the Hedjet of Upper Egypt, it forms the Pschent, in ancient Egyptian called the sekhemti.
Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. It is the period during which the process of state formation, which began in Naqada II, became highly visible, with named kings heading powerful polities. Naqada III is often referred to as Dynasty 0 or the Protodynastic Period to reflect the presence of kings at the head of influential states, although, in fact, the kings involved would not have been a part of a dynasty. In this period, those kings' names were inscribed in the form of serekhs on a variety of surfaces including pottery and tombs.
In ancient Egyptian hieroglyphs, the hand symbol represented the phoneme /d/, and was also used as a determinative for actions performed as if with the hands.
The ancient Egyptian Game piece (hieroglyph), also a Token, or the general term for any gaming-gambling piece, Draughtsman is an ancient hieroglyph. Gaming pieces were certainly required in predynastic times, as the cultural creation of games and entertainment has a long history in most cultures. An ivory-piece lion is known from the Old Kingdom of ancient Egypt; the set contains three lions, and three dog tokens of ivory.
The Throw stick hieroglyph of ancient Egypt is an old hieroglyph that dates from the Predynastic Period; it is from the assemblage of hieroglyphs used on the ornamental, or ceremonial cosmetic palettes. It is used on the palettes both as a throwing-stick weapon in the animal hunt being portrayed-(the Hunters Palette), as well as on certain palettes, as a determinative referring to a "foreigner", or "foreign territory".
The Battlefield Palette may be the earliest battle scene representation of the dozen or more ceremonial or ornamental cosmetic palettes of ancient Egypt. Along with the others in this series of palettes, including the Narmer Palette, it includes some of the first representations of the figures, or glyphs, that became Egyptian hieroglyphs. Most notable on the Battlefield Palette is the standard, and Man-prisoner hieroglyph, probably the forerunner that gave rise to the concept of the Nine bows.
Nefermaat I was an ancient Egyptian prince, a son of king Sneferu. He was a vizier possessing the titles of the king's eldest son, royal seal bearer, and prophet of Bastet. His name means "Maat is beautiful" or "With perfect justice".
The Min Palette, or El Amrah Palette is an ancient Egyptian cosmetic palette from El-Amrah, Egypt, found in Naqada, tomb B62. It is held in the British Museum, no. 35501.
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
The fish palettes of predynastic Egypt are one of the common types of cosmetic palettes, or more specifically zoomorphic palettes, which are shaped in the form of the animal portrayed. The fish palettes are mostly ovoid in shape.
Prince Rahotep was a prince in ancient Egypt during the 4th Dynasty. He was probably a son of Pharaoh Sneferu and his first wife, although Zahi Hawass suggests his father was Huni.
Seneb was a high-ranking court official in the Old Kingdom of Ancient Egypt, circa 2520 BC. A dwarf, Seneb was a person of considerable importance and wealth who owned thousands of cattle, held twenty palaces and religious titles and was married to a high-ranking priestess of average size with whom he had three children. His successful career and the lavishness of his burial arrangements are indicative of the acceptance given to dwarfs in ancient Egyptian society, whose texts advocated the acceptance and integration of those with physical disabilities.
Wash was possibly a pharaoh from the Predynastic Period in Ancient Egypt, approximately 5,000 years ago. As Wash is known only through his appearance as a captive of the pharaoh Narmer on the eponymous palette, his existence is contested.
The Regalia of the Pharoh or Pharaoh's attributes are the symbolic objects of royalty in ancient Egypt. In use between 3150 and 30 BC, these attributes were specific to pharaohs, but also to certain gods such as Atum, Ra, Osiris and Horus. In Egyptian mythology, these powerful gods were considered the original holders of royal power and the first rulers of the Nile Valley.
