A list of a small subset [1] [2] [3] [4] of ancient Egyptian palettes, ranging in the Naqada periods, 4th millennium BC, probably mostly from ~3500 to 3000 BC; some palettes may be from the later period of the earliest 3rd millennium BC.
These cosmetic palettes come in numerous shapes and sizes, and were often found in tombs or graves. They were preceded by a period of palettes called rhomboidal palettes, unadorned, and without the cosmetic mixing circle found on some of the later Naqada period palettes.
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Name | Dimensions | Image | Location | Notes + Topic |
---|---|---|---|---|
Battlefield Palette Vultures Palette, etc. | Full Height? 50 x 32 cm-(?) (20 x 13 in) | British Museum | Side A: war; Side B: peace ('Order vs Chaos') | |
Bull Palette | – | Louvre | ||
Gerzeh Palette | – | Egyptian Museum, Cairo | ||
Hunters Palette | 30.5 x 15 cm (12 x 6 in) | British Museum | (smaller fragment in Louvre) | |
Libyan Palette | (original, approximated: 70 x 25 cm) (ht x width) | Egyptian Museum, Cairo | (surviving dimensions: ~18.5 x ~21 cm, (7 x 8 in)) (ht x width) | |
Min Palette El Amrah Palette | – | |||
Narmer Palette Great Hierakonpolis Palette | 64 x 42 cm (25 x 17 in) | Egyptian Museum in Cairo [10] | Unification of Southern Egypt, Delta Egypt, (Upper and Lower Egypt) | |
A list of shield-shaped palettes; the majority are vertically oriented. (The Hunters Palette is an example of a horizontally-oriented palette.)
Name | Dimensions | Image | Location | <--> Form | Notes + Topic | ||||||
---|---|---|---|---|---|---|---|---|---|---|---|
"Two-bird heads palette (Brooklyn)" [11] | 22.5 x 11.8 cm (8.8 x 4.6 in) | Brooklyn Museum, USA | Unadorned palette, Shield-shaped, with 2-opposed-Bird-Heads | ||||||||
Four Dogs Palette Giraffes Palette Louvre Palette | – | Louvre | Obverse:Four canines and other animals, w/cosmetic circle | ||||||||
"Duck, trussed" Trussed-Goose Palette- | – | British Museum | |||||||||
Hunters Palette | (horizontally––oriented) 30.5 x 15 cm (12 x 6 in) | British Museum | (smaller fragment in Louvre) | ||||||||
Manshiyet el Ezzat Palette | (Broken top) 23.5 to 27 x 12 cm, (9-10 x 5 in) (ht x width) | Discovered in a tomb, dated to Pharaoh Den's reign Cosmetic Circle: two confronted lions with intertwined necks, (as on the Narmer Palette). | |||||||||
Min Palette El Amrah Palette | – | The only adornment is a "typographic ligature" style combination of the archaic "Min symbol"– (1/4 of palette face) | |||||||||
Narmer Palette Great Hierakonpolis Palette | 64 x 42 cm (25 x 17 in) | Egyptian Museum, Cairo | Unification of Southern Egypt, Delta Egypt, (Upper and Lower Egypt) | ||||||||
Oxford Palette Minor Hierakonpolis Dogs Palette "Ashmolean Palette" "Two Dog Palette" [12] | 42 x 22 cm (17 x 9 in) | Ashmolean Museum, no. E3294 | greywacke, ca. 3150 BC two serpopards, necks framing a mixing circle, and necks in wave-motion-(3-cycles); both serpopards are licking a gazelle, (as a newborn, or young) [13] | ||||||||
A list of zoomorphic, or animal style Egyptian palettes.
Name | Dimensions | Location | Notes + Topic | ||
---|---|---|---|---|---|
"Anchor Palette" ("Double Bird (Pelta) Palette") | – | Pelta? | Anchor-shaped, double outward facing bird-heads | ||
Bird (Louvre) (a goose) | – | Louvre | Naqada IId-IIIc | ||
"El Ahaiwah Dog Palette" | – | from El Ahaiwah- (El Ahaiwah) | |||
"Duck, trussed" Trussed-Goose Palette- | – | British Museum | portrayed later in hieroglyphs as G54, a 'trussed goose' | ||
Elephant palette | (length-(horizontal): ~20.5 cm, (~8 in) [14] | Egyptian Museum, Berlin | |||
Geese Palette | (broken palette) 14.5 x 11.5 cm (6 x 5 in) | British Museum, 32074 | schist remainder piece has large, entire cosmetic circle, 2 small confronted geese below | ||
Barbary Goat palette | – | British Museum | |||
Turtle Palette {circular) | – | Louvre | Circular shape with small turtle appendages | ||
Turtle Palette no. 2 [15] {circular) | – | Egyptian Museum, Berlin | Circular shape with small turtle appendages | ||
Name | Dimensions | Location | <--> Form | Notes + Topic | ||||||
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Bird (Louvre) (a goose) | – | Louvre | Naqada IId-IIIc goose, seated-(at rest) | |||||||
"Duck, trussed" Trussed-Goose Palette- | – | British Museum | ||||||||
"Two-bird heads palette (Brooklyn)" [16] | 22.5 x 11.8 cm (8.8 x 4.6 in) | Brooklyn Museum, USA | Unadorned palette, Shield-shaped, with 2-opposed-Bird-Heads | |||||||
Guinea Fowl Palette [17] | 28.5 x 19 cm (11.3 x 7.5 in) | Brooklyn Museum, USA | ? | Guinea Fowl shape, Naqada II, (with small inlaid white eye) | ||||||
Name | Dimensions | Location | <--> Form | Notes + Topic | ||||||||||
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Min Antelope Palette | – | (Naqada IId-IIIc) circular with suspension hole, inscribed with antelope, 1/3 of face | ||||||||||||
"Ka Palette (no. 1)" | – | ? | Ka hieroglyph-shaped plate large vertical offering-style plate (see the Hotep-style plates, and the Ancient Egyptian offering formula) [18] | |||||||||||
"Ka Palette (no. 2)" | – | ? | Ka hieroglyph-shaped plate plus Ankh, Papyrus, and U3S-staff | |||||||||||
A list of the Egyptian hieroglyphs and the individual palettes.
The Gerzeh Palette, or "Hathor Palette", "Cow-Head Palette" has topics containing 5-stars, a pair of horns, and a stylized "head". The hieroglyphs are:
,
, and possibly a relation to
, Hathor-sistrum, (the shape of the cow's head, as on the Narmer Palette), and
.
The only adornment is a "typographic ligature" style combination of the archaic "Min symbol"--
with the hieroglyph for "crook-staff"--
(1/4 of palette face).
The First Dynasty of ancient Egypt covers the first series of Egyptian kings to rule over a unified Egypt. It immediately follows the unification of Upper and Lower Egypt, possibly by Narmer, and marks the beginning of the Early Dynastic Period, when power was centered at Thinis.
Narmer was an ancient Egyptian pharaoh of the Early Dynastic Period. He was the successor to the Protodynastic king Ka. Many scholars consider him the unifier of Egypt and founder of the First Dynasty, and in turn the first king of a unified Egypt. He also had a prominently noticeable presence in Canaan, compared to his predecessors and successors. A majority of Egyptologists believe that Narmer was the same person as Menes. Neithhotep is thought to be his queen consort or his daughter.
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".
Nekhen, also known as Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period.
The Early Dynastic Period, also known as Archaic Period or the Thinite Period, is the era of ancient Egypt that immediately follows the unification of Upper and Lower Egypt in c. 3150 BC. It is generally taken to include the First Dynasty and the Second Dynasty, lasting from the end of the archaeological culture of Naqada III until c. 2686 BC, or the beginning of the Old Kingdom. With the First Dynasty, the Egyptian capital moved from Thinis to Memphis, with the unified land being ruled by an Egyptian god-king. In the south, Abydos remained the major centre of ancient Egyptian religion; the hallmarks of ancient Egyptian civilization, such as Egyptian art, Egyptian architecture, and many aspects of Egyptian religion, took shape during the Early Dynastic Period.
Hor-Aha is considered the second pharaoh of the First Dynasty of Egypt by some Egyptologists, while others consider him the first one and corresponding to Menes. He lived around the 31st century BC and is thought to have had a long reign.
Scorpion II, also known as King Scorpion, was a ruler during the Protodynastic Period of Upper Egypt.
Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. It is the period during which the process of state formation, which began in Naqada II, became highly visible, with named kings heading powerful polities. Naqada III is often referred to as Dynasty 0 or the Protodynastic Period to reflect the presence of kings at the head of influential states, although, in fact, the kings involved would not have been a part of a dynasty. In this period, those kings' names were inscribed in the form of serekhs on a variety of surfaces including pottery and tombs.
Cosmetic palettes are archaeological artifacts, originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat.
The Amratian culture, also called Naqada I, was an archaeological culture of prehistoric Upper Egypt. It lasted approximately from 4000 to 3500 BC.
The zoomorphic palette is a type of cosmetic palette made during the predynastic period of Egypt. The palettes are found at burial sites, for example Abydos in the second half of the 4th millennium BC.
The Department of Ancient Egypt is a department forming an historic part of the British Museum, with Its more than 100,000 pieces making it the largest and most comprehensive collection of Egyptian antiquities outside the Egyptian Museum in Cairo.
The Throw stick hieroglyph of ancient Egypt is an old hieroglyph that dates from the Predynastic Period; it is from the assemblage of hieroglyphs used on the ornamental, or ceremonial cosmetic palettes. It is used on the palettes both as a throwing-stick weapon in the animal hunt being portrayed-(the Hunters Palette), as well as on certain palettes, as a determinative referring to a "foreigner", or "foreign territory".
The Battlefield Palette may be the earliest battle scene representation of the dozen or more ceremonial or ornamental cosmetic palettes of ancient Egypt. Along with the others in this series of palettes, including the Narmer Palette, it includes some of the first representations of the figures, or glyphs, that became Egyptian hieroglyphs. Most notable on the Battlefield Palette is the standard, and Man-prisoner hieroglyph, probably the forerunner that gave rise to the concept of the Nine bows.
The Min Palette, or El Amrah Palette is an ancient Egyptian cosmetic palette from El-Amrah, Egypt, found in Naqada, tomb B62. It is held in the British Museum, no. 35501.
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
The Manshiyat Ezzat Palette is an ornately adorned schist cosmetic palette from predynastic Egypt found at a cemetery in the eastern Delta town of Manshiyat Ezzat, Dakahlia Governorate. The gravesite is from Pharaoh Den's reign, First Dynasty of Egypt. The palette is of low to moderate bas relief.
The fish palettes of predynastic Egypt are one of the common types of cosmetic palettes, or more specifically zoomorphic palettes, which are shaped in the form of the animal portrayed. The fish palettes are mostly ovoid in shape.
The following outline is provided as an overview of a topical guide to ancient Egypt:
The Egyptian hieroglyph Townsite-city-region is Gardiner sign listed no. O49 for the intersection of a town's streets. In some Egyptian hieroglyph books it is called a city plan.
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