This is a glossary of ancient Egypt artifacts.
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This is a glossary of ancient Egypt artifacts.
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Nephthys or Nebet-Het in ancient Egyptian was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.
Saqqara, also spelled Sakkara or Saccara in English, is an Egyptian village in the markaz (county) of Badrashin in the Giza Governorate, that contains ancient burial grounds of Egyptian royalty, serving as the necropolis for the ancient Egyptian capital, Memphis. Saqqara contains numerous pyramids, including the Pyramid of Djoser, sometimes referred to as the Step Tomb, and a number of mastaba tombs. Located some 30 km (19 mi) south of modern-day Cairo, Saqqara covers an area of around 7 by 1.5 km.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as Book of the Dead.
The Eye of Horus, wedjat eye or udjat eye is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
The ushabti was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from 𓅱𓈙𓃀𓏏𓏭𓀾 wšbtj, which replaced earlier 𓆷𓍯𓃀𓏏𓏭𓀾 šwbtj, perhaps the nisba of 𓈙𓍯𓃀𓆭 šwꜣb "Persea tree".
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
The opening of the mouth ceremony was an ancient Egyptian ritual described in funerary texts such as the Pyramid Texts. From the Old Kingdom to the Roman Period, there is ample evidence of this ceremony, which was believed to give the deceased their fundamental senses to carry out tasks in the afterlife. Various practices were conducted on the corpse, including the use of specific instruments to touch body parts like the mouth and eyes. These customs were often linked with childbirth, which denoted rebirth and new beginnings. For instance, cutting bloody meat from animals as offerings for the deceased signified the birthing process, which typically involves blood, and represented the commencement of a new life. Additionally, tools like the peseshkef, which resembled the tail of a fish and were originally employed for cutting infants' umbilical cords, further emphasized the idea of "rebirth".
Khakheperre Senusret II was the fourth pharaoh of the Twelfth Dynasty of Egypt. He ruled from 1897 BC to 1878 BC. His pyramid was constructed at El-Lahun. Senusret II took a great deal of interest in the Faiyum oasis region and began work on an extensive irrigation system from Bahr Yussef through to Lake Moeris through the construction of a dike at El-Lahun and the addition of a network of drainage canals. The purpose of his project was to increase the amount of cultivable land in that area. The importance of this project is emphasized by Senusret II's decision to move the royal necropolis from Dahshur to El-Lahun where he built his pyramid. This location would remain the political capital for the 12th and 13th Dynasties of Egypt. The king also established the first known workers' quarter in the nearby town of Senusrethotep (Kahun).
The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, they were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the cardinal directions.
Canopic chests are cases used by ancient Egyptians to contain the internal organs removed during the process of mummification. Once canopic jars began to be used in the late Fourth Dynasty, the jars were placed within canopic chests. Although the first proven canopic burials date from the Fourth Dynasty reign of Sneferu, there is evidence to suggest that there were canopic installations at Saqqara dating from the Second Dynasty.
Theban Tomb 8, abbreviated TT8, is the funerary chapel and tomb of the ancient Egyptian foreman Kha and his wife, Merit. They are known for their undisturbed tomb discovered in 1906 which is considered the best preserved non-royal burial in Egypt. Kha was an "overseer of works" at Deir el-Medina in the mid-Eighteenth Dynasty, where he was responsible for royal tombs constructed in the reigns of pharaohs Amenhotep II, Thutmose IV and Amenhotep III. Of unknown background, he rose to his position through skill and was ultimately rewarded for his work by at least one king. He and his wife Merit had three known children, one of whom also worked in the royal necropolis. Kha died in his 50s or 60s, while Merit died before him, seemingly unexpectedly, in her 30s.
The ancient Egyptian Papyrus stem hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. The papyrus stalk, was incorporated into designs of columns on buildings, also facades, and is also in the iconographic art portrayed in ancient Egyptian decorated scenes.
Scarabs, beetle shaped amulets and impression seals which were widely popular throughout ancient Egypt, still survive in large numbers today. Through their inscriptions and typology, they prove to be an important source of information for archaeologists and historians of the ancient world, and represent a significant body of ancient Egyptian art.
This page list topics related to ancient Egypt.
The heart scarab is an oval, scarab artifact dating from ancient Egypt. Mostly an amulet, it was also used as jewelry, a memorializing artifact, or a grave good. The heart scarab was used by referring to Chapter 30 from the Book of the Dead and the weighing of the heart, being balanced by Maat, goddess of truth, justice, order, wisdom, and cosmic balance. The function of the heart scarab was to bind the heart to silence while it was being weighed in the underworld to ensure that the heart did not bear false witness against the deceased. As in many current religions, the individual had to show 'worthiness' to achieve the afterlife. The heart was extremely important to ancient Egyptians as the seat of intelligence and the storehouse of memory. It was the only organ left in place during mummification. Heart scarab amulets were meant as substitutes for the heart should the deceased be deprived of the organ in the afterlife. For example, when a person died, a heart scarab was often placed on their heart and bound underneath the bandages of the mummy. This was to ensure that it could not be physically removed from their person.
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis. It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as Osiris-Apis. a name which evolved to Userhapi (ⲟⲩⲥⲉⲣϩⲁⲡⲓ) in Coptic, and Serapis (Σέραπις), in the Hellenistic period.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
Sha-Amun-en-su was an Egyptian priestess and singer who lived in Thebes during the first half of the 8th century B.C., responsible for ceremonial duties at the Temple of Karnak, dedicated to the god Amun. Sha-Amun-en-su was a Heset, i.e., a member of the foremost group of singers with ritualistic functions active in the temple of Amun. After her death, which is estimated to have occurred around the age of 50, the singer was mummified and placed in a sarcophagus made of stucco and polychrome wood. Since its sealing, more than 2700 years ago, Sha-Amun-en-su's sarcophagus had never been opened, throughout its history, conserving inside the singer's mummy, a feature that gave it extreme rarity.
The archaeology of Ancient Egypt is the study of the archaeology of Egypt, stretching from prehistory through three millennia of documented history. Egyptian archaeology is one of the branches of Egyptology.
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