Liejacker | ||||
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Studio album by | ||||
Released | 19 May 2008 | |||
Studio | The Loft, Liverpool | |||
Label | Fullfill | |||
Producer | Thea Gilmore, Nigel Stonier, Mike Cave | |||
Thea Gilmore chronology | ||||
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Liejacker is an album by the English singer-songwriter Thea Gilmore, released in May 2008. For the first time, Gilmore duets with other singers. "Old Soul" (also released as a single) features Zutons' frontman Dave McCabe, while Joan Baez (who invited Gilmore to tour with her in 2004) assists on "The Lower Road". [1]
The album was recorded primarily at The Loft, Liverpool, and produced by Gilmore, Nigel Stonier and Mike Cave. Gilmore described it as her most personal album to date. [2] Liejacker was released in the US four months after its UK release, with two tracks omitted and a revised running order. [1]
All tracks are written by Thea Gilmore, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Old Soul" | 3:55 | |
2. | "Black Letter" | 3:11 | |
3. | "Dance In New York" | 6:54 | |
4. | "Rosie" | 4:33 | |
5. | "Roll On" | 5:27 | |
6. | "Icarus Wind" | 4:10 | |
7. | "The Wrong Side" | 3:16 | |
8. | "Slow Journey" | 2:39 | |
9. | "And You Shall Know No Other God But Me" | 4:24 | |
10. | "When I Get Back To Shore" | 2:03 | |
11. | "Breathe" | 4:17 | |
12. | "The Lower Road" | 5:15 | |
13. | "You Spin Me Round (Like A Record)" | Pete Burns, Wayne Hussey, Mike Percy, Tim Lever, Steve Coy | 3:51 |
Stephanie Merritt, for The Observer , gave the album the full five stars, describing it as "simply a beautiful, deeply affecting piece of work". [2] Nick Coleman, reviewing the album for The Independent , described it as a "Good record, lovable in parts.". [3] Allmusic reviewer Hal Horowitz gave it fours stars, describing it as "one of Gilmore's least commercially oriented albums yet, and perhaps because of that, also one of her finest". [1] the PopMatters writer Steve Horowitz wrote that the album proved "that the 28-year-old Gilmore is a seriously talented writer and performer". [4] Gigwise.com gave it 9 stars (out of 11), Daniel Melia describing it as "her most intimate and deeply personal record". [5] The BBC's Chris Long was less impressed, considering the songs over-produced and Gilmore's songwriting "losing its energy and passion, as if she has a slow puncture in her soul". [6]
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