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Bert Sprotte was a German actor. He appeared in more than 70 American films between 1918 and 1938. He was born in Chemnitz, Saxony, and died in Los Angeles, California.
Lydia Knott was an American actress of the silent film era. She appeared in more than 90 films between 1914 and 1937.
Barbara Frietchie is a 1924 American silent war drama film about an old woman who helps out soldiers during the American Civil War. It is based on the play of the same name by Clyde Fitch that had starred Julia Marlowe at the turn of the century which in turn was taken from the real-life story of Barbara Fritchie. There were two silent film versions, a 1915 version and 1924 version. The 1915 version, directed by Herbert Blaché, starred Mary Miles Minter and Anna Q. Nilsson. The 1924 version, directed by Lambert Hillyer, starred Florence Vidor and Edmund Lowe.
Trimmed in Scarlet is a 1923 American silent drama film directed by Jack Conway and produced and distributed by Universal Pictures. It is based on the 1920 Broadway play, Trimmed in Scarlet, by William Hurlbut and starring Broadway's Maxine Elliott. This play marked the last time Maxine Elliott appeared on Broadway. Her role in the film is played by veteran cinema star Kathlyn Williams. All prints of this film are believed lost.
Breed of Men is a 1919 American Western silent film directed by Lambert Hillyer and written by J.G. Hawks. The film stars William S. Hart, Seena Owen, Bert Sprotte and Buster Irving. The film was released on February 2, 1919, by Paramount Pictures.
White Oak is a 1921 American silent Western film directed by Lambert Hillyer and written by William S. Hart and Bennet Musson. The film stars William S. Hart, Vola Vale, Alexander Gaden, Robert D. Walker, Bert Sprotte, Helen Holly, and Luther Standing Bear. The film was released on December 18, 1921, by Paramount Pictures. A copy of the film is in the Library of Congress, Museum of Modern Art, and William S. Hart Museum film archives.
The Purple Dawn is a 1923 American silent romantic drama film that was produced, written, and directed by Charles R. Seeling. It stars Bessie Love, Bert Sprotte, and William E. Aldrich.
Kentucky Handicap is a 1926 American silent action film directed by Harry Joe Brown and starring Reed Howes, Alice Calhoun and Robert McKim. It is also known by the alternative title Kentucky Luck.
Racing for Life is a 1924 American silent action film directed by Henry MacRae and starring Eva Novak, William Fairbanks and Philo McCullough.
The Business of Love is a 1925 American silent comedy film directed by Irving Reis and Jess Robbins and starring Edward Everett Horton, Barbara Bedford, and Zasu Pitts.
Before Midnight is a 1925 American silent drama film directed by John G. Adolfi and starring William Russell, Barbara Bedford and Brinsley Shaw.
Soul of the Beast is a 1923 American silent romantic drama film directed by John Griffith Wray and starring Madge Bellamy, Cullen Landis, and Noah Beery.
The Fighting Hombre is a 1927 American silent Western film directed by Jack Nelson and starring Bob Custer, Mary O'Day and Bert Sprotte.
Thelma is a 1922 American silent drama film directed by Chester Bennett and starring Jane Novak, Barbara Tennant and Gordon Mullen. It is based on the 1887 novel of the same title by the British writer Marie Corelli.
Silver Spurs is a 1922 American silent Western film directed by Henry McCarty and starring Lester Cuneo, Bert Sprotte and Zalla Zarana.
Scrap Iron is a 1921 American silent drama film directed by Charles Ray and starring Ray, Lydia Knott and Vera Steadman.
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
Trailin' is a 1921 American silent Western mystery film directed by Lynn Reynolds and starring Tom Mix, Eva Novak and Bert Sprotte.
The Human Tornado is a 1925 American silent Western film directed by Ben F. Wilson and starring Yakima Canutt, Bert Sprotte, and Lafe McKee.
Below the Deadline is a 1921 American silent crime film directed by J.P. McGowan and starring Lillian Biron, Bert Sprotte and Robert Anderson.
References
- ↑ Munden p.432
