Light Up the Sky (play)

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Light Up the Sky
Written by Moss Hart
Directed byMoss Hart
Date premieredNovember 18, 1948 (1948-11-18)
Place premiered Royale Theatre,
New York City
Original languageEnglish
SubjectSatire on the theatre
GenreComedy
SettingLiving room of a suite at the Ritz-Carlton Boston

Light Up the Sky is a three-act play written by the American playwright Moss Hart. It is a character driven satire with the fast-pacing of a farce, a simple plot, medium-sized cast, and only one setting. The action is concerned with the interrelations of theater people before and after a first night tryout, when they experience nervous anticipation, perceived failure, and unexpected success in sequence. The play became known before its premiere as well-founded rumors suggested some characters were modelled on actual theatre personalities. [1] There are allusions to figures from the larger world of New York shows, including Belasco and George Jean Nathan, as well as topical references to the late 1940s stage scene. The most egregious of these was Hart's mention of real drama critics [fn 1] then active in Boston, attributing to them spurious quotes for the fictional tryout. [2]

Contents

The play was selected as one of the best plays of 1948-1949, with an excerpted version published in "The Burns Mantle Best Plays of 1948-1949." [3]

Characters

Leads

Supporting

Synopsis

The story concerns the tryout of a fictional play, The Time Is Now, at the Colonial Theatre in Boston. The play itself is neither seen nor heard. The setting is the living room of the star's luxury suite, in the Ritz-Carlton hotel across the street from the theater.

The first act takes place at 5:30 pm, before the tryout starts, with hopes high and nerves on edge. Miss Lowell sits at a typewriter in the living room, with just Orson for company. One or two at a time the other characters come in and are introduced: Carleton Fitgerald, the overly emotional director; Frances Black, the shockingly outspoken wife of the producer; Owen Turner, the experienced older playwright just stopping by for a drink; Stella Livingston, the star's pessimistic mother who prophisises doom; Peter Sloan, the starry-eyed young trucker turned author, whose novice effort is now being given a tryout; Sidney Black, the excited, over eager producer sponsoring his first play; and finally, Irene Livingston, the self-absorbed, aristocratic-behaving star.

The second act occurs at 12:30 am, after the performance has had a seemingly disastrous finish, many in the audience having laughed and walked out before the ending. Peter Sloan is blamed for the failure, and in turn vents about the harsh treatment lavished on him by those who earlier praised his work. Owen Turner counsels him to accept compromises in his play in order to salvage it. Meanwhile, joyfully raucous Shriners, attending a convention, roam the hotel hallways and even burst into the suite on occasion. The act ends with Peter Sloan storming out, headed for the airport.

The final act is set at 3:30 am; the rest of the characters are still conducting a gloomy post-mortem on the performance. They are disturbed by the entry of an uninvited guest, William H. Gallegher, a Shriner, who announces the play is a success. He has copies of the early morning papers, from which it is learned the audience were largely his drunken compatriots, with the critics hailing the play as very good but needing some work. Sidney Black phones a plain-clothes detective, who brings Sloan unwillingly back from the airport. Grasping the changed state of affairs, Sloan takes charge of the others, who now look to him for advice on how to proceed.

Original production

Background

Hart began writing the play in April 1947, spending nearly a year on it. [6] It was produced by Joseph M. Hymen and Bernard Hart, the author's younger brother. Others with a financial interest in it were George S. Kaufman and Max Gordon. [6] Casting began in June 1948, which is also when Frederick Fox was contracted to design the play's setting. [6] There were four weeks of rehearsals in September 1948, [6] with Moss Hart doing the stage direction. [2]

Tryouts and revisions

Starting October 8, 1948, it had a three performance tryout in New Haven, Connecticut. [7] The production went to Boston's Plymouth Theatre (not the Colonial as in the play) on October 11, 1948. [2] The critic Cyrus Durgin proved a forthright reviewer, [fn 3] identifying a major flaw with the second and third acts, where the hilarity of the fast-paced opening is followed by long self-pitying diatribes from the young playwright, the abrupt change in mood confusing the audience. [2] Elliot Norton of the Boston Post said the original version of the play was much more serious than what it would become. [8]

Hart took the criticism seriously; he rewrote the second and third acts while in Boston, [9] replacing five minor characters with three new ones. The new second and third acts now played as comedy, complete with a deus ex machina in the form of a Shriner from Indiana.

The reworked play then went to Philadelphia for two weeks, opening November 1, 1948. [10] Only one cast change occurred from the Boston tryout, when J.J. the live parrot was replaced by a stuffed namesake and a hidden microphone. [11]

Cast

The lead and supporting characters were portrayed by the same actors from first tryout through the Broadway closing. The featured roles underwent changes with the tryout rewrites as shown below.

Cast during tryouts in New Haven, Boston, and Philadelphia, and the original Broadway run
ActorRoleTypeNotes
Virginia Field Irene LivingstonLeadReportedly she never missed a performance because Kitty Carlisle (Mrs. Moss Hart) knew the part thoroughly. [12]
Sam Levene Sidney BlackLeadIn years to come Levene would be the actor most associated with productions of this play.
Barry Nelson Peter SloanLead
Philip Ober Owen TurnerLead
Phyllis Povah Stella LivingstonLead
Glenn Anders Carleton FitzGeraldLead
Audrey Christie Frances BlackSupporting
Jane Middleton Miss Nan LowellSupporting
Bartlett Robinson Tyler RayburnSupporting
Si Oakland Intern/SvenFeaturedOriginally cast as one of two Interns, parts eliminated early on in Boston, he took over the role of Sven
John D. SeymourDr. Schloss/a ShrinerFeaturedOriginally cast as Dr. Schloss, a part dropped during tryouts, he was re-cast for this new role during rewrites in Boston.
Donald McClelland William H. GallagherFeaturedHe was cast for this part created during the third act rewrite in Boston.
Ronald Alexander A Plain-Clothes ManFeaturedHe was cast for this part created during the third act rewrite in Boston.
Effie AftonFloFeaturedThis role was eliminated during rewrites in Boston
Jack KerrBenny MeadowsFeaturedThis role was eliminated during rewrites in Boston
Emily RossMaidFeaturedThis role was eliminated during rewrites in Boston
Terence LittleWaiterFeaturedThis role was eliminated during rewrites in Boston
Robert BernardIntern #2FeaturedThis role was eliminated during rewrites in Boston

Premiere

The Broadway premiere was at the Royale Theatre on November 18, 1948. An advertising blimp hung over 45th Street with a lighted sign on it displaying a good luck message for the production just below. [13] Billy Rose and his wife, Eleanor Holm, two of the personalities satirized in the play, were there as invited guests of Moss Hart. Gertrude Lawrence, another of the disguised characters, sent a cable from London to Moss Hart, with a salutation of "Dear Hideous". [5] According to producer Bernard Hart, the "long line at the box office the next day and for the next week was a sure sign we had a hit". [14]

The title of the play was a theatrical term often associated with successful shows. For outsiders however it suggested a quotation from some other literary work, and the program guide obliged with one on the title page:

"Mad, sire? Ah, yes, -- mad indeed, but observe how they do light up the sky."—Old Skroob in The Idle Jeste.

This was a bit of foolery from Hart. Both quote and play were imaginary, aimed at Brooks Atkinson, drama critic for The New York Times , who in his review the next day gave the complete quote (but not the speaker's name) and dryly said the play cited "is unknown to this department". [15]

Response

Brooks Atkinson declared it "a loud, broad, tempestous comedy that is acted at top speed by a wonderful cast". [15] Calling the actors "runners in a comic steeplechase", Atkinson said "Under Mr. Hart's excitable direction the performance races around the stage like a volcanic circus, everybody shouting, everybody making exits and entrances and slamming doors". [15] Atkinson said the cast was superb, and praised each lead and supporting actor individually.

John Chapman at the New York Daily News was nearly as enthusiastic about the play, calling it "a noisy and rollicking comedy about the art of drama". [16] He said "it is no model of play construction", [16] but judged it entertaining, well-acted, and adroitly directed. [16] He also wrote a follow-up article on how Light Up the Sky paralleled the fictional play within it, in that the Boston critics had recommended changes to make it successful. [8]

A covertly critical response to the play concerned the parrot. Originally named J.J. in suggestion of a certain theater-owning magnate, [1] a newspaper column reported, shortly after the premiere and without explanation, that it had been renamed to Orson. [17]

One dissident critic was George Jean Nathan, who wrote a plaintive column, more about his bruised ego than the play, which he described as "crude and pretty vulgar". [18] Nathan, perhaps reacting to Miss Lowell in the play accusing the squawking parrot "Who do you think you are, George Jean Nathan?", suggested it was human nature to laugh at another's embarrassing predicament. [18] Nevertheless, he felt Hart had crossed the line with this play, particularly since Hart himself was notoriously thin-skinned. [18]

Closing

The original Broadway run closed on May 21, 1949, for a total of 214 performances. [19] During the last weeks of the production Moss Hart had declined his royalties as author and director so that the "angels" (stage lingo for sponsoring producers) could get their original investment back. [20] Business had fallen off with the warming weather, [20] and as was usual for that time there were rumors of chicanery by the ticket brokers. [21] Bernard Hart told reporters that the investors had made a profit of only $10,000, which led them to sell the national touring rights to another producer. [14]

National tour

Joseph M. Hymen and Bernard Hart sold their interest in the touring company to Eddie Rich, who announced in June 1949 that the tour would kick off that fall. [22] This was perhaps a mistake, for by the time the tour opened in Wilmington, Delaware on October 7, 1949 [23] the East Coast had been saturated with summer stock and community theater productions of the play.

Cast

The only two principals from the Broadway run who were willing or able to commit to it were Sam Levene and Glenn Anders. Lynn Bari was signed for the Irene Livingston role, while a surprising but inspired choice, the scandalous burlesque artist Margie Hart, was cast for the Frances Black role. [23] That role was actually a supporting one, but Margie Hart was given star billing along with Levene, Bari, and Anders.

Cast for the start of the national tour in October 1949
ActorRoleTypeNotes
Lynn Bari Irene LivingstonLead
Sam Levene Sidney BlackLead
Thomas ColeyPeter SloanLeadA successful stage actor, Coley was cast after his own work, The Happiest Years flopped in April 1949.
Brent SargeantOwen TurnerLead
Mary MaceStella LivingstonLead
Glenn Anders Carleton FitzGeraldLead
Margie Hart Frances BlackSupporting
Diana HerbertMiss Nan LowellSupporting
William RoerickTyler RayburnSupportingRoerick was co-author with Coley of The Happiest Years; it had played at the Lyceum, then owned by Kaufman and Hart.
Edward BushmanA ShrinerFeatured
John ClubleyWilliam H. GallagherFeatured
David DurstonA Plain-Clothes ManFeatured

Adaptions

Even before the National touring company set out, the play was licensed to smaller theaters in the New York area. Sam Levene redid Moss Hart's original staging, and played his original role of Sidney Black in the Off Broadway Subway Circuit. [24]

Television

The Ford Theatre was due to broadcast a live performance of Edward, My Son, but MGM, which was about to release a movie version, objected. [25] Instead, a live version of Light Up the Sky was performed, using whichever original actors still happened to be in New York at the time. The script was cut drastically for the one-hour running time and adapted for live television. Sam Levene, Glen Anders, Barry Nelson, Audrey Christie, and Phyllis Povah all reprised their parts, [26] but Virginia Field had already left town. Her role was taken by Carol Goodner, while Carl Frank played Owen Turner. [27] CBS broadcast the performance on June 13, 1949. [28]

Notes

  1. ↑ These were Elliot Norton of The Boston Post , Cyrus Durgin of The Boston Globe , and Elinor Hughes of the Boston Herald .
  2. ↑ A live bird during the initial tryouts, it was quickly replaced by a stuffed cousin due to repeated insubordination. An off-stage actor supplied the parrot's lines via a microphone.
  3. ↑ He had been given permission to travel with the troupe from New Haven to Boston for a feature article, and was mentioned in the play itself.

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References

  1. 1 2 3 4 Sylvester, Robert (October 10, 1948). "Mr. Hart's Real Characters". Daily News. New York, New York. p. 111 – via Newspapers.com.
  2. 1 2 3 4 Durgin, Cyrus (October 12, 1948). "The Stage". The Boston Globe. Boston, Massachusetts. p. 20 – via Newspapers.com.
  3. ↑ Chapman, John, (ed.), The Burns Mantle Best Plays of 1948-1949, (1949) Dodd, Mead and Company, New York, pp. 238-265.
  4. 1 2 Lyons, Leonard (November 20, 1948). "Lyons Den". Pittsburgh Post Gazette. Pittsburgh, Pennsylvania. p. 20 – via Newspapers.com.
  5. 1 2 Lyons, Leonard (November 24, 1948). "Lyons Den". Post Standard. Syracuse, New York. p. 5 – via Newspapers.com.
  6. 1 2 3 4 Durgin, Cyrus (October 17, 1948). "What a Theatrical Group Does As It Travels from New Haven to Boston". The Boston Globe. Boston, Massachusetts. p. 117 – via Newspapers.com.
  7. ↑ "Have You Seen: Light Up the Sky at the Shubert". Meridian Record. Meridian, Connecticut. October 8, 1948. p. 16 – via Newspapers.com.
  8. 1 2 Chapman, John (November 29, 1948). "Good Rewrite Job saves a Play, Bad One Ruins Another". Daily News. New York, New York. p. 610 – via Newspapers.com.
  9. ↑ Sylvester, Robert (November 14, 1948). "Gide's Version of 'The Trial'; Mr. Hart Rewrites Himself". Daily News. New York, New York. p. 443 – via Newspapers.com.
  10. ↑ Schloss, Edwin H. (November 2, 1948). "'Light Up the Sky' Opens at Locust". The Philadelphia Inquirer. Philadelphia, Pennsylvania. p. 33 – via Newspapers.com.
  11. ↑ Cohen, Harold V. (November 4, 1948). "The Drama Desk". Pittsburgh Post Gazette. Pittsburgh, Pennsylvania. p. 14 – via Newspapers.com.
  12. ↑ Lyons, Leonard (November 25, 1948). "Empress Carries Pants". Post Standard. Syracuse, New York. p. 25 – via Newspapers.com.
  13. ↑ "Lights Up the Sky". Daily News. New York, New York. November 17, 1948. p. 128 – via Newspapers.com.
  14. 1 2 Watt, Douglas (May 17, 1949). "Show Business Puzzle". Daily News. New York, New York. p. 519 – via Newspapers.com.
  15. 1 2 3 Atkinson, Brooks (November 19, 1948). "At The Theatre". The New York Times. New York, New York. p. 34 – via nytimes.com.
  16. 1 2 3 Chapman, John (November 19, 1948). "'Light Up the Sky' Rollicking and Loving Comedy About the Stage". Daily News. New York, New York. p. 444 – via Newspapers.com.
  17. ↑ Walker, Danton (November 30, 1948). "Broadway". Daily News. New York, New York. p. 105 – via Newspapers.com.
  18. 1 2 3 Nathan, George Jean (November 29, 1948). "Theater Week: A Little Moral Piece on Mr. Hart". San Francisco Examiner. San Francisco, California. p. 12 – via Newspapers.com.
  19. ↑ Cohen, Harold V. (May 12, 1949). "The Drama Desk". Pittsburgh Post-Gazette. Pittsburgh, Pennsylvania. p. 10 – via Newspapers.com.
  20. 1 2 Sylvester, Robert (May 10, 1949). "'Kate' Richest Gal in Theatre". Daily News. New York, New York. p. 169 – via Newspapers.com.
  21. ↑ Sylvester, Robert (May 23, 1949). "Helpful Hints on Matters That Are Nobody's Business". Daily News. New York, New York. p. 485 – via Newspapers.com.
  22. ↑ "Comedy To Tour". Daily News. New York, New York. June 9, 1949. p. 821 – via Newspapers.com.
  23. 1 2 "Margie Hart (photo caption)". Daily News. New York, New York. October 8, 1949. p. 134 – via Newspapers.com.
  24. ↑ "ANTA 'Hamlet' in Danish Premiere". Daily News. New York, New York. June 18, 1949. p. 27 – via Newspapers.com.
  25. ↑ Gross, Ben (June 10, 1949). "Looking and Listening". Daily News. New York, New York. p. 622 – via Newspapers.com.
  26. ↑ Steinhauser, Si (June 13, 1949). "'Life With Luigi' Gets The Gate From Network". The Pittsburgh Press. Pittsburgh, Pennsylvania. p. 27 – via Newspapers.com.
  27. ↑ "The Ford Television Theatre (Ad)". Pittsburgh Sun-Telegraph. Pittsburgh, Pennsylvania. June 13, 1949. p. 9 – via Newspapers.com.
  28. ↑ "Television". Brooklyn Daily Eagle. Brooklyn, New York. June 13, 1949. p. 19 – via Newspapers.com.
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