Lightnin' Wells | |
---|---|
Birth name | Michael Wells [1] |
Born | West Virginia, United States |
Origin | North Carolina, United States |
Genres | Piedmont blues [2] |
Occupation(s) | Guitarist, harmonicist, singer, one-man band, record producer |
Instrument(s) | Guitar, vocals, ukulele, mandolin, banjo, harmonica |
Years active | Early 1970s–present |
Labels | Music Maker, various |
Website | Official website |
Lightnin' Wells is an American Piedmont blues multi-instrumentalist and singer. He is a proficient musician and regularly plays various instruments in concert including the guitar, mandolin, harmonica, ukulele and banjo. At times he has performed as a one-man band. His style encompasses elements of the blues, country, gospel, old-time, bluegrass and folk. Mark Coltrain stated in Living Blues that, "You won't find a more versatile musician around – able to move deftly between country blues, old-time banjo, and novelty tunes with a single pluck. Lightnin' Wells changes the past..." [3]
Wells has released six solo albums and worked for ten years on the board of directors at Music Maker Relief Foundation. His most recent recording was O Lightnin', Where Art Thou? (2017).
Michael Wells was born in West Virginia, United States, and largely raised in North Carolina, where he has spent most of his life. In his early days, Wells regularly listened to the Wheeling Jamboree show on WWVA radio out of Wheeling, West Virginia. His family relocated to Goldsboro, North Carolina in 1962, and there Wells discovered and gained a life-long interest in Piedmont blues and old-time music. [4]
He joined his first band, the Unknowns, at the age of thirteen, where he played the harmonica in an ensemble performing British Invasion inspired music. By the late 1960s, Wells had learned to play the guitar and initially tried to follow the work of artists in the folk revival movement, leading him to Bob Dylan chronologically backwards to Woody Guthrie, then Sonny Terry and Lead Belly. The first authentic Piedmont blues record he heard was a 78 recording of "Lookin' For My Woman," by Blind Boy Fuller. [5] Wells started performing professionally in the Chapel Hill area in the early 1970s. In addition to Fuller, Wells also studied the work of the Reverend Gary Davis. [6] As part of his ongoing musical education, Wells sought out still living Piedmont performers, which led him later to produce work by Big Boy Henry, Algia Mae Hinton and George Higgs. [3] [7]
In 1995, Wells made his own debut solo recording, Bull Frog Blues, which was followed by Ragtime Millionaire (1998); both released on New Moon Records. [6] "I'll Be Coming Home Every Saturday Night", written by Turner Foddrell was one of the tracks on Ragtime Millionaire. [8] By this time Wells was blending Piedmont and country blues utilizing a mixture of acoustic and resonator guitars, ukulele and harmonica. [9] Wells had joined Music Maker in 1996, and in 2002 released his next album on that label. [10] Ragged But Right included guest appearances by Cool John Ferguson on guitar and Taj Mahal on bass. [11] Wells also began his ten-year spell on the board of directors at the Music Maker Relief Foundation. [12] During this time Music Maker's assistance enabled Wells to perform at Playa Zancudo in Costa Rica, at Warehouse Blues and the Shakori Hills Grassroots Festival in North Carolina. [10]
Shake 'Em on Down (2008) gave Wells further opportunity to revisit some songs of the 1920s and produce an authentic sounding album. [13] His journey has left him with hundreds of old pieces in his musical mind, and he discovered the work of Floyd Council to add to his repertoire. Wells was not tempted to pen his own material, despite having a university degree in English. [5] In 2005, Wells traveled to Boone, North Carolina for the first Black Banjo Gathering where he accompanied Algia Mae Hinton. [6] Over the years Wells has performed at The Great Blue Heron Music Festival, Gathering of the Vibes (2002), Chicago Blues Festival (2000), Hampton Acoustic Blues Revival (2006), [14] Moulin Blues Festival (1996), the Bull Durham Blues Festival (1990, 1993, 1995, 1998, and 2000), Festival for the Eno, (1981 onwards), among many others. [15]
In 2008, Wells recorded Jump Little Children: Old Songs For Young Folks, a collection of children's music. [6] In addition, Wells has taught blues guitar across the United States, with his goal being to entertain and educate in presenting the unique American art form. [12] He is a regular faculty member at the Augusta Heritage Center, Port Townsend Acoustic Blues Festival and Swannanoa Gathering. Wells is a North Carolina Arts Council and American Traditions National Roster (through the Southern Arts Federation), touring artist. [6] In 2016, Wells performed at Muddy Creek Music Hall in Winston-Salem, North Carolina. [4]
Lightnin' Wells currently resides in Fountain, North Carolina. [5] A proposed 2015 documentary film, Straight-Six Blues, which features Wells is still in post-production. [16] In July 2015, Wells was on the same bill as Ironing Board Sam and Boo Hanks at a concert in the Sarah P. Duke Gardens, Duke University, Durham, North Carolina. [17]
His latest album, O Lightnin', Where Art Thou? (2017), was issued by the Germany-based Blind Lemon Records. [4] Wells played all of the instruments used on the collection. The tracks included Wells versions of Mississippi John Hurt's "Pallet on the Floor," Jesse Fuller's "San Francisco Bay Blues" and Robert Johnson's "Love in Vain". [7]
Year | Title | Record label |
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1995 | Bull Frog Blues | New Moon Records |
1998 | Ragtime Millionaire | New Moon Records |
2002 | Ragged But Right | Music Maker |
2008 | Shake 'Em on Down | CD Baby |
2008 | Jump Little Children: Old Songs For Young Folks | CD Baby |
2017 | O Lightnin', Where Art Thou? | Blind Lemon Records |
Piedmont blues refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern supports a syncopated melody using the treble strings generally picked with the fore-finger, occasionally others. The result is comparable in sound to ragtime or stride piano styles. Blues researcher Peter B. Lowry coined the term, giving co-credit to fellow folklorist Bruce Bastin. The Piedmont style is differentiated from other styles, particularly the Mississippi Delta blues, by its ragtime-based rhythms.
Reverend Gary Davis, also Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".
Etta Baker was an American Piedmont blues guitarist and singer from North Carolina.
Stefan Grossman is an American acoustic fingerstyle guitarist and singer, music producer and educator, and co-founder of Kicking Mule records. He is known for his instructional videos and Vestapol line of videos and DVDs.
Music Maker Relief Foundation is an American non-profit, based in Hillsborough, North Carolina. Music Maker Relief Foundation was founded in 1994 by Tim and Denise Duffy to "help the true pioneers and forgotten heroes of Southern music gain recognition and meet their day-to-day needs. Music Maker presents these musical traditions to the world so American culture will flourish and be preserved for future generations."
The North Carolina Heritage Award is an annual award given out by the North Carolina Arts Council, an agency of the North Carolina Department of Natural and Cultural Resources, in recognition of traditional artists from the U.S. state of North Carolina. The award was created in 1989.
Robert Lewis Jones, known as both Guitar Gabriel and Nyles Jones, was an American blues musician. Gabriel's unique style of guitar playing, which he referred to as "Toot Blues", combined Piedmont, Chicago, and Texas blues, as well as gospel, and was influenced by artists such as Blind Boy Fuller and Reverend Gary Davis. After hearing of Guitar Gabriel from the late Greensboro, North Carolina blues guitarist and pianist, James "Guitar Slim" Stephens, musician and folklorist Tim Duffy located and befriended Gabriel, who was the inspiration for the creation of the Music Maker Relief Foundation. Gabriel wore a trademark white sheepskin hat, which he acquired while traveling and performing with Medicine Shows during his late 20s.
John Dee Holeman was an American Piedmont blues guitarist, singer, and songwriter. His music includes elements of Texas blues, R&B and African-American string-band music. In his younger days he was also known for his proficiency as a buckdancer.
Samuel Moore, who performs and records as Ironing Board Sam, is an American electric blues keyboardist, singer and songwriter, who has released a small number of singles and albums. His musical career, despite several low points, has spanned over fifty years, and he released a new album in 2012. "I'll tell you one thing, it's the blues," he stated. "That's why I look like a blues man now."
Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in The Wall Street Journal, Paxton is "virtually the only music-maker of his generation — playing guitar, banjo, piano and violin, among other implements — to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson."
Algia Mae Hinton was an American Piedmont blues guitarist and vocalist, based in Johnston County, North Carolina, United States.
Bishop Dready Lewis Manning was an American singer, songwriter, guitarist, and harmonica player. He played gospel music infused with Piedmont blues elements. He was also the founder of St. Mark Holiness Church in Roanoke Rapids, North Carolina, and a North Carolina Arts Council Folk Heritage Award winner.
Richard Leslie Henry, better known as Big Boy Henry, was an American Piedmont blues guitarist, singer and songwriter. His most notable recording was "Mr. President", a protest against cuts in social welfare undertaken by President Ronald Reagan. It won Henry a W. C. Handy Award.
Turner Foddrell was an American Piedmont blues and folk acoustic guitarist, singer and songwriter. He performed locally, nationally, and in Europe, both as a solo artist and with his brother, Marvin. They jointly recorded two albums in the early 1980s. In addition, he was often joined in performances by his son, Lynn.
George Higgs was an American Piedmont blues acoustic guitarist, harmonicist, singer and songwriter. He recorded three albums in his lifetime, although he spent over sixty years performing regularly, mainly in his home State. In 1993, Higgs was granted the North Carolina Heritage Award from the North Carolina Arts Council.
Cora Mae Bryant was an American blues musician. She was the daughter of another American blues musician, Curley Weaver. Bryant released two solo albums in her lifetime on the Music Maker label.
James Arthur "Boo" Hanks was an American Piedmont blues guitarist and singer. He was billed as the last of the Piedmont blues musicians.
Carl Rutherford was an American Piedmont blues, country blues, and Appalachian music guitarist, singer and songwriter.