Lilly Goren | |
---|---|
Nationality | American |
Alma mater | |
Scientific career | |
Fields | |
Institutions | Carroll University |
Lilly J. Goren is an American political scientist and historian. She is a professor of political science and global studies at Carroll University, where she has also been Chair of the Department of History, Political Science and Religious Studies and Faculty President for the University. Goren uses popular culture, such as literature and film, to understand American politics. She has published work on how popular culture affects public perceptions of political leadership by women, how feminist ideas are reflected and affected by popular culture, and the politics of re-distribution in the United States Congress.
Goren attended Kenyon College, graduating in 1987 with an AB degree in Political Science and English. [1] Goren then attended Boston College, where she earned an MA and then a PhD, both in political science. [2]
In addition to her articles in peer-reviewed academic journals, [3] [4] [5] [6] [7] [8] [9] Goren has been the author or editor of several books. In 2003, she published The Politics of Military Base Closings: Not in My District. The book uses the Base Realignment and Closing Commission to study the politics of re-distributive decisions by the United States Congress and the president, arguing that the Commission was a tool to shield representatives from the electoral consequences of redistribution. [10]
Goren was the editor of the 2009 book You've Come a Long Way, Baby: Women, Politics, and Popular Culture, which studied the intersection of politics and popular culture from multiple different feminist positions. [11] The core theme of the book is the study of how feminism informs popular culture, and how popular culture in turns affects understandings of feminism. [12] The volume included close readings of television series, books, and films from both second-wave feminist and third-wave feminist writers. [13] The authors and editor deliberately encouraged a critical dialogue between the chapters, arguing that the contrasting perspectives that the authors of the volume took regarding certain popular culture topics mirrored broader disagreements in contemporary American politics. [13]
Goren was also the editor, together with Justin S. Vaughn, of the 2012 book Women and the White House: Gender, Popular Culture, and Presidential Politics. The book is a collection of works on how popular culture shapes public perceptions of leadership by women, as well as how these opinions are reflected in popular culture. [14] It particularly focuses on gendered portrayals of, and gendered ideas about, the American Presidency. [14] Women and the White House won the 2014 Susan Koppelman Award, which is awarded by the Popular Culture Association/American Culture Association for the best anthology, multi-authored, or edited book in the topic of feminist studies in popular and American culture that was published in the preceding year. [15] It also received the 2014 Peter C. Collins book award from the Southwest Popular Culture/American Culture Association. [16] Goren was also the co-editor with Linda Beail of Mad Men and Politics: Nostalgia and the Remaking of Modern America, published in 2015. [17]
In 2022, Goren co-edited and contributed to The Politics of the Marvel Cinematic Universe, co-edited with Nicholas Carnes. [18] A second volume is expected in 2025.
From 2010-2014 and 2022-2024, Goren was President of the Carroll University Faculty. [1] She has also been a 2-time chair of the Politics, Literature and Film section of the American Political Science Association. [1]
In 2018, Goren was a Fulbright Fellow at the University of Bonn. [1] There she worked on a project called "Nostalgia in the Age of Anxiety: Political Culture, Emotion, and Citizenship". [19]
Goren has been quoted, or her work has been cited, in media outlets including The Washington Post , [20] USA Today, [21] The Atlantic , [22] WBUR, [23] and WUWM, [24] and she has published in outlets like The Washington Post [25] and Fortune . [26]
Since 2017, Goren is the co-host of the New Books in Political Science podcast [27] published by the New Books Network. She interviews authors of new books in a long form interview. She arranges, conducts, and produces the podcast. She is also the co-host of the Postscript podcast [28] published on the New Books Network.
Postfeminism is a term popularized by the mass media to describe an alleged decrease in support for feminism from the 1990s onwards. It can be considered a critical way of understanding the changed relations between feminism, femininity and popular culture. The term is sometimes confused with subsequent feminisms such as fourth-wave feminism, postmodern feminism, and xenofeminism.
Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor-in-Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization.
Nancy Fraser is an American philosopher, critical theorist, feminist, and the Henry A. and Louise Loeb Professor of Political and Social Science and professor of philosophy at The New School in New York City. Widely known for her critique of identity politics and her philosophical work on the concept of justice, Fraser is also a staunch critic of contemporary liberal feminism and its abandonment of social justice issues. Fraser holds honorary doctoral degrees from four universities in three countries, and won the 2010 Alfred Schutz Prize in Social Philosophy from the American Philosophical Association. She was President of the American Philosophical Association Eastern Division for the 2017–2018 term.
Cynthia Holden Enloe is an American political theorist, feminist writer, and professor. She is best known for her work on gender and militarism and for her contributions to the field of feminist international relations. She has also influenced the field of feminist political geography, with feminist geopolitics in particular.
Laura Elizabeth Sjoberg is an American feminist scholar of international relations and international security. Her work specializes in gendered interpretations of just war theory, feminist security studies, and women's violence in global politics.
Kristen Rogheh Ghodsee is an American ethnographer and Professor of Russian and East European Studies at the University of Pennsylvania. She is primarily known for her ethnographic work on post-Communist Bulgaria as well as being a contributor to the field of postsocialist gender studies. She was critical of the role of Western feminist nongovernmental organizations doing work among East European women in the 1990s. She has also examined the shifting gender relations of Muslim minorities after Communist rule, the intersections of Islamic beliefs and practices with the ideological remains of Marxism–Leninism, communist nostalgia, the legacies of Marxist feminism, and the intellectual history of utopianism.
Andrea Lee Press is an American sociologist and media studies scholar. She is the William R. Kenan Jr. Professor of Media Studies and Sociology, and Chair of the Media Studies Department, at the University of Virginia.
Shirin M. Rai, is an interdisciplinary scholar who works across the political science and international relations boundaries. She is known for her research on the intersections between international political economy, globalisation, post-colonial governance, institutions and processes of democratisation and gender regimes. She was a professor of politics and international studies at the University of Warwick, and is the founding director of Warwick Interdisciplinary Research Centre for International Development (WICID).
Laurie J. Shrage is an American political and moral philosopher whose analysis of the agendas for social change advanced by gender and sexual dissidents has been influential.
To Write Like a Woman: Essays in Feminism and Science Fiction is a collection of essays by Joanna Russ, published in 1995. Many of the essays previously appeared as letters, in anthologies, or in journals such as Science Fiction Studies, Extrapolation, and Chrysalis. Topics range from the work of specific authors to major trends in feminism and science fiction. Through all of these different topics, Russ underlines the importance of celebrating the work of female authors and turning a critical eye on the commentaries and work produced by men.
Amy Allen is a liberal arts research professor of philosophy and women's, gender, and sexuality studies at The Pennsylvania State University, where she is also head of department. Previously, she was the Parents distinguished research professor in the humanities, and professor of philosophy and gender and women's studies, at Dartmouth College, and was chair of its department of philosophy from 2006 to 2012. Her research takes a critical approach to feminist approaches of power, and attempts to broaden traditional feminist understandings of power to apply to transnational issues.
Irma P. McClaurin is an American poet, anthropologist, academic, and leadership consultant. She was the first female president of Shaw University, and is the author or editor of several books on topics including the culture of Belize, black feminism, African-American history, and her own poetry.
Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being seen as weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed". The cover of hooks' book, drawn by Laura DeSantis, depicts children alongside adults, showing the importance of the youth. The presence of feminism in children's literature has evolved over the years, but the overall message and goals have remained consistent.
Kay Deaux is an American social psychologist known for her pioneering research on immigration and feminist identity. Deaux is Distinguished Professor Emerita at the Department of Psychology at the Graduate Center of the City University of New York (CUNY). According to Brenda Major, Deaux's work centers on the question of how social categories affect one's psychological makeup, social behavior, and life outcomes, while emphasizing the subjectivity of people's identities and experiences and the larger social context.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists, but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all human beings in all manner of experiences. It also redefines traditional delivery sites to include non-traditional locations such as demonstrations, letter writing, and digital processes, and alternative practices such as rhetorical listening and productive silence. According to author and rhetorical feminist Cheryl Glenn in her book Rhetorical Feminism and This Thing Called Hope (2018), "rhetorical feminism is a set of tactics that multiplies rhetorical opportunities in terms of who counts as a rhetor, who can inhabit an audience, and what those audiences can do." Rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences view rhetorical appeals.
Verta Ann Taylor is a professor of sociology at the University of California, Santa Barbara, with focuses on gender, sexuality, social movements, and women's health.
Jacqui True is a political scientist and expert in gender studies. She is a professor of international relations at Monash University, where she is also Director of the Centre for Gender, Peace and Security. She studies international relations, gender mainstreaming, violence against women and its connections to political economy, and the methodology of feminist social science.
Barbara Haber is a culinary historian and speaker. She is the former book curator of the Schlesinger Library at Harvard University. Haber is credited with expanding the library's focus on women's social history to include food-related books and cookbooks, as well as fiction and memoirs, despite critics that were originally against it. She has authored and co-written books on subjects related to culinary history.
Mother Journeys: Feminists Write about Mothering is a collection of essays, poems, cartoons, and drawings edited by Maureen T. Reddy, Martha Roth, and Amy Sheldon and published by Spinsters Ink in 1994. The collection was among the first books to address the topic of mothering from a specifically feminist perspective at a time when many assumed "feminism and mothering were mutually incompatible".
American singer-songwriter Madonna has been considered a sexual icon. Many have considered Madonna's sexuality as one of the focal points of her career. The Oxford Dictionary of English (2010) even credited her image as a sex symbol as a source of her international stardom. Her sexual displays have drawn numerous analyses by scholars, sexologists, feminists, and other authors. Due to her constant usage of explicit sexual content, she faced censorship for her videos, stage performances and other projects.