Lily-O | ||||
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Studio album by | ||||
Released | 2014 | |||
Recorded | Greenhouse Studios, Reykjavík | |||
Genre | Folk | |||
Length | 47:09 | |||
Label | Nonesuch Records | |||
Producer | Valgeir Sigurðsson | |||
Sam Amidon chronology | ||||
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Review scores | |
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Source | Rating |
Wondering Sound | [1] |
Pitchfork | [2] |
The Guardian | [3] |
Paste Magazine | [4] |
All Music | [5] |
music OMH | [6] |
PopMatters | [7] |
Irish Times | [8] |
Blurt | [9] |
Lily-O is the fifth album by singer and multi-instrumentalist Sam Amidon. The album is a collection of reworked folksongs, arranged and sung by Amidon, accompanying himself on guitar and banjo, with a band consisting of Bill Frisell, Shahzad Ismaily and Chris Vatalaro. The album was recorded and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavík, Iceland and was released on Nonesuch Records in 2014. [10]
Lily-O emerged from Amidon's collaboration with guitarist Bill Frisell, who had been a hero of Amidon's since his youth. Starting in 2011, Frisell and Amidon collaborated in an array of contexts, starting with Amidon's appearing as a guest with Frisell's Beautiful Dreamers Trio in Ludwigsburg, Germany; [11] a brief duo tour of the Northeastern US by the two musicians; [12] and a concert by Frisell featuring Amidon, jazz pianist Jason Moran, and singer Alicia Hall Moran at Jazz at Lincoln Center. [13] For the Lily-O album, Amidon decided to bring Frisell to Iceland to record at Greenhouse Studios with Amidon's longtime collaborators Shahzad Ismaily on electric bass and Chris Vatalaro on drums and live electronics. Amidon did not share the songs with the band beforehand but instead taught them as they went, with the group's arrangements coming together as they recorded. The band recorded their tracks live on the floor over the course of three days, with very few overdubs. [14]
All Music Guide stated that Lily-O may be the finest hour of Amidon's well-refined approach to the seemingly endless well of public domain folk songs, offering some of his most beautiful and daring arrangements yet." [15] The New York Times called it "A hauntingly beautiful new album." [16] The Wondering Sound review said that "Amidon is doing to folk what Arthur Russell did to disco and dance music: the components are taken context-free and mixed around." [17] Amidon toured the album extensively including a 10-day US tour with Frisell and Ismaily, with shows at San Francisco's Great American Music Hall and Brooklyn's Music Hall of Williamsburg, and an appearance on the NPR Tiny Desk Concert. [18]
All songs composed by Sam Amidon/Traditional, arranged by Sam Amidon, except track 2 composed by Sam Amidon; track 9 by Rosa Lee Watson, arranged by Sam Amidon; track 10 music by Sam Amidon/Alexander Johnson (1818), lyric by Isaac Watts (1719). [10]
William Richard Frisell is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win.
Jenny Scheinman is a jazz violinist. She has produced several critically acclaimed solo albums, including 12 Songs, named one of the Top Ten Albums of 2005 by The New York Times. She has played with Linda Perry, Norah Jones, Nels Cline, Lou Reed, Ani Difranco, Bruce Cockburn, Aretha Franklin, Lucinda Williams, Bono, Bill Frisell, the Hot Club of San Francisco, and Allison Miller.
Valgeir Sigurðsson is an Icelandic record producer, mixer, composer, audio engineer and musician.
Nico Asher Muhly is an American contemporary classical music composer and arranger who has worked and recorded with both classical and pop musicians. A prolific composer, he has composed for many notable symphony orchestras and chamber ensembles and has had two operas commissioned by the Metropolitan Opera. Since 2006, he has released nine studio albums, many of which are collaborative, including 2017's Planetarium with Sufjan Stevens, Bryce Dessner & James McAlister. He is a member of the Icelandic music collective and record label Bedroom Community.
Viktor Krauss is an American musician who plays acoustic and electric bass. He has released solo albums and has worked as a sideman with many musicians, including his sister, singer and fiddler Alison Krauss.
Crash Ensemble is an Irish new music ensemble, which performs a range of contemporary classical music, as well as touring and organising festivals.
Lee Townsend is an American independent music producer, curator, artist manager and co-owner of Songtone, specializing in recordings of singer-songwriters, contemporary composers, improvising musicians, and cross-cultural musical collaborations. He is also a psychotherapist in private practice in the San Francisco Bay Area.
This discography features albums released by guitarist Bill Frisell, released recordings of bands and projects he was/is a member of, and albums on which he appears as guest musician. Labels and dates indicate first release.
Nashville is the ninth album by Bill Frisell to be released on the Elektra Nonesuch label and his first to be recorded in Nashville, Tennessee. It was released in 1997 and features performances by Frisell, bassist Viktor Krauss, Jerry Douglas on dobro, Ron Block on banjo and Adam Steffey on mandolin, with guest appearances from Robin Holcomb on vocals and Pat Bergeson on harmonica.
Blues Dream is the 13th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2001 and features performances by Frisell, steel guitarist Greg Leisz, trumpeter Ron Miles, alto saxophonist Billy Drewes, trombonist Curtis Fowlkes, bassist David Piltch and drummer Kenny Wollesen. The cover photograph was taken by George A. Tice in 1974 at Kresson Road, Cherry Hill, New Jersey.
Bill Frisell, Ron Carter, Paul Motian is the 19th album by Bill Frisell, released on the Elektra Nonesuch label.
Samuel Tear Amidon is an American singer, songwriter, and multi-instrumentalist.
Thomas Bartlett, also known as Doveman, is an American pianist, producer, and singer. He has released four solo albums as Doveman, four albums as a member of The Gloaming, duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh, and "Shelter," an album of solo piano compositions.
Ronald Glen Miles was an American jazz trumpeter, cornetist, and composer. He recorded for the labels Prolific (1986), Capri (1990), and Gramavision. His final album, Old Main Chapel, his second on the Blue Note label, was released posthumously in 2024.
All Is Well is the second album by the singer and multi-instrumentalist Sam Amidon, released in 2008. It was produced and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavík and released on the Bedroom Community label. The album features Amidon's reworkings of traditional folk songs, with chamber-orchestra arrangements by composer Nico Muhly and additional contributions from violist Eyvind Kang, electronic musician Ben Frost, and percussionists Aaron Siegel and Stefan Amidon.
Bedroom Community is an Icelandic record label/collective which was founded in 2006 by producer Valgeir Sigurðsson, alongside fellow artists Nico Muhly and Ben Frost, later adding more artists to the label. Based on the outskirts of Reykjavík, Iceland, Bedroom Community is also the home of Greenhouse Studios.
Bright Sunny South is an album by Sam Amidon released May 14, 2013, by Nonesuch Records The album was recorded at Snap Recording Studios and Livington Studios in London. Amidon, his friend Thomas Bartlett, and Jerry Boys produced the album. Amidon sings and performs banjo, fiddle, acoustic guitar, and piano on the album. Bartlett performs several instruments, as do Shahzad Ismaily and Chris Vatalaro; Kenny Wheeler performs trumpet on two tracks.
I See the Sign is the third album by experimental folk artist Sam Amidon, released in 2010. The album features Amidon’s radical reworkings of traditional folk songs, with chamber-orchestra arrangements by composer Nico Muhly; multi-instrumental contributions from Shahzad Ismaily, and guest vocals by Beth Orton. It was produced and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavik and released on the Bedroom Community label.
The Following Mountain is the sixth album by singer and multi-instrumentalist Sam Amidon, released in 2017 by Nonesuch Records. It is Amidon's first album of original compositions, the previous albums having been made up primarily of re-worked traditional folk songs. The album was produced by Leo Abrahams with additional production from Shahzad Ismaily, and it includes contributions from legendary free jazz drummer Milford Graves, as well as the saxophonist Sam Gendel, drummer Chris Vatalaro, multi-instrumentalist Ismaily, and Jimi Hendrix percussionist Juma Sultan on the song "Juma Mountain." Amidon himself plays fiddle, banjo, acoustic and electric guitars, and Moog synthesizer on the album, along with his own vocals.
Found Light is a 2022 studio album by American singer-songwriter Laura Veirs. This is the first album without long-time producer Tucker Martine and also the first where Veirs recorded her guitar and vocals simultaneously. It has received positive critical reception.